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'Without Title' in G Minor
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Vous avez sélectionné:
'Without Title' in G Minor
Partitions à imprimer
33 partitions trouvées
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'Without Title' in G Minor
'Without Title' in G Minor
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Orgue, Piano (duo)
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INTERMÉDIAIRE
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Mitch Boucher
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'Without Title' in G Minor
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Mitch Boucher
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SheetMusicPlus
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - SKU: A0.990431 Composed by Mitch Boucher. Baroque,Instructional,Standards....
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - SKU: A0.990431 Composed by Mitch Boucher. Baroque,Instructional,Standards. Score and parts. 1 pages. Mitch Boucher #5751231. Published by Mitch Boucher (A0.990431). I hope you enjoy this small exercise.
$4.00 ≈
3.69€
Sonata A minor
Sonata A minor
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Joseph Bodin de Boismortier
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Sonata A minor
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Schott Music - Digital
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SheetMusicPlus
3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; harpsichord (piano), cello (viola da gamba, bassoon) ad libitum - interme...
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3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; harpsichord (piano), cello (viola da gamba, bassoon) ad libitum - intermediate - SKU: S9.Q24137 Composed by Joseph Bodin de Boismortier. This edition: set of parts soloistically. Concertino. Downloadable, Set of parts. Op. 34/6. Duration 6 minutes. Schott Music - Digital #Q24137. Published by Schott Music - Digital (S9.Q24137). Key: A minor.Boismortier is considered to be one of the most popular and most hard-working composers of his time. The original title of this sonata in A Minor indicates flutes, violins and other instruments as well suited for performance. The composer arranged the first melody part in such a way that it can be played by an alto recorder without any changes. Scored for string chorus, the sonata achieves a very good tonal effect. With soloistic scoring, three equal instruments (e.g. three violins) or three completely different instruments (e.g. flute, violin, oboe) are best suited for the performance of the upper parts.
$12.99 ≈
11.98€
Sonata A minor
Sonata A minor
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Joseph Bodin de Boismortier
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Sonata A minor
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Schott Music - Digital
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SheetMusicPlus
3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; harpsichord (piano), cello (viola da gamba, bassoon) ad libitum - interme...
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3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; harpsichord (piano), cello (viola da gamba, bassoon) ad libitum - intermediate - SKU: S9.Q1104 Composed by Joseph Bodin de Boismortier. This edition: score. Concertino. Downloadable, Score. Op. 34/6. Duration 6 minutes. Schott Music - Digital #Q1104. Published by Schott Music - Digital (S9.Q1104). Key: A minor.Boismortier is considered to be one of the most popular and most hard-working composers of his time. The original title of this sonata in A Minor indicates flutes, violins and other instruments as well suited for performance. The composer arranged the first melody part in such a way that it can be played by an alto recorder without any changes. Scored for string chorus, the sonata achieves a very good tonal effect. With soloistic scoring, three equal instruments (e.g. three violins) or three completely different instruments (e.g. flute, violin, oboe) are best suited for the performance of the upper parts.
$16.99 ≈
15.67€
BOISMORTIER SONATA IN D MINOR OPUS 7 No. 4 for flute or oboe, clarinet & bassoon or cello
BOISMORTIER SONATA IN D MINOR OPUS 7 No. 4 for flute or oboe, clarinet & bassoon or cello
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Joseph Bodin De Boismortier
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BOISMORTIER SONATA IN D MINOR
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 3 - SKU: A0.811719 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & ...
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Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 3 - SKU: A0.811719 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Graduation,Standards,Wedding. Score and parts. 22 pages. Piper Publications #5213745. Published by Piper Publications (A0.811719). The sonata is the first of a set of six published in Paris in 1725 by L’Auteur & Boivin ‘Avec Privilege du Roy.1725.’ The title page described them as ‘SONATES EN TRIO pour Trois Flûtes Transversieres sans Basse Par MR BOISMORTIER. OEVRE SEPTIÈME.’The publication consisted of a set of parts each with the title page followed by a copy of the Privilége granted by King Louis to Boismortier to print and sell his music.The fourth sonata has been arranged for flute or oboe, clarinet & bassoon or cello. The four movements are Doucement, Courante, Allemande and a pair of minuets. Players of intermediate standard and above will enjoy the independent part writing. Obvious mistakes and omissions have been corrected without comment, trills have been added where there is for e.g. a sequence where only the first trill has been indicated or a similar passage has a trill in that part or another part. The more modern tr has been substituted for + and the mordant used on shorter notes retained. The only dynamics included in the original are Doucement (softly) at the beginning of the first movement and Doux , an indication to play softly from bar/measure 49 to the end of the first movement, and none have been added. Players should feel free to add their own. For the arrangement some changes of register have been made to accommodate the ranges of the oboe and clarinet and additional slurs have been added (dashed lines). Players are free to retain the ‘feel’ of early eighteenth century style whilst playing modern instruments.The original publication used the, now defunct, soprano clef (with G on the bottom line of the stave) and this edition has been transcribed into the modern treble clef. In the eighteenth century it was quite usual for wind players to play several instruments. The use of the soprano clef would have made it easier to switch between flute and bassoon.
$12.00 ≈
11.07€
Ave Maria (G. Caccini) for solo voice and concert band
Ave Maria (G. Caccini) for solo voice and concert band
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Orchestre d'harmonie
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DÉBUTANT
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Giulio Caccini
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Mark Armstrong
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Ave Maria
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Seolta Music Limited
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.930930 Composed by Giulio Caccini. Arranged by Mark Armstrong. Renaissance,Sacred. Score and Parts. 31 pages. Seolta Mu...
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Concert Band - Level 1 - SKU: A0.930930 Composed by Giulio Caccini. Arranged by Mark Armstrong. Renaissance,Sacred. Score and Parts. 31 pages. Seolta Music Limited #4983881. Published by Seolta Music Limited (A0.930930). Giulio Caccini's haunting 'Ave Maria' in an accessible yet beautiful arrangement for voice and concert band by Mark Armstrong. This piece is very suitable for church services, or as a contrasting concert item. This arrangement is equally effective without the vocal part (Key G minor).To explore all voice and band titles from Seolta Publishing click here.
$60.00 ≈
55.34€
Song Without Words In G Minor, Op. 53, No. 3
Song Without Words In G Minor, Op. 53, No. 3
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Piano seul
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Classique
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Felix Bartholdy Mendelssohn
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Immanuela Gruenberg
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Song Without Words In G Minor,
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Immanuela Gruenberg. For piano. Classical. 6 pages. Published by Hal Leonard - Digital Sheet Mu...
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Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Immanuela Gruenberg. For piano. Classical. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.60€
Venetian Gondola Song in G minor
Venetian Gondola Song in G minor
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Piano seul
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Felix Bartholdy Mendelssohn
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Co
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Venetian Gondola Song in G min
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Schott Music - Digital Sheet Music
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SheetMusicPlus
(from Songs without Words, Op. 19b No. 6). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Monika Twelsiek. For piano. Copyright 2009 Schott Musi...
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(from Songs without Words, Op. 19b No. 6). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Monika Twelsiek. For piano. Copyright 2009 Schott Music GmbH & Co. KG, Mainz. 2 pages. Published by Schott Music - Digital Sheet Music
$2.99 ≈
2.76€
Song Without Words In G Minor "Venetian Gondola Song," Op. 19, No. 6
Song Without Words In G Minor "Venetian Gondola Song," Op. 19, No. 6
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Piano seul
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Classique
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Felix Bartholdy Mendelssohn
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Immanuela Gruenberg
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Song Without Words In G Minor
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Immanuela Gruenberg. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music ...
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Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Immanuela Gruenberg. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.60€
Song Without Words In G Minor, Op. 102, No. 4
Song Without Words In G Minor, Op. 102, No. 4
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Piano seul
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Classique
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Felix Bartholdy Mendelssohn
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Immanuela Gruenberg
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Song Without Words In G Minor,
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Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Immanuela Gruenberg. For piano. Classical. 3 pages. Published by Hal Leonard - Digital Sheet Mu...
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Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Immanuela Gruenberg. For piano. Classical. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.60€
Gigue in D Minor from Violin Partita 2 (BWV1004) (for Solo Guitar)
Gigue in D Minor from Violin Partita 2 (BWV1004) (for Solo Guitar)
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Johann Sebastian Bach
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Kenneth Pasciak
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Gigue in D Minor from Violin P
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Kenneth Pasciak
#
SheetMusicPlus
Guitar Tab, Classical Guitar, Electric Guitar - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by K...
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Guitar Tab, Classical Guitar, Electric Guitar - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Repertoire, Recital. Individual Part, Score, Tablature. 11 pages. Published by Kenneth Pasciak
Gigue from Violin Partita 2 (BWV 1004) by Johann Sebastian Bach transcribed for solo classical or electric guitar. Includes 5-page score with tablature, plus 3-page guitar part without tabs.
Also by Johann Sebastian Bach:
Air in D Major: S0.693725
Allemande in D Minor, S0.546076
Courante in D Minor, S0.904351
Prelude in G Major, S0.361231
Sarabande in D Minor, S0.422145
$1.99 ≈
1.84€
Courante in D Minor from Violin Partita 2 (BWV 1004) (for Solo Guitar)
Courante in D Minor from Violin Partita 2 (BWV 1004) (for Solo Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Kenneth Pasciak
#
Courante in D Minor from Violi
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Repertoire, Recital. Individual Part, Score, Tablature. 8 ...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Repertoire, Recital. Individual Part, Score, Tablature. 8 pages. Published by Kenneth Pasciak
Courante from Violin Partita 2 (BWV 1004) by Johann Sebastian Bach transcribed for solo classical or electric guitar. Includes 3-page score with tablature, plus 2-page guitar part without tabs.
Also by Johann Sebastian Bach:
Air in D Major: S0.693725
Allemande in D Minor, S0.546076
Prelude in G Major, S0.361231
Sarabande in D Minor, S0.422145
$1.99 ≈
1.84€
The Brass Player: Fantasy on Ich bin ein Musikant
The Brass Player: Fantasy on Ich bin ein Musikant
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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F
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The Brass Player: Fantasy on I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,W...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99 ≈
6.45€
Saint-Saens Mazurka for Recorder Trio
Saint-Saens Mazurka for Recorder Trio
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3 Flûtes à bec (trio)
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FACILE
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Classique
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Camille Saint- Saens
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Saint-Saens Mazurka for Record
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JGJG Sheet Music LLC
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SheetMusicPlus
Composed by Camille Saint- Saens (1835-1921). Arranged by James Grush. Romantic Period. Score, Set of Parts. 24 pages. Published by JGJG Sheet Music LL...
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Composed by Camille Saint- Saens (1835-1921). Arranged by James Grush. Romantic Period. Score, Set of Parts. 24 pages. Published by JGJG Sheet Music LLC
Camille Saint-Saens composed his Mazurka in G minor (Op. 21) for solo piano. This piece has an engaging melody and rhythm, and includes a waltz section in G major. Arranged for ATB recorders. Clear score and individual parts; play with or without a conductor.
$12.00 ≈
11.07€
Sarabande from Cello Suite II (BWV1008) (for Solo Guitar)
Sarabande from Cello Suite II (BWV1008) (for Solo Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Kenneth Pasciak
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Sarabande from Cello Suite II
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SheetMusicPlus
Guitar Tab, classical guitar, fingerstyle guitar - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth...
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Guitar Tab, classical guitar, fingerstyle guitar - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Repertoire, Recital. Individual Part, Score, Tablature. 6 pages. Published by Kenneth Pasciak
Sarabande from Cello Suite II by Johann Sebastian Bach, arranged for solo guitar in G minor (original key D minor). Includes two-page score with tablature, plus one-page guitar part without tabs.
$1.99 ≈
1.84€
Merry-go-round Of Life (for Flute or Violin and Guitar)
Merry-go-round Of Life (for Flute or Violin and Guitar)
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Flûte et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joe Hisaishi
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Kenneth Pasciak
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Merry-go-round Of Life
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Kenneth Pasciak
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SheetMusicPlus
Flute, Violin, Guitar, Guitar Tab - Advanced Intermediate - By Joe Hisaishi. Arranged by Kenneth Pasciak. Score, Set of Parts, Tablature. 13 pages. ...
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Flute, Violin, Guitar, Guitar Tab - Advanced Intermediate - By Joe Hisaishi. Arranged by Kenneth Pasciak. Score, Set of Parts, Tablature. 13 pages. Published by Kenneth Pasciak
Merry-Go-Round of Life by Japanese composer Joe Hisaishi, from the Ghibli animated film Howl's Moving Castle, arranged for flute or violin and guitar in G minor. Includes six-page score with tablature, plus individual flute and guitar (without tabs) parts.
Note: guitar retuning required 6=D
Kenneth Pasciak Music Publishing, ASCAP
kenpasciak.com
$7.95 ≈
7.33€
On the Concept of Limit [piano solo]
On the Concept of Limit [piano solo]
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Piano seul
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FACILE
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Juan MarÃa Solare
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On the Concept of Limit [piano
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Juan Maria Solare
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.596630 Composed by Juan MarÃa Solare. 20th Century,Instructional,Sacred. Score. 22 pages. Juan Maria Solare #6602197. ...
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Easy Piano - Level 2 - SKU: A0.596630 Composed by Juan MarÃa Solare. 20th Century,Instructional,Sacred. Score. 22 pages. Juan Maria Solare #6602197. Published by Juan Maria Solare (A0.596630). Juan MarÃa Solare: On the Concept of Limit (seven piano pieces) In this work crystallises an idea that has been haunting me for some time: that the titles of the individual pieces should read like lines of a poem. 1) Up to a Certain Point 2) Nothing Gets Lost 3) Yet All Will Be Forgotten 4) At the End of the Day 5) Even the Sky Has a Limit 6) However, However 7) Only the Present Has No Limits There is a fancy order of keys in this cycle: in ascending thirds (both major and minor but without a regularity). Indirectly, this is a structural quotation of Beethoven's variations Opus 34 (only that he chose a descending order of keys). Additionally, you will find three times 4/4 time signature and three times 3/4, and one instance of 5/8 (asymmetrically arranged). 1) C major (4/4) 2) E major (3/4) 3) G minor (4/4) 4) B major (4/4) 5) D minor (5/8) 6) F minor (3/4) 7) A major (3/4) The seventh and last piece is dedicated to Martina Lindner. These pieces were composed in Bremen, Germany, in September 2021 Juan MarÃa Solare, www.JuanMariaSolare.com
$7.00 ≈
6.46€
100 Easy Piano Classics
100 Easy Piano Classics
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Piano Facile
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FACILE
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Classique
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Various Classical
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Misha Stefanuk
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100 Easy Piano Classics
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Misha Stefanuk
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SheetMusicPlus
Composed by Various Classical. Arranged by Misha Stefanuk. Easy Piano Classics. Romantic Period, Classical Period, Baroque Period, Impressionistic, Repertoire. ...
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Composed by Various Classical. Arranged by Misha Stefanuk. Easy Piano Classics. Romantic Period, Classical Period, Baroque Period, Impressionistic, Repertoire. Piano Reduction, Sheet Music Single. 250 pages. Published by Misha Stefanuk (S0.179791). - Piano Reduction,Sheet Music Single - Romantic Period,Classical Period,Baroque Period,Impressionistic,Repertoire - Misha Stefanuk
Greatmusic, easy to learn. From the best-selling arranger, Misha Stefanuk, comes every piece you ever wanted to play, and now you can.Easy, masterful arrangements make everyone immediately sound great.For self learners- wonderful music without too much struggle, a greatsight-reading booster, for teachers- a great intermediate confidencebuilder, tons of fun for everyone! Music List: Morning,Hall of the Mountain King, Canon in D, Pomp and Circumstance, FrElise, Blue Danube, Spring, Beethoven Symphony No. 5, Chopin Nocturnein E-Flat Major, Gymnopdie 1, Bach Minuet In G, Bach Minuet In Dminor, Leopold Mozart Minuet in F, Ode to Joy, Brahms' Lullaby, Jesu,Joy Of Man's Desiring, The Skaters Waltz, Musette, Dance of the SugarPlum Fairy from the Nutcracker, Ave Maria, God Rest You, MerryGentlemen, Happy Farmer, Soldier's March, Poor Orphan, Wild Rider,Toreador Song from CARMEN, Rondo A La Turk, Joy to the World,Symphony No. 5, First Loss, Air on G string, Mozart Minuet in G,Mazurka in Bb, Brahms Waltz in A, Elves Dance, Schubert Waltz in B,Beethoven Russian Folk Song, Gurlitt Scherzo, Kohler Waltz,Arabesque, Morning Prayer, Old French Song, German Song, ItalianSong, Reverie, Sick Doll, Trumpet Tune, Teleman Menuet, LeopoldMozart Burlesque, Mozart Minuet in C, Take Me Out to the Ball Game, Omio babbino caro, Nutcracker March, Waltz Of The Flowers, Lullabyfrom the Nutcracker, Grossfater from Nutcracker, BeethovenEccossaise, Brahms Hungarian Dance no. 5, Bach Little Prelude in C,Amazing Grace, Mozart Allegro, Wagner Wedding March, MendelssohnWedding March, Danny Boy, Waltz from Sleeping Beauty, William TellOverture, Lake by the Mountain, Trish Trash Polka, Ragtime, Musetta'sWaltz, March of the Little People, Serenade, March from Aida,Schubert Military March, Moonlight Sonata, Mozart Symphony no 40,Surprise Symphony, Jingle Bells, Cancan, Hallelujah Chorus,Westminster Chime, Eine Kleine Nachtmusic, Mozart Minuet in F, RameauRondo, Paganini Caprice, Happy Birthday, Sheep May Safely Graze,Tocatta in D minor, Skater's Waltz, Habanera, Humoresque, BoccheriniMinuet,The Entertainer, Maple Leaf Rag, Chopsticks, Also SprachZaratustra, Barcarolle, Hava Nagila, La Donna E Mobile, March fromNutracker, Amazing Grace, Jingle Bells, and God Rest You MerryGentemen.
$12.99 ≈
11.98€
Der fliegende Holländer
Der fliegende Holländer
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Classique
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder -
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99 ≈
44.26€
If Not Now, When?
If Not Now, When?
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Contemporain
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pa...
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00 ≈
23.06€
'Without Title' II in G Minor
'Without Title' II in G Minor
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Orgue, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Mitch Boucher
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'Without Title' II in G Minor
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Mitch Boucher
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SheetMusicPlus
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - SKU: A0.990436 Composed by Mitch Boucher. Baroque,Instructional. Score and...
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - SKU: A0.990436 Composed by Mitch Boucher. Baroque,Instructional. Score and parts. 1 pages. Mitch Boucher #5751295. Published by Mitch Boucher (A0.990436).
$5.00 ≈
4.61€
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
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Piano Facile
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DÉBUTANT
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Classique
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Various
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20 Classical Piano Pieces for
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Scott Camp
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SheetMusicPlus
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by S...
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music.
In my experience, every elementary piano student should be given the opportunity to successfully play:
Spinning Song (even if you leave out the middle section at first)
Minuet in G (page one)
Fur Elise (page one)
Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection.
All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions.
"Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.
Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening.
So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior.
If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly.
"Practice Makes... "
If you said "Perfect" then you've fallen into a sinister trap.
"Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career.
Here's the process in general:
Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?
That's something for us professionals to consider.
Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!
Contents
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G minor from the Notebook for Anna Magdalena Bach
Musette in D from the Notebook for Anna Magdalena Bach
Minuet in F Wolfgang Amadeus Mozart
Ecossaise in G Ludwig van Beethoven
Sonatina in G Ludwig van Beethoven
I Allegretto
II Romanze
Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler
I Allegro
The Wild Horseman, Op. 68, No. 8 Robert Schumann
Fur Elise (Famous Page 1) Ludwig van Beethoven
Spinning Song, Op. 14, No. 4 Albert Elmenreich
Arabesque, Op. 100, No. 2 Friedrich Burgmller
Ballade, Op. 100, No. 15 Friedrich Burgmller
Solfeggietto Carl Philipp Emanuel Bach
Toccatina, Op. 27, No. 12 Dmitri Kabalevsky
Fur Elise (Complete) Ludwig van Beethoven
Sonatina, Op. 55, No. 1 Friedrich Kuhlau
I Allegro
Sonatina, Op. 36, No. 3 Muzio Clementi
I Spiritoso
La Vlocit, Op. 109, No. 10 Friedrich Burgmller
These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering.
The hand position notation is used to better communicate what exactly is being demanded of the student. Students? repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores ?playing music on the piano? to primacy and supports ?helping a student play music on the piano? as the central activity of the piano lesson.
Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.
Good luck!
Scott Camp
scottcampislandpiano@gmail.com
$3.99 ≈
3.68€
Sarabande and Double from Violin Partita 1 (BWV 1002) (for Solo Guitar)
Sarabande and Double from Violin Partita 1 (BWV 1002) (for Solo Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Kenneth Pasciak
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Sarabande and Double from Viol
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SheetMusicPlus
Guitar Tab, Electric Guitar - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Per...
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Guitar Tab, Electric Guitar - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Repertoire, Recital. Individual Part, Score, Tablature. 9 pages. Published by Kenneth Pasciak
Sarabande & Double from Violin Partita 1 (BWV 1002) by Johann Sebastian Bach transcribed for solo classical or electric guitar. Includes 4-page score with tablature, plus 2-page guitar part without tabs.
Also by Johann Sebastian Bach:
Air in D Major: S0.693725
Allemande in D Minor, S0.546076
Courante in D Minor, S0.904351
Gigue in D Minor, S0.904649
Prelude in G Major, S0.361231
Sarabande in D Minor, S0.422145
$1.99 ≈
1.84€
Sarabande from Violin Partita 2 (BWV 1004) (for Solo Guitar)
Sarabande from Violin Partita 2 (BWV 1004) (for Solo Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Kenneth Pasciak
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Sarabande from Violin Partita
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SheetMusicPlus
Guitar Tab, Classical Guitar, Electric Guitar - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pa...
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Guitar Tab, Classical Guitar, Electric Guitar - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Repertoire, Recital. Individual Part, Score, Tablature. 7 pages. Published by Kenneth Pasciak
Sarabande from Violin Partita 2 (BWV 1004) by Johann Sebastian Bach transcribed for solo classical or electric guitar. Includes 2-page score with tablature, plus 2-page guitar part without tabs.
Also by Johann Sebastian Bach:
Air in D Major: S0.693725
Allemande in D Minor, S0.546076
Courante in D Minor, S0.904351
Prelude in G Major, S0.361231
Sarabande in D Minor, S0.422145
$2.25 ≈
2.08€
The Viola and Cello Duet Book - 21 Traditional and Classical Melodies for Viola and Cello
The Viola and Cello Duet Book - 21 Traditional and Classical Melodies for Viola and Cello
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Alto, Violoncelle (duo)
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DÉBUTANT
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Classique
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Tcaikovsky, Vivaldi et al
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The Viola and Cello Duet Book
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Elin Korneliussen
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SheetMusicPlus
Composed by Tcaikovsky, Vivaldi et al., Wolfgang Amadeus Mozart (1756-1791), Ludwig van Beethoven (1770- 1827), Franz Schubert (1797- 1828), Georges Biz...
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Composed by Tcaikovsky, Vivaldi et al., Wolfgang Amadeus Mozart (1756-1791), Ludwig van Beethoven (1770- 1827), Franz Schubert (1797- 1828), Georges Bizet (1838- 1875), and George Frideric Handel (1685-1759). Arranged by Elin Korneliussen. Concert, Graduation, Jewish, Standards, Wedding. Score and parts. 30 pages. Elin Korneliussen #4629925. Published by Elin Korneliussen
A whole book of duets for viola and cello, ready to download and enjoy!
21 beautiful melodies, arranged especially to sound good on the viola and cello, without being too difficult. These duets are great to play at students\' recitals, wedding gigs, graduation, or just for fun!
Level: from very easy to intermediate.
Contents:
Anon.: Polonaise from the music book of Anna Magdalena Bach
L. v. Beethoven: An die Freude from Symphony no. 9
L. v. Beethoven: Sonatina
G. F. Hndel: Lascia ch?io pianga from Rinaldo
G. F. Hndel: Sarabande
W. A. Mozart: Komm, lieber Mai
W. A. Mozart: Horn duet
W. A. Mozart: Papageno?s Aria from The Magic Flute
G. Bizet: Habanera from Carmen
C. G. Neefe: Allegretto
J. P. Rameau: Menuet
F. Schubert: Willkommen, lieber schner Mai (canon)
Trad.: May Song (Alle Vgel sind schon da)
Trad.: Wedding March from Ldingen, Norway
Trad.: Wedding March from Seljord, Norway
Trad.: Wedding March from re, Norway
Trad.: Dudlebska, Czech polka
Trad: The Beautiful Waltz from Helgeland, Norway
P. I. Tchaikovsky: Waltz from Sleeping Beauty
A. Vivaldi: Largo & Allegro from Sonata in E minor
A. Vivaldi: Theme from Spring
$6.99 ≈
6.45€
Venetian Gondola Song (for Solo Guitar)
Venetian Gondola Song (for Solo Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Kenneth Pasciak
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Venetian Gondola Song
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Kenneth Pasciak
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SheetMusicPlus
Guitar Tab - Intermediate - Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Kenneth Pasciak. Romantic Period, Repertoire, Recital. ...
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Guitar Tab - Intermediate - Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Kenneth Pasciak. Romantic Period, Repertoire, Recital. Individual Part, Score, Tablature. 8 pages. Published by Kenneth Pasciak
Venetianisches Gondellied (Venetian Gondola Song), Opus 30, No. 6 from Songs Without Words, one of five gondola pieces that Felix Mendelssohn wrote throughout his career, depicts in music his fascination with Venice and its centuries-old means of transportation. This arrangement for guitar in E minor includes a 3-page score with guitar tablature, plus 2-page guitar part without tab.
Note: Retuning of G string to F# required.
$1.99 ≈
1.84€
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'Without Title' in G Minor
