Partitions Numériques de HARP pour Orchestre, Violon

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HARP
Non classifié 885

Piano & claviers
Piano seul 659
Piano, Voix 138
Piano, Voix et Guitare 86
Piano Facile 41
Orgue 26

Clavecin 19
2 Pianos, 4 mains 18
Accompagnement Piano 6
1 Piano, 4 mains 5
Orgue, Trompette (duo) 4
Accordéon 4
Piano Quatuor: piano, violon, alto, violoncelle 2
Piano Trio: piano, violon, violoncelle 2
Piano (partie séparée) 1
Instruments en Do 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Piano grosses notes 1
Orgue, Piano (duo) 1

+ 13 instrumentations

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Guitares
Guitare notes et tablatures 193
Guitare Pedal Steel 146
Guitare 39
Ligne De Mélodie, (Paroles) et Accords 26
Paroles et Accords 17

Basse electrique 10
Ukulele 8
Cithare 4
Banjo 4
Dulcimer 3
Guitare, Harpe 2
2 Guitares (duo) 2
3 Guitares (trio) 1
Ensemble de Ukulélés 1
4 Guitares (Quatuor) 1

+ 10 instrumentations

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Voix
Chorale SATB 199
Chorale 3 parties 29
Chorale SSAA 24
Chorale 18
Chorale TTBB 17

Chorale 2 parties 15
Voix seule 9
Chorale SSATB 7
Voix moyenne, Piano 3
Voix duo, Piano 3
Voix d'Enfants 2
Chorale Unison 2
Voix et basse continue 2
Voix basse, Piano 2
Chorale SSAATB A Cappella 2
Voix Soprano, Piano 1
Voix, Guitare 1
Chorale SATBB 1
Chorale SSAATB 1
Chorale SSAATTBB 1

+ 15 instrumentations

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Vents
Saxophone 55
Clarinette, Harpe (duo) 40
Flûte traversière 39
Clarinette 37
Flûte à Bec 19

Saxophone (partie séparée) 15
Harmonica 15
Flûte, Harpe et Violoncelle 14
Quatuor de Saxophones: 4 saxophones 12
Flûte traversière et Piano 12
Saxophone Alto 11
2 Flûtes traversières, Harpe 10
Quatuor de Clarinettes: 4 clarinettes 10
2 Flûtes traversières (duo) 9
Clarinette et Piano 8
Quatuor de Flûtes : 4 flûtes 8
Clarinette (partie séparée) 8
Ensemble de Flûtes 7
2 Saxophones (duo) 6
Saxophone et Harpe 6
Saxophone Tenor 6
Ensemble de Clarinettes 5
2 Clarinettes (duo) 4
Flute (partie séparée) 4
Trio de Flûtes: 3 flûtes 4
Hautbois, Piano (duo) 4
Quatuor de Flûtes à bec 3
Ensemble de saxophones 3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Flûte, alto et harpe 2
Hautbois (partie séparée) 2
2 Hautbois (duo) 2
Flûte et Guitare 2
Flûte, Hautbois, Clarinette, Basson 2
Flûte à bec Soprano 1
Clarinette, Basson (duo) 1
Flûte traversière, Basse continue 1
2 Flûtes traversières, Piano 1
Flûte à Bec, Piano 1
2 Clarinettes, Piano 1
Flûte à bec Alto, Piano 1
Hautbois, Basson (duo) 1
Instruments en Mib 1
Flûte, Violon, Piano 1
4 Hautbois 1
Hautbois 1
2 Hautbois, Piano 1
Hautbois, Clarinette (duo) 1
Flûte irlandaise 1
2 Flûte à bec (duo) 1
Quintette de Clarinettes: 5 clarinettes 1
Flûte à bec Soprano, Piano 1
Flûte, Clarinette (duo) 1

+ 48 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 22
Trompette 17
Tuba 13
Trompette (partie séparée) 12
Trombone (partie séparée) 11

Trombone 10
Trompette, Piano 5
Cor et Piano 5
2 Trompettes (duo) 5
Quatuor de Cuivres 4
2 Trombones (duo) 3
2 Trompettes, Clavier (piano ou orgue) 3
Cor 3
Tuba (partie séparée) 3
2 Cors (duo) 3
Cor (partie séparée) 3
Tuba et Piano 2
2 Euphoniums (duo) 2
Euphonium 2
Trombone et Piano 2
Quatuor de cuivres: 4 trompettes 1
3 Trompettes (trio) 1
Quatuor de cuivres: 4 trombones 1
2 Tubas (duo) 1
Instruments en Sib 1

+ 20 instrumentations

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Cordes
Harpe 3 393
Harpe, Flûte (duo) 203
2 Harpes (duo) 144
Harpe (partie séparée) 94
Harpe, Violon (duo) 87

Harpe et Piano 55
Harpe, Voix 53
Violon 46
Harpe, Violoncelle (duo) 37
Alto seul 33
Violoncelle 29
Quatuor à cordes: 2 violons, alto, violoncelle 29
3 Harpes 28
Autoharp 21
Violon (partie séparée) 20
Violon et Piano 18
Violoncelle, Piano 17
Harpe, Violon, Violoncelle 11
Harpe et mandoline 9
Harpe, Orchestre 9
Harpe et Orgue 9
5 Harpes 6
Violon, Alto (duo) 5
2 Violons (duo) 5
Quatuor à cordes: 4 violons 5
Violoncelle (partie séparée) 5
Contrebasse (partie séparée) 5
2 Altos (duo) 4
2 Violoncelles (duo) 4
Violon, Violoncelle (duo) 3
Alto, Piano 3
Quatuor à cordes : 4 altos 2
Alto, Violoncelle (duo) 2
Contre Basse 2
Trio à cordes: 3 violins 2
Harpe, Quatuor à cordes 2
2 Violons, Piano 2
4 Violoncelles 2
Trio à Cordes: violon, alto, violoncelle 2
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Violon, Guitare (duo) 1
Violoncelle, Orchestre 1
2 Violons et Basse continue 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
4 Contrebasses 1
Contrebasse, Piano (duo) 1

+ 41 instrumentations

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Percussions & orchestre
Orchestre 73
Orchestre d'harmonie 37
Orchestre à Cordes 33
Batterie 21
Ensemble de Percussions 12

Ensemble Jazz 5
Cloches 5
Fanfare 4
Timbales (partie séparée) 3
Orchestre de chambre 3
Ensemble de cuivres 2
Percussion (partie séparée) 2
Orchestre, Violon 1

Percussion 1
Piano et Orchestre 1
Marimba 1
Big band 1
Batterie (partie séparée) 1
Quintette de Cuivres: autres combinaisons 1
Timbales 1

+ 15 instrumentations

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HARP

Orchestre, Violon

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1 partition trouvée HARP

Violin and orchestra - Digital Download Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital

Nocturne for violin and orchestra #Orchestre, Violon #Classique #Nocturne for violin and orches #Schott Music - Digital #SheetMusicPlus

Violin and orchestra - Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (18…(+)

Violin and orchestra - Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).

We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.

My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.

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