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Vous avez sélectionné:
Trad. Australian
Partitions à imprimer
18 partitions trouvées
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1
Good Harvest Dance, Trad. Chinese Folk Song
Good Harvest Dance, Trad. Chinese Folk Song
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Orchestre à Cordes
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FACILE
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Traditional
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Adrian Mansukhani
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Good Harvest Dance, Trad. Chin
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Adrian Mansukhani
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.857835 Composed by Traditional. Arranged by Adrian Mansukhani. Contemporary,Holiday,World. Score and parts. 13 page...
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String Orchestra - Level 2 - SKU: A0.857835 Composed by Traditional. Arranged by Adrian Mansukhani. Contemporary,Holiday,World. Score and parts. 13 pages. Adrian Mansukhani #115569. Published by Adrian Mansukhani (A0.857835). Good Harvest Dance, a traditional Chinese Folk Song Arranged for String Orchestra by Adrian Mansukhani Instrumentation: Violin 1, Violin 2, Violin 3/Viola, Cello, Double Bass, Piano Accompaniment Level: Easy/Moderately Easy Duration: 1:40 Please visit www.ozfiddlermusic.com.au for more products! This work is registered with the Australian Performing Rights Association. www.apraamcos.com.au/.
$24.95 ≈
£19.67
Three Australian Folk Songs
Three Australian Folk Songs
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Traditonal
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Roman Benedict
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Waltzing Matilda
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Three Australian Folk Songs
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Roman Benedict
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.766729 Composed by Traditonal. Arranged by Roman Benedict. 20th Century,Contemporary,Folk,Patriotic. Score and par...
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Chamber Orchestra - Level 4 - SKU: A0.766729 Composed by Traditonal. Arranged by Roman Benedict. 20th Century,Contemporary,Folk,Patriotic. Score and parts. 70 pages. Roman Benedict #5178667. Published by Roman Benedict (A0.766729). This medley of three popular traditional Australian songs is her presented in a lively and colourful arrangement for chamber orchestra. This arrangement works well as an encore or as part of a concert programme (duration: approx. 5'), and is a collection of three popular Australian folk songs: Botany Bay, Click Go The Shears & Waltzing Matilda. These were selected to cover three eras of Australian colonial history: a song from Australia's convict past, one from the development of the pastoral nation, and finishing with the stories of the bush-ranger history. Drawing on musical styles as diverse as folk song, Aaron Copland, and European ballroom dance music it is a fun and entertaining addition to any concert programme.
$70.00 ≈
£55.19
Mystery Face Walking track - Australian Bush Landscapes
Mystery Face Walking track - Australian Bush Landscapes
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Patrick Jillett
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Mystery Face Walking track - A
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Patrick Jillett
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.890066 Composed by Patrick Jillett. 20th Century,Concert,Contemporary. Score. 3 pages. Patrick Jillett #62203. Published ...
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Piano Solo - Level 3 - SKU: A0.890066 Composed by Patrick Jillett. 20th Century,Concert,Contemporary. Score. 3 pages. Patrick Jillett #62203. Published by Patrick Jillett (A0.890066). Mystery Face Walking Track (Silent Grove Road, Torrington NSW) Australian Bush Landscapes, (Opus 40 No. 2). The piece explores the Australian tradition of hiking through the bush, recreated by melodic repetition and changing expression. The perfect opening number for any performance.
$3.99 ≈
£3.15
Trad. Australian: Waltzing Matilda from Graded Music for Tuned Percussion, Book I - percussions
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Percussion
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INTERMÉDIAIRE
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Classique
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Trad. Australian
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Virtualsheetmusic
Instantly printable sheet music by Trad. Australian for percussions of MEDIUM skill level. / classical
Instantly printable sheet music by Trad. Australian for percussions of MEDIUM skill level. / classical
$2.97 ≈
£2.34
Herbert L. Clarke - The Southern Cross for Solo Cornet with Brass Quintet
Herbert L. Clarke - The Southern Cross for Solo Cornet with Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Herbert L
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Geoffrey Bergler
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Herbert L. Clarke - The Southe
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.810733 Composed by Herbert L. Clarke. Arranged by Geoffrey Bergler. 20th Century,Folk. Score and parts. 19 pages. Gor...
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Brass Ensemble - Level 5 - SKU: A0.810733 Composed by Herbert L. Clarke. Arranged by Geoffrey Bergler. 20th Century,Folk. Score and parts. 19 pages. Gordon Cherry #1986139. Published by Gordon Cherry (A0.810733). Cornet solos are an important part of the American Brass tradition. The Southern Cross is one of Clarke's most well known Cornet solos and was written in 1911, dedicated to the Australians and first recorded by the composer with Orchestra the next year  for Victor Records. During 1911, Clarke was the solo Cornetist of the Sousa Band while the band was on a world tour that included visits to South Africa, Tazmania and Australia from March through to August. Below is a photo of the Sousa band from their 1911 tour. Clarke is sitting in the front row 5th in from the right with his moustache and his Cornet on his lap. He assuredly composed this solo to perform on that tour. The Southern Cross is a constellation that is only seen from the southern hemisphere and features the five stars of the Cross from the 1901 design of the Australian flag. This 5-minute virtuosic arrangement by Geoffrey Bergler features not only the Cornet, but a bit of all the other four members of the Brass Quintet. Instrumentation is for: 2 Trumpets in B-flat (Trumpet 1 solo, Trumpet 2 also plays Piccolo) Horn, Trombone Tuba/Bass Trombone The sound track features Mr. Bergler from his student days as Cornet soloist.
$20.00 ≈
£15.77
Irish National Anthem (Unofficial) for String Orchestra
Irish National Anthem (Unofficial) for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Patriotique
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Part...
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.
A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).
"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant?s Causeway.
On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.
There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.
The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly?s intent.
Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can?t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".
Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.
In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board?s History of Derry.)
The linguistic outcome of all this today is that, if you think that King James?s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it?s confusing for kings to be going around changing the names of places all the time for no good reason.
You can find plenty of discussion about the political side of the question elsewhere, but here let?s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn?t have a title. What do we call it?
If you were a proper Victorian, there?s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill?s theory that Australia was inhabited by "convicts and Irishmen".)
My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:
Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP?s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger?s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there?s another variant on the name for it. It doesn?t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger?s original comments.
The references to Londonderry Air that I?ve seen don?t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby?s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn?t come into the war in 1940.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
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$8.99 ≈
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Australian Folksong Medley No. 3 Concert Band Score and Parts
Australian Folksong Medley No. 3 Concert Band Score and Parts
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Orchestre d'harmonie
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Folklorique/Traditionel
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Tradional
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Brendan Elliget
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Australian Folksong Medley No.
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Brendan Elliget
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SheetMusicPlus
Composed by Tradional. Arranged by Brendan Elliget. Folk. 116 pages. Published by Brendan Elliget (S0.212307). - - Folk - Brendan Elliget...
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Composed by Tradional. Arranged by Brendan Elliget. Folk. 116 pages. Published by Brendan Elliget (S0.212307). - - Folk - Brendan Elliget
$25.00 ≈
£19.71
Waltzing Matilda
Waltzing Matilda
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Trompette
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FACILE
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Trad
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Mike J
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Waltzing Matilda
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Mike Roberts
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SheetMusicPlus
Piano,Trumpet - Level 2 - SKU: A0.913535 Composed by Trad. Arranged by Mike J.D. Roberts. Folk,Jazz,World. Score and part. 11 pages. Mike Roberts #34165...
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Piano,Trumpet - Level 2 - SKU: A0.913535 Composed by Trad. Arranged by Mike J.D. Roberts. Folk,Jazz,World. Score and part. 11 pages. Mike Roberts #3416583. Published by Mike Roberts (A0.913535). A straightforward, upbeat arrangement of an Australian folk classic. This should prove fun to play, particularly for beginners and intermediate players.The PDF download includes separate trumpet and piano parts.The lead instrument need not be a trumpet - please get in touch if you want a lead part in another key - michael.roberts@ucl.ac.uk
$1.99 ≈
£1.57
The Noel and the Ivy (The First Noel and the Holly and the Ivy)
The Noel and the Ivy (The First Noel and the Holly and the Ivy)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Trad
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Mark Bisson
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The Noel and the Ivy
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Mark Bisson
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.900890 Composed by Trad. Arranged by Mark Bisson. 20th Century,Christmas,Romantic Period. Score and pa...
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String Quartet String Quartet - Level 4 - SKU: A0.900890 Composed by Trad. Arranged by Mark Bisson. 20th Century,Christmas,Romantic Period. Score and parts. 13 pages. Mark Bisson #3684775. Published by Mark Bisson (A0.900890). This is a playful arrangement of two popular British Christmas Carols in the style of early 20th Century English composers and Percy Grainger (Australian). The melodies are varied in different ways and ultimately combined at the end. (note: at bar 151 the cello part includes a third carol reference but this can be omitted if the double stopping is too awkward and the drone can continue on right up until the final Maestoso instead.
$5.00 ≈
£3.94
Mary Wade: Wind Quintet
Mary Wade: Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Trad
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Fiona Hickie
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Mary Wade: Wind Quintet
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Fiona Alice Hickie
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.737994 Composed by Trad., Carl Linger. Arranged by Fiona Hickie....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.737994 Composed by Trad., Carl Linger. Arranged by Fiona Hickie. Contemporary,Folk,Multicultural,Patriotic,World. 40 pages. Fiona Alice Hickie #3867823. Published by Fiona Alice Hickie (A0.737994). Mary Wade was a child convict sent to Australia as part of the Second Fleet. She went on to become a free woman, and early Australian pioneer. This suite of pieces includes text for a program which can be read to the audience. Each piece is chosen to represent a different part of Mary's life, and include:1. Mary, Mary Quite Contrary
$20.00 ≈
£15.77
Bound For South Australia Concert Band Score and Parts PDF
Bound For South Australia Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional Australian Folk So
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Brendan Elliget MAGA 537
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Duration = 2:35 mins.
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Bound For South Australia Conc
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750867 Composed by Traditional Australian Folk Song. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 40 pa...
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Concert Band - Level 3 - SKU: A0.750867 Composed by Traditional Australian Folk Song. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 40 pages. BJE Music #4322387. Published by BJE Music (A0.750867). In South Australia, I was born Heave away, haul away South Australia round Cape Horn We’re bound for South AustraliaHeave away, you rolling king Heave away, haul away Heave away, oh hear me sing We’re bound for South AustraliaBound for South Australia or South Australia is a sea shanty used by the wool traders who worked the clipper ships between Australian ports and London. This traditional tune is well known as a farewell song, sung at the docks as the big ships were leaving.The song has two distinct parts: The Shanty and Halyard.This is a short arrangement for concert band. I also used this tune in my Australian Folksong Medley No. 2 for concert band. If you use this arrangement, let me know how it goes.Parts include Eb Horns, Bb Bass, and Eb Bass.Grade = 2.5 Duration = 2:35 mins.
$20.00 ≈
£15.77
Bound For South Australia Orchestra Score and Parts PDF
Bound For South Australia Orchestra Score and Parts PDF
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Orchestre
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional Australian Folkson
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Brendan Elliget MAGA 537
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Bound For South Australia Orch
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.750896 Composed by Traditional Australian Folksong. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 38 p...
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Full Orchestra - Level 3 - SKU: A0.750896 Composed by Traditional Australian Folksong. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 38 pages. BJE Music #4366486. Published by BJE Music (A0.750896). In South Australia, I was born Heave away, haul away South Australia round Cape Horn We’re bound for South AustraliaHeave away, you rolling king Heave away, haul away Heave away, oh hear me sing We’re bound for South AustraliaBound for South Australia or South Australia is a sea shanty used by the wool traders who worked the clipper ships between Australian ports and London. This traditional tune is well known as a farewell song, sung at the docks as the big ships were leaving.The song has two distinct parts: The Shanty and Halyard. This is a short arrangement for full orchestra. I also used this tune in my Australian Folksong Medley No. 2 for concert band/Brass Band and Orchestra. If you use this arrangement, let me know how it goes.Parts inlcude Piano, Accordion and Guitar.Grade = 3 Duration = 2:35 mins The MP3 was recorded with NotePerformer 3. There is also a Concert Band version of the same arrangement at this site.
$20.00 ≈
£15.77
Liebesleid for Solo Violin and Pianoforte
Liebesleid for Solo Violin and Pianoforte
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Friedrich Fritz Kreisler
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Keith Terrett
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Liebesleid for Solo Violin and
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Keith Terrett
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1446731 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terre...
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Piano,Violin - Level 4 - SKU: A0.1446731 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terrett. Classical,Historic,Instructional,Multicultural,Romantic Period,World. 13 pages. Keith Terrett #1026497. Published by Keith Terrett (A0.1446731). Liebesleid for Solo Violin and Pianoforte.Kreisler wrote a number of pieces for the violin, including solos for encores, such as Liebesleid and Liebesfreud. Some of Kreisler's compositions were pastiches ostensibly in the style of other composers. They were originally ascribed to earlier composers, such as Gaetano Pugnani, Giuseppe Tartini and Antonio Vivaldi, and then, in 1935, Kreisler revealed that it was he who wrote the pieces. When critics complained, Kreisler replied that they had already deemed the compositions worthy: The name changes, the value remains, he said. He also wrote operettas, including Apple Blossoms in 1919[8] and Sissy [de] in 1932, a string quartet, and cadenzas, including ones for Brahms's Violin Concerto, Paganini's D major Violin Concerto, and Beethoven's Violin Concerto. His cadenzas for the Beethoven concerto are the ones most often played by violinists today.He wrote the music for the 1936 movie The King Steps Out directed by Josef von Sternberg, based on the early years of Empress Elisabeth of Austria.Kreisler performed and recorded his own version of the first movement of Paganini's D major Violin Concerto. The movement is rescored and in some places reharmonised, and the orchestral introduction is completely rewritten in some places. The overall effect is of a late-nineteenth-century work.The mausoleum of Kreisler in Woodlawn Cemetery.Kreisler owned several antique violins made by luthiers Antonio Stradivari, Pietro Guarneri, Giuseppe Guarneri, and Carlo Bergonzi, most of which eventually came to bear his name. He also owned a Jean-Baptiste Vuillaume violin of 1860, which he often used as his second violin, and which he often loaned to the young prodigy Josef Hassid. In 1952 he donated his Giuseppe Guarneri to the Library of Congress in Washington, D.C. where it remains in use for performances given in the library.On recordings, Kreisler's style resembles that of his younger contemporary Mischa Elman, with a tendency toward expansive tempi, a continuous and varied vibrato, expressive phrasing, and a melodic approach to passage-work. Kreisler makes considerable use of portamento and rubato. The two violinists' approaches are less similar in big works of the standard repertoire, such as Felix Mendelssohn's Violin Concerto, than in smaller pieces.A trip to a Kreisler concert is recounted in Siegfried Sassoon's 1928 autobiographical novel Memoirs of a Fox-Hunting Man.The Australian manufacturer of electronics and consumer goods Kriesler (later a subsidiary of Philips) supposedly took its name after Fritz Kreisler but had intentionally misspelled the name as to avoid possible juristical actions from other parties.
$8.99 ≈
£7.09
Liebesfreud for Solo Violin & Pianoforte
Liebesfreud for Solo Violin & Pianoforte
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Violon et Piano
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AVANCÉ
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Friedrich Fritz Kreisler
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Keith Terrett
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Liebesfreud for Solo Violin &a
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Keith Terrett
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.1446732 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terre...
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Piano,Violin - Level 5 - SKU: A0.1446732 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terrett. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 19 pages. Keith Terrett #1026498. Published by Keith Terrett (A0.1446732). Liebesfreud for Solo Violin & Pianoforte.Kreisler wrote a number of pieces for the violin, including solos for encores, such as Liebesleid and Liebesfreud. Some of Kreisler's compositions were pastiches ostensibly in the style of other composers. They were originally ascribed to earlier composers, such as Gaetano Pugnani, Giuseppe Tartini and Antonio Vivaldi, and then, in 1935, Kreisler revealed that it was he who wrote the pieces. When critics complained, Kreisler replied that they had already deemed the compositions worthy: The name changes, the value remains, he said. He also wrote operettas, including Apple Blossoms in 1919[8] and Sissy [de] in 1932, a string quartet, and cadenzas, including ones for Brahms's Violin Concerto, Paganini's D major Violin Concerto, and Beethoven's Violin Concerto. His cadenzas for the Beethoven concerto are the ones most often played by violinists today.He wrote the music for the 1936 movie The King Steps Out directed by Josef von Sternberg, based on the early years of Empress Elisabeth of Austria.Kreisler performed and recorded his own version of the first movement of Paganini's D major Violin Concerto. The movement is rescored and in some places reharmonised, and the orchestral introduction is completely rewritten in some places. The overall effect is of a late-nineteenth-century work.The mausoleum of Kreisler in Woodlawn Cemetery.Kreisler owned several antique violins made by luthiers Antonio Stradivari, Pietro Guarneri, Giuseppe Guarneri, and Carlo Bergonzi, most of which eventually came to bear his name. He also owned a Jean-Baptiste Vuillaume violin of 1860, which he often used as his second violin, and which he often loaned to the young prodigy Josef Hassid. In 1952 he donated his Giuseppe Guarneri to the Library of Congress in Washington, D.C. where it remains in use for performances given in the library.On recordings, Kreisler's style resembles that of his younger contemporary Mischa Elman, with a tendency toward expansive tempi, a continuous and varied vibrato, expressive phrasing, and a melodic approach to passage-work. Kreisler makes considerable use of portamento and rubato. The two violinists' approaches are less similar in big works of the standard repertoire, such as Felix Mendelssohn's Violin Concerto, than in smaller pieces.A trip to a Kreisler concert is recounted in Siegfried Sassoon's 1928 autobiographical novel Memoirs of a Fox-Hunting Man.The Australian manufacturer of electronics and consumer goods Kriesler (later a subsidiary of Philips) supposedly took its name after Fritz Kreisler but had intentionally misspelled the name as to avoid possible juristical actions from other parties.
$8.99 ≈
£7.09
Bound for South Australia
Bound for South Australia
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Orchestre d'harmonie
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Folklorique/Traditionel
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Traditional
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Eads, Steve
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Bound for South Australia
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Steve Eads
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SheetMusicPlus
Concert Band - SKU: A0.936938 Composed by Traditional. Arranged by Eads, Steve. Folk. Score and parts. 42 pages. Steve Eads #6212607. Published by Steve...
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Concert Band - SKU: A0.936938 Composed by Traditional. Arranged by Eads, Steve. Folk. Score and parts. 42 pages. Steve Eads #6212607. Published by Steve Eads (A0.936938). a sea shanty also known as Rolling King and South Australia. It was a worksong sung by wool and sometime later, wheat traders who worked the clipper ships between Australian ports and London. Arranged for Concert Band with TC low brass parts included. Duration approx. 2.10.
$15.00 ≈
£11.83
Abide with me & Last Post for Solo Bugle & Brass Quintet
Abide with me & Last Post for Solo Bugle & Brass Quintet
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William Henry Monk
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Keith Terrett
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Abide with me & Last Post
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1440682 Composed by William Henry Monk. Arranged by...
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Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1440682 Composed by William Henry Monk. Arranged by Keith Terrett. 20th Century,Christian,Historic,Instructional,Traditional. 12 pages. Keith Terrett #1020660. Published by Keith Terrett (A0.1440682). Abide with me and the Infantry Last Post arranged for Solo Bugle or (Trumpet/Cornet/Flugel) & Brass Quintet.Remembrance Day (also known as Poppy Day owing to the tradition of wearing a remembrance poppy) is a memorial day observed in Commonwealth member states since the end of the First World War to honour armed forces members who have died in the line of duty.[1] The day is also marked by war remembrances in several other non-Commonwealth countries. In most countries, Remembrance Day is observed on 11 November to recall the end of First World War hostilities. Hostilities ended at the 11th hour of the 11th day of the 11th month of 1918, in accordance with the armistice signed by representatives of Germany and the Entente between 5:12 and 5:20 that morning. (At the 11th hour refers to the passing of the 11th hour, or 11:00 am.) The First World War formally ended with the signing of the Treaty of Versailles on 28 June 1919.Abide with Me is a Christian hymn by Scottish Anglican cleric Henry Francis Lyte. A prayer for God to stay with the speaker throughout life and in death, it was written by Lyte in 1847 as he was dying from tuberculosis. It is most often sung to the tune Eventide by the English organist William Henry Monk.The Last Post is either an A or a B♭ bugle call, primarily within British infantry and Australian infantry regiments, or a D or an E♭ cavalry trumpet call in British cavalry and Royal Regiment of Artillery (Royal Horse Artillery and Royal Artillery), and is used at Commonwealth military funerals, and ceremonies commemorating those who have died in war.
$12.99 ≈
£10.24
Waltzing Matilda Arr Elyssa Hinrichs-Nelson
Waltzing Matilda Arr Elyssa Hinrichs-Nelson
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Piano, Voix
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AVANCÉ
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Banjo Patterson, Christina Mac
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Elyssa Hinrichs-Nelson
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Waltzing Matilda Arr Elyssa Hi
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Elyssa Hinrichs-Nelson
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1196538 Composed by Banjo Patterson, Christina Macpherson. Arranged by Elyssa Hinrichs-Nelson. Folk,Historic,Holid...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1196538 Composed by Banjo Patterson, Christina Macpherson. Arranged by Elyssa Hinrichs-Nelson. Folk,Historic,Holiday,Patriotic,Traditional. Score. 10 pages. Elyssa Hinrichs-Nelson #795696. Published by Elyssa Hinrichs-Nelson (A0.1196538). #waltzingmatilda #elyssahinrichsnelsoncomposer #pianoaccompaniment #banjopatterson #australiansong #swagman #billabong #australiaday #aussiesong #bushsong #folksong #traditionalsong.
$9.99 ≈
£7.88
Argentinian Tango and Folk Tunes for Violin
Argentinian Tango and Folk Tunes for Violin
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Argentinian Tango and Folk Tun
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Schott Music - Digital
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SheetMusicPlus
Violin - intermediate to advanced - 41 pieces including tangos, milongas, chamames, zambas and chacareras. This edition: Sheet music. Schott World M...
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Violin - intermediate to advanced - 41 pieces including tangos, milongas, chamames, zambas and chacareras. This edition: Sheet music. Schott World Music. Downloadable. Schott Music - Digital #Q54877. Published by Schott Music - Digital
English - German - French.
A beautiful and wide-ranging collection of 41 great tunes from all over Argentina. This collection features tangos, milongas, chamames, chacareras, zambas and gatos as well as earlier styles and new compositions. Many pieces are presented as duets and there is the opportunity for the solo violinist to play along with the guitar or bandoneon and second violin accompaniment on the MP3 backing tracks. Summaries of the individual tunes and detailed notes on the music of Argentina enable you to get the best out of this exciting and colourful music. All pieces were recorded by Ros Stephen and are available as MP3 files for free download. The edition is suitable for players of level 3 and above.
"I would recommend this volume to anyone interested in exploring traditional music." (Sarah Kekus (Chair National Association of Music Educators [NAME] 2010-11)
"This is a really appealing book, and great value for money." (The Strad)
"Additionally, all pieces are expertly played by violinist Stephen. Her extensive notes on the different styles and tunes enable one to get the best out of this colourful and exciting music." (Australian Strings Association Journal, Stringendo)
$17.99 ≈
£14.18
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Trad. Australian
