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"Conversations" A piece for Piano Four
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Vous avez sélectionné:
"Conversations" A piece for Piano Four
Partitions à imprimer
9 partitions trouvées
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1
"Conversations" A piece for Piano Four (4) Hands
"Conversations" A piece for Piano Four (4) Hands
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Antonis Koundourakis
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"Conversations" A pi
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ANTONIOS KOUNDOURAKIS
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.991619 Composed by Antonis Koundourakis. Concert,Contemporary,Instructional,Standards. Score. 11 pages. ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.991619 Composed by Antonis Koundourakis. Concert,Contemporary,Instructional,Standards. Score. 11 pages. ANTONIOS KOUNDOURAKIS #3471903. Published by ANTONIOS KOUNDOURAKIS (A0.991619). In this piece Antonis explores the polyphonic and the homophonic style of composition with the added benefit and freedom of having 2 extra hands on the keyboard. Therefore there is a wide range being used simultaneously and in many cases the piece requires good coordination of the performers while in other cases independence of dynamics and phrasing. There is an extended period of stretto immitations, normally found in the style of the Fugue, and a 7 voice homophonic section resembling choral music. The different styles are juxtaposed in the form of a conversation, hence the title of the piece.This piece is ideal for live performance but can also be played by teacher and student while interchanging the parts they play for added benefit of learing coordination and understanding the challenges of the other performer when playing together. In case you buy and perform the piece don't hesitate to contact Antonis at midnightnotesband@gmail.com to give him any feedback on the score legibility/playability and the experience of playing his composition! Videos are also very welcome!
$6.00 ≈
5.61€
Arirang (For Viola and Piano)
Arirang (For Viola and Piano)
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Korean Traditional
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Han-Ki Kim
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Arirang
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.511794 Composed by Korean Traditional. Arranged by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Sco...
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Piano,Viola - Level 4 - SKU: A0.511794 Composed by Korean Traditional. Arranged by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and part. 13 pages. Han-Ki Kim #6245737. Published by Han-Ki Kim (A0.511794). Folksong can be said to be music that contains the life and soul of the country and ancestors, and “Arirang†has a very important meaning in that it is a folk song representing Korea.Following the fast introduction of 4 bars in 3/4 time, it is connected in the form of 5 variations in 6/8 time. The main melody of “Arirang†is exchanged with each other as if having a conversation with violin and Piano, And followed by a cadenza that boasts the splendid skills of the solo Violin, and after the wide and solemn finale, the same 3/4 time as the beginning. It ends with a short four-bar coda. Han-Ki Kim’s works give the value of artistic literature to children's songs and folk songs, which are familiar to everyone, so that the audience feels Musical sympathy, and because he is a performer, his works are characterized by a good harmony between theory and practice. This Music is dedicated to Professor Kim Nam-yoon, who left great achievements in the field of violin education in Korea. 1. This piece is composed based on Korean traditional Bird, Bird, Blue Bird.2. It’s very suitable for Concert and for Educational material.3. Shown Bowing sign and Fingering will be very helpful to player.4. Composer is, also as a Violinist, very experienced(with I Musici), and his works are loved world widely.5. Attached Music file is recorded with Violin and Piano, just for a reference.
$4.50 ≈
4.21€
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violon, Clarinette, Piano (trio)
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AVANCÉ
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Adam Lenhart
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Two Scenes from The Rubá
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenha...
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B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99 ≈
14.03€
A Conversation With My Mother
A Conversation With My Mother
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Dr
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A Conversation With My Mother
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Dr. Anthea John-Phillip
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1012126 Composed by Dr. Anthea John-Phillip. Contemporary. Score. 2 pages. Dr. Anthea John-Phillip #4969561. Published by...
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Piano Solo - Level 3 - SKU: A0.1012126 Composed by Dr. Anthea John-Phillip. Contemporary. Score. 2 pages. Dr. Anthea John-Phillip #4969561. Published by Dr. Anthea John-Phillip (A0.1012126). This four chord piece, written in C minor, is a simplified theme and variation. Each four bar phrase is a snippet of a conversation between a mother and her daughter. Raised voices and comments made under one's breath are all part of the dynamics of a mother-daughter relationship. No pedal or key signature is used. The dynamics, crescendos, and diminuendos create the atmosphere and set the mood for this upper intermediate piano solo.
$4.00 ≈
3.74€
Billie Eilish - Wish You Were Gay
Billie Eilish - Wish You Were Gay
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Piano, Voix
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INTERMÉDIAIRE
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Pop musique
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Billie Eilish
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Mario Stallbaumer
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Billie Eilish - Wish You Were
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Mario Stallbaumer
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SheetMusicPlus
Piano/Vocal/Chords - Intermediate - Digital Download By Billie Eilish. Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer...
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Piano/Vocal/Chords - Intermediate - Digital Download By Billie Eilish. Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer
Here's how to play "Wish You Were Gay" by Billie Eilish on piano!
With this piano sheet music, you can play "Wish You Were Gay" from Billie Eilish's debut album "When We All Fall Asleep, Where Do We Go?" (released in March 2019).
It's an accurate piano transcription of the whole piece, it's not too hard to play, and it sounds fantastic!
The whole melody is included in the piano part of this arrangement, so it makes for a great instrumental solo piece. But of course, you can also use this sheet music to accompany a singer, or sing along yourself!
These piano sheets come with a seperate system for the singer, including the song's full lyrics.
"wish you were gay" was released in March 2019 as the fourth single from Billie Eilish's debut album "When We All Fall Asleep, Where Do We Go?".
Her inspiration for the song came from being unhappily in love at the age of 14, and wishing there would be a good reason for the boy not to love her...
"Wish You Were Gay" is a great song for piano - with these piano sheets, you can play it, too!
Here are the full lyrics to "Wish You Were Gay" by Billie Eilish:
"Baby, I don't feel so good
Six words you never understood
I'll never let you go
Five words you'll never say (aw)
I laugh alone like nothing's wrong
Four days has never felt so long
If three's a crowd and two was us
One slipped away
I just wanna make you feel okay
But all you do is look the other way, mm
I can't tell you how much I wish I didn't wanna stay
I just kinda wish you were gay
Is there a reason we're not through?
Is there a 12 step just for you?
Our conversation's all in blue
11 'Heys' (Hey, hey, hey, hey)
Ten fingers tearing out my hair
Nine times you never made it there
I ate alone at 7, you were six minutes away (yay)
How am I supposed to make you feel okay
When all you do is walk the other way?
I can't tell you how much I wish I didn't wanna stay
I just kinda wish you were gay
To spare my pride
To give your lack of interest an explanation
Don't say I'm not your type
Just say that I'm not your preferred sexual orientation
I'm so selfish
But you make me feel helpless, yeah
And I can't stand another day
Stand another day
I just wanna make you feel okay
But all you do is look the other way
I can't tell you how much I wish I didn't wanna stay
I just kinda wish you were gay
I just kinda wish you were gay
I just kinda wish you were gay"
$4.99 ≈
4.67€
Dies Irae Dodecaphonic
Dies Irae Dodecaphonic
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Piano seul
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AVANCÉ
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Contemporain
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Peter Daniel Klein
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Dies Irae Dodecaphonic
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Peter Daniel Klein
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Publishe...
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Piano Solo - Level 5 - SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99 ≈
5.61€
Miniature for Winds, Chimes, Piano and String Trio "Oh How We Wish To Be Happy"
Miniature for Winds, Chimes, Piano and String Trio "Oh How We Wish To Be Happy"
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Patrick Prejean
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Miniature for Winds, Chimes, P
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Patrick Prejean
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SheetMusicPlus
Cello,Chimes,Clarinet,English Horn,Piano,Viola,Violin - Level 4 - SKU: A0.1417258 Composed by Patrick Prejean. Chamber,Classical,Contemporary. 62 pages....
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Cello,Chimes,Clarinet,English Horn,Piano,Viola,Violin - Level 4 - SKU: A0.1417258 Composed by Patrick Prejean. Chamber,Classical,Contemporary. 62 pages. Patrick Prejean #998818. Published by Patrick Prejean (A0.1417258). I was in conversation with a friend of mine when the above title was said with some sarcasm. It prompted me to write this piece that I had the idea to do so for about a week. It is in four large sections and can be interpreted as a persons' thought process throughout the day.
$80.00 ≈
74.86€
Running off the Track. Song & Chorus
Running off the Track. Song & Chorus
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Piano, Voix
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W
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Running off the Track. Song &a
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.19134 Composed by W. Irving Hartshorne. Railroad passenger cars, Accidents, Conversation, Fear, Travel. Lester S. Levy Collect...
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Piano and voice - SKU: LV.19134 Composed by W. Irving Hartshorne. Railroad passenger cars, Accidents, Conversation, Fear, Travel. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19134). Running off the Track. Song & Chorus. Composed by W. Irving Hartshorne. Published 1862 by Balmer & Weber, 56 Fourth St. in St. Louis. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Railroad passenger cars, Accidents, Conversation, Fear, Travel. First line reads Scene a moonlight evening; Place no matter whar.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.61€
Ravel: Ma Mère L'Oye (Mother Goose Suite) 4 mvts - symphonic wind dectet/bass
Ravel: Ma Mère L'Oye (Mother Goose Suite) 4 mvts - symphonic wind dectet/bass
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Contemporain
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Maurice Ravel
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Ray Thompson Music
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Ravel: Ma Mère L'Oye
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.516588 Composed by Maurice Ravel. Arranged by Ray Thompson Music. 20th Century,Classica...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.516588 Composed by Maurice Ravel. Arranged by Ray Thompson Music. 20th Century,Classical. 56 pages. RayThompsonMusic #127305. Published by RayThompsonMusic (A0.516588). Ravel originally wrote Ma Mère l'Oye as a piano duet for the Godebski children, Mimi and Jean, ages 6 and 7. Ravel dedicated this work for four hands to the children (just as he had dedicated an earlier work, Sonatine, to their parents). Jeanne Leleu and Geneviève Durony. It bears the subtitle cinq pièces enfantines (five children's pieces). Ravel later orchestrated the piece. This arrangement contains 4 of the 5 movements. IT does NOT include mvt.3 Laideronnette, impératrice des pagodes: Mouvt de marche (Little Ugly Girl, Empress of the Pagodas) Mvts included are: I.Pavane de la Belle au bois dormant: Lent (Pavane of Sleeping Beauty) II.Petit Poucet: Très modéré (Little Tom Thumb / Hop-o'-My-Thumb) IV.Les entretiens de la belle et de la bête: Mouvt de valse très modéré (Conversation of Beauty and the Beast) V.Le jardin féerique: Lent et grave (The Fairy Garden) It is arranged for double wind quintet/bass.
$24.95 ≈
23.35€
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"Conversations" A piece for Piano Four
