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Vous avez sélectionné:
Boston Common
Partitions à imprimer
12 partitions trouvées
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1
Jingle Bells for Brass Quintet
Jingle Bells for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Noël
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James Pierpont
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Diego Marani
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Jingle Bells for Brass Quintet
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Diego Marani
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SheetMusicPlus
Composed by James Pierpont (1822-1893). Arranged by Diego Marani. Romantic Period, Classical Period, Repertoire, Classroom, Christmas. Score, Set of Parts. 40 p...
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Composed by James Pierpont (1822-1893). Arranged by Diego Marani. Romantic Period, Classical Period, Repertoire, Classroom, Christmas. Score, Set of Parts. 40 pages. Published by Diego Marani (S0.252387). - Score,Set of Parts - Romantic Period,Classical Period,Repertoire,Classroom,Christmas - Diego Marani
"Jingle Bells" is one of the best-known and commonly sung American songs in the world. It was written by James Lord Pierpont (1822?1893) and published under the title "One Horse Open Sleigh" in the autumn of 1857. It has been claimed that it was originally written to be sung by a Sunday school choir; however, historians dispute this, stating that it was much too "racy" (and secular) to be sung by a children's church choir in the days it was written. Although not originally intended on having any connection to Christmas, it became associated with Christmas music and the holiday season in general decades after it was first performed on Washington Street in Boston in 1857. This jazz-swing arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba. There are two different keys (Bb and Ab) in the arrangement to meet all the quintet's execution capabilities.
$12.99 ≈
11.67€
Jingle Bells for Clarinet Quartet
Jingle Bells for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Noël
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James Pierpont
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Diego Marani
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Jingle Bells for Clarinet Quar
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Diego Marani
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SheetMusicPlus
Composed by James Pierpont (1822-1893). Arranged by Diego Marani. Romantic Period, Classical Period, Repertoire, Classroom, Christmas. Score, Set of Parts. 19 p...
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Composed by James Pierpont (1822-1893). Arranged by Diego Marani. Romantic Period, Classical Period, Repertoire, Classroom, Christmas. Score, Set of Parts. 19 pages. Published by Diego Marani (S0.251781). - Score,Set of Parts - Romantic Period,Classical Period,Repertoire,Classroom,Christmas - Diego Marani
"Jingle Bells" is one of the best-known and commonly sung American songs in the world. It was written by James Lord Pierpont (1822?1893) and published under the title "One Horse Open Sleigh" in the autumn of 1857. It has been claimed that it was originally written to be sung by a Sunday school choir; however, historians dispute this, stating that it was much too "racy" (and secular) to be sung by a children's church choir in the days it was written. Although not originally intended on having any connection to Christmas, it became associated with Christmas music and the holiday season in general decades after it was first performed on Washington Street in Boston in 1857. This jazz-swing arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
$9.99 ≈
8.97€
I'm Sitting on Top of the World (arr. Boston Consort)
I'm Sitting on Top of the World (arr. Boston Consort)
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Chorale TTBB
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Rock
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Boston Common and Joe Young
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I'm Sitting on Top of the Worl
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Barbershop Harmony Society
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SheetMusicPlus
(TTBB) - By Boston Common and Joe Young. 145. Choral. 5 pages. Duration 100. Published by Barbershop Harmony Society...
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(TTBB) - By Boston Common and Joe Young. 145. Choral. 5 pages. Duration 100. Published by Barbershop Harmony Society
$1.80 ≈
1.62€
Boston Common: I'm Sitting on Top of the World (arr. Boston Consort) - choir (TTBB: tenor, bass)
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Chorale TTBB
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INTERMÉDIAIRE
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Boston Common
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Virtualsheetmusic
Instantly printable sheet music by Boston Common for choir (TTBB: tenor, bass) of MEDIUM skill level. / a cappella,barbershop
Instantly printable sheet music by Boston Common for choir (TTBB: tenor, bass) of MEDIUM skill level. / a cappella,barbershop
$4.78 ≈
4.29€
Joy to the World — brass quintet
Joy to the World — brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lowell Mason
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Todd Marchand
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Joy to the World — brass
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1136166 Composed by Lowell Mason (1792-1872). Arranged by Todd Marchand. Chr...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1136166 Composed by Lowell Mason (1792-1872). Arranged by Todd Marchand. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 12 pages. Con Spirito Music #736195. Published by Con Spirito Music (A0.1136166). “Joy to the World†is, perhaps, the most widely performed Christmas carol, having appeared in nearly 1800 different hymnals since its initial publication, according to hymnary.org.The text was written by the prolific English hymn-writer Isaac Watts (1674-1748) as a paraphrase of Psalm 98 and published in his Psalms of David Imitated (1719) under the heading “The Messiah's Coming and Kingdom.†The paraphrase is a Christological interpretation of the psalm — i.e., an understanding of a passage of Old Testament scripture as pointing to the Christ of the New Testament.As hymn texts and tunes were often printed separately, Watts indicated that “Joy to the World†should be sung to any Common Meter (CM) tune — a poetic meter consisting of four lines that alternate between iambic tetrameter and iambic trimeter, with each foot consisting of an unstressed syllable followed by a stressed syllable. Consider the CM tunes, “Amazing Grace†and “O Little Town of Bethlehem,†for example — both very different from the tune commonly associated with Watts’ text today.That tune was written, or at least arranged, by the American hymn-writer and music educator Lowell Mason (1792-1872) and published in The National Psalmist (Boston, 1848). Mason had published three earlier arrangements of the tune he named “ANTIOCH,†the first in 1836 and attributed as being “from Handel.†Although Mason was a great admirer and student of Handel's music, and though the first four notes of Mason's “ANTIOCH†are the same as the first four in the chorus “Lift up your heads†from Handel's Messiah, the similarity ends there.This arrangement for brass quintet features a “bell-toneâ€-like fanfare in the introduction, interlude, and ending; textural contrasts between high and low brass; and tasteful re-harmonizations of the tune in the middle and concluding verses.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00 ≈
13.47€
Suite for Oboe and Piano (Downloadable)
Suite for Oboe and Piano (Downloadable)
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Hautbois, Piano (duo)
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Walter Piston
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Suite for Oboe and Piano
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Oboe & piano - Moderately Difficult - SKU: MQ.0788-E Composed by Walter Piston. 18 pages. E. C. Schirmer Music Company - Digital #0788-E. Published by E...
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Oboe & piano - Moderately Difficult - SKU: MQ.0788-E Composed by Walter Piston. 18 pages. E. C. Schirmer Music Company - Digital #0788-E. Published by E. C. Schirmer Music Company - Digital (MQ.0788-E). This 1931 suite was first performed by a principal player of the Boston Symphony Orchestra, Ferdinand Gillet, with Jesus Sanromá as pianist. It is dedicated to Dr. Augusts Thorndike, an amateur oboist who was the father of one of Piston's friends. Commentators on the music suspect that Piston might have been writing it to suite Thorndike's tastes and skills, for it is unusually brilliantly written for the instrument, but is uncommonly Debussian and Ravelian in its style, which abounds in use of the whole-tone scale and chords of the ninth. It even quotes Debussy's Clair de lune and Roussel's Suite in F. The movements of the suite have titles that would not be out of place in the music of any of these composers, such as Nocturne, Sarabande, Prelude, and Minuetto. While the piece is very lyrical, it is almost excessively pretty and hence is pretty atypical for Piston. -Joseph Stevenson, AllMusic.com.
$12.85 ≈
11.54€
Pluto ... Lord of the Underworld (2005) for large orchestra
Pluto ... Lord of the Underworld (2005) for large orchestra
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Thomas Oboe Lee
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Pluto ... Lord of the Underwor
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.869210 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 39 ...
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Small Ensemble - Level 4 - SKU: A0.869210 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 39 pages. Thomas Oboe Lee #2016283. Published by Thomas Oboe Lee (A0.869210). Instrumentation: 3333-4331-timp-2perc-cel-hp-strings Program Notes: When Charles Ansbacher, music director of the Boston Landmarks Orchestra, commissioned me to write Pluto as a grand finale for The Planets by Gustav Holst, I immediately thought of Pluto, the Disney character; but common sense took over when I sat down to work. So instead of Disney’s faithful dog, I gravitated to the Pluto of Roman mythology. After a long battle with the Titans, the three brothers, Zeus, Poseidon and Pluto, divided the world among themselves. Zeus had the sky; Poseidon, the sea; and Pluto, the Underworld. According to mythology, the spirits of the dead, whether good or bad, enter the Underworld. Cerberus, a vicious three-headed beast, stands guard at the entrance - preventing the living from entering the world of the dead. The movement begins with a fanfare: Cerberus at the gates of the Underworld. Then a grand waltz materializes in the bass: Pluto dances!! As the waltz fades away, a lyrical tune emerges: Persephone, the wife of Pluto, appears. The work ends with a reprise of the opening fanfare, slightly altered.
$9.99 ≈
8.97€
The Man in the Street
The Man in the Street
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Stanley M
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The Man in the Street
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stanleymhoffman.com
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.924869 Composed by Stanley M. Hoffman. 20th Century,Concert,Contemporary. Individual part. 4 pages. Stanleymhoffman.com #...
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Cello Solo - Level 4 - SKU: A0.924869 Composed by Stanley M. Hoffman. 20th Century,Concert,Contemporary. Individual part. 4 pages. Stanleymhoffman.com #3914653. Published by stanleymhoffman.com (A0.924869). This humorous solo cello piece was written while the composer was an undergraduate student at the Boston Conservatory of Music (now the Boston Conservatory at Berklee). One day the composer and a cellist friend of his were walking down a sidewalk in Kenmore Square when, all of a sudden, a looney man jumped into the busy traffic on Commonwealth Avenue playing a melody on a slide flute. The theme which opens this piece is that tune. The music that follows depicts him darting around creating chaos with cars honking their horns at him, etc. This is a fun piece. Enjoy!
$2.00 ≈
1.80€
Jingle Bells easy guitar solo
Jingle Bells easy guitar solo
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Guitare notes et tablatures
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FACILE
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Noël
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James Lord Pierpont
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PianoSheetNow
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(fingestyle)
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Jingle Bells easy guitar solo
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PianoSheetNow
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.556514 Composed by James Lord Pierpont. Arranged by PianoSheetNow. 20th Century,Christmas,Contemporary,Holiday,Romantic Perio...
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Guitar - Level 2 - SKU: A0.556514 Composed by James Lord Pierpont. Arranged by PianoSheetNow. 20th Century,Christmas,Contemporary,Holiday,Romantic Period. Guitar Tab. 2 pages. PianoSheetNow #3640445. Published by PianoSheetNow (A0.556514). Jingle Bells is one of the best-known and commonly sung American songs in the world. It was written by James Lord Pierpont (1822–1893) and published under the title One Horse Open Sleigh in the autumn of 1857. Although originally intended for the Thanksgiving season, and having no connection to Christmas, it became associated with Christmas music and the holiday season in general decades after it was first performed on Washington Street in Boston in 1857.Here is an arrangement for Guitar solo (fingestyle). Easy to early Intermediate.With Tablature. With downloadable mp3 for audio help.Pages: two pages.
$1.99 ≈
1.79€
Fifteen Safari Duets for Tubas
Fifteen Safari Duets for Tubas
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2 Tubas (duo)
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FACILE
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Jazz
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.
In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc ?Tuba Safari? (Troy 1173) on Albany Records.
1. Elephants at Stave
This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.
2. Gallop ? Thompson Gazelle at Amboseli
This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo ? a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.
3. Rhinos at Nairobi Game Park
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.
4. Giraffes at Nairobi Twiga Park
This is in a ?rock? style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.
5. Warthogs at Ngulia
Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.
6. Baboons at Kiliguni
This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists? tables. They will work together where one causes a diversion while the others steal.
7. Pastoral ? Cape Buffalo at Samburu
The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.
8. Song - Hippos at Mzima Springs
This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.
9. Leopards at Kimana Lodge
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.
10. Colobus Monkeys at the Ark
This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.
11. Zebra Migration at Masai Mara
This duet is in a ?Medium Swing? jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.
12. Ostrich at Samburu
This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.
13. Cheetah at Voi
This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.
14. Gallop ? Gerenuk at Buffalo Springs
This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.
15. Lions at Mara Sopa
This duet is in the style of a fanfare. The lion is considered the king of the savanna.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
17.96€
Nineteen Skeletal Duets for Trombones
Nineteen Skeletal Duets for Trombones
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2 Trombones (duo)
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FACILE
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Jazz
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Gregory Fritze
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Nineteen Skeletal Duets for Tr
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published ...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.
1. Cranium
This duet presents the cantabile ?singing? style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.
2. Stirrup
This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos ? a common choice for all of the duets.
3. Humerus
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.
4. Vertebra
This is in a ?rock? style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.
5. Axis
Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.
6. Tibia
This duet alternates in rock style and swing. Articulations and manipulation of ?swing? rhythms are important.
7. Clavicle
The key of A for this duet provides variation for the students.
8. Fibula nd
This duet uses the easiest of rhythms and range, especially for the 2
9. Scapula
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.
10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.
(student) part.
11. Radius
This duet is in a ?Medium Swing? jazz style. Each part has a chance to play a little bit of a ?walking? bass line. Articulations and manipulation of ?swing? rhythms are important in this duet.
12. Femur
This duet works on double time and half time tempo changes.
13. Patella
This is another duet that includes graphic notation. In this duet ?Free rapid legato lines? are used.
14. Anvil
This gallop displays different types of articulation.
15. Hammer
This duet is in the style of a fanfare.
16. Rib
This duet is a melody, ?Magallon Blues?, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.
17. Sacrum
This duet is a short arrangement of Mozart?s ?Eine Kleine Nachtmusic?.
18. Ulna
This duet is a short arrangement of the traditional Irish folk song ?Londonderry Air?, more commonly known as ?Danny Boy?.
19. Ilium
This duet is a short arrangement of the Beethoven?s song ?Ode to Joy? which represents the triumph of universal brotherhood against war and desperation.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
17.96€
Con-Tse-To
Con-Tse-To
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Jazz
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Gregory Fritze
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Con-Tse-To
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Post-Modern, Jazz, Bebop. Piano Reduction, Solo Part. 44 pages. Published by Musica ...
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Post-Modern, Jazz, Bebop. Piano Reduction, Solo Part. 44 pages. Published by Musica Nova USA
Con-Tse-To ? a Concerto for Alto Saxophone and Concert Band was composed in 2013 at the request of Kenneth Tse. It is in three movements ? 1. Pasodoble Melanie, 2. Lamento and 3. Danza Jubiloso. First performance was July 14, 2013 for the Hong Kong International Saxophone Symposium at the Hong Kong Academy for Performing Arts. Hong Kong Chamber Wind Philharmonic; Victor Tam, Conductor; Kenneth Tse, Saxophone Soloist.
The first movement ? Pasodoble Melanie, is in the traditional form of the march in Spain knownas the Pasodoble. It has a beginning theme in traditional march style using Spanish flavor harmoniesand melodies. As the Spanish pasodoble is in the same form as American marches, the second theme isthe ?Trio? section. In the Spanish pasodoble, it is customary to have the first presentation of this secondtheme played extremely softly in the clarinets. It is also common during the repeat of the Trio to have a soloist such as a piccolo displaying an obligato of great virtuosic melodies in counterpoint to the clarinets. I felt this would be a very appropriate place for an alto saxophone obligato. In this pasodoble the thirdpresentation of the Trio is shortened to allow for the first cadenza. Since I met Kenneth Tse for the first time in Buol (Valencia), Spain, I thought it would be very appropriate to use this traditional form for the firstmovement for his concerto. It is a Spanish custom for a composer to give a pasodoble composition as a gift such as to a musician or politician and the title of the piece often references the name of recipient?s wife. Kenneth Tse?s wife?s name is Melanie so this movement is dedicated to her.
The second movement ? Lamento was adapted from a melody of mine ?El ao del Trumpetista? originally composed in 2010. I thought the beautiful sound of Dr. Tse?s saxophone playing would be very complimentary for this melody.
The third movement ? Danza Jubiloso is in allegro tempo with the first theme based on leaps of afourth and an octave in duple meter. The second theme is mostly in 7/8 meter. There is also a bit of a jazz element of harmonies and the added instruments of a drum set and jazz double bass in pizzicato.
Con-Tse-To was awarded Finalist category in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. The full band instrumentation is available on Musica Nova USA.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamberensembles and soloists. He has won over fifty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
The piano transcription was done by Derek Reme?.
$20.00 ≈
17.96€
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