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Vous avez sélectionné:
10 Years
expert
Partitions à imprimer
65 partitions trouvées
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51
Elegy for the Lost PARTS 14/12/10/10/8
Elegy for the Lost PARTS 14/12/10/10/8
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Gary D
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Elegy for the Lost PARTS 14/12
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DR GARY D BELSHAW
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.796776 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score and parts. 144 pages. DR GARY D BELSHA...
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String Orchestra - Level 5 - SKU: A0.796776 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score and parts. 144 pages. DR GARY D BELSHAW #6494649. Published by DR GARY D BELSHAW (A0.796776). Advanced. PARTS ONLY. For String Orchestra: 14/12/10/10/8. FULL SCORE available separately.A New Adagio. An Adagio for 2021. An Adagio for all who grieve for any reason, for every reason. A new Adagio for Remembering 9/11 Twenty Years Later.NOTE: These pages are formatted for printing on 9x12 paper, as the hard copy print version available on https://www.garydbelshawmusic.com. Be sure to make the appropriate selections on your printer in order reduce, or shrink, or fit, these documents so as to print on letter size sheets.Website: https://www.garydbelshawmusic.comVisit us on Facebook: https://www.facebook.com/Gary-D-Belshaw-Music-93955858441Visit us on Twitter: @GaryDBelshawMus
$40.00 ≈
37.34€
Silent All These Years
Silent All These Years
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Piano, Voix
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AVANCÉ
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Tori Amos
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Stuart Beatch
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Silent All These Years
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Stuart Beatch
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1370444 By Tori Amos. By Tori Amos. Arranged by Stuart Beatch. Folk,Pop,Rock. Score. 10 pages. Stuart Beatch #9548...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1370444 By Tori Amos. By Tori Amos. Arranged by Stuart Beatch. Folk,Pop,Rock. Score. 10 pages. Stuart Beatch #954808. Published by Stuart Beatch (A0.1370444). Silent All These Years is a powerful exploration of domestic violence and one of Tori Amos' signature songs. This is a note-for-note transcription of the original recording that appears on her debut album, Little Earthquakes. This transcription was commissioned by Michael Manganiello and performed in May 2023 at the Peabody Institute of Johns Hopkins University, where Tori Amos studied piano as a child.
$4.99 ≈
4.66€
Visions of Nowhere, op. 10 - Score Only
Visions of Nowhere, op. 10 - Score Only
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Peter Le Tissier
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Visions of Nowhere, op. 10 - S
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Peter Le Tissier
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1218112 Composed by Peter Le Tissier. Classical,Contemporary. 65 pages. Peter Le Tissier #814627. Published by Pet...
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Chamber Orchestra - Level 5 - SKU: A0.1218112 Composed by Peter Le Tissier. Classical,Contemporary. 65 pages. Peter Le Tissier #814627. Published by Peter Le Tissier (A0.1218112). Visions of Nowhere was written in the latter half of 2021 into the first months of 2022. The piece is a melting pot of ideas, strongly connected with some of the GÃ idhlig songs written during the years 2018-2021 and motifs from the Symphony in D/E Minor (2017-2021). The piece is scored for small Chamber Orchestra, with an orchestral Harp part that has been written with the intention that a Piano may be used as a substitute should it be required. The work is roughly 8-10 minutes long.Parts are available upon contact with the composer at www.peterletissier.com.
$20.99 ≈
19.59€
Mozart Piano Sonata No. 10 in C Major
Mozart Piano Sonata No. 10 in C Major
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Piano seul
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Allegro Music Publishing LLC
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Mozart Piano Sonata No. 10 in
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Allegro Music Publishing LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.935467 Composed by Wolfgang Amadeus Mozart. Arranged by Allegro Music Publishing LLC. Classical,World. Score. 14 pages. A...
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Piano Solo - Level 5 - SKU: A0.935467 Composed by Wolfgang Amadeus Mozart. Arranged by Allegro Music Publishing LLC. Classical,World. Score. 14 pages. Allegro Music Publishing LLC #4890517. Published by Allegro Music Publishing LLC (A0.935467). Mozart’s Piano Sonata No. 10 in C major, K 330 (300h), was composed in 1783, when he was twenty-seven years old – at the height of his musical power. It is considered one of Mozart’s most popular piano sonatas.
$1.99 ≈
1.86€
Lyric Etude No. 10 "The Song of the Swan"
Lyric Etude No. 10 "The Song of the Swan"
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Piano seul
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AVANCÉ
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Contemporain
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Andrew Goffe
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Lyric Etude No. 10 "The S
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Andrew Goffe
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.991374 Composed by Andrew Goffe. Contemporary. Score. 5 pages. Andrew Goffe #3012521. Published by Andrew Goffe (A0.99137...
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Piano Solo - Level 5 - SKU: A0.991374 Composed by Andrew Goffe. Contemporary. Score. 5 pages. Andrew Goffe #3012521. Published by Andrew Goffe (A0.991374). The tenth of my 12 Lyric Etudes. The Song of the Swan is based on a melody I used to hum to myself since I was 9 years old. I promised I would someday write i down and here it is. It is a study in 4-part harmony, all playing at different rhythms (triplets against straight eighths against quarters, against free melody). Much like the way Leopold Godowsky approaches his arrangements.
$5.99 ≈
5.59€
God Bless the Child for 10-part Trombone Ensemble & Rhythm Section
God Bless the Child for 10-part Trombone Ensemble & Rhythm Section
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Billie Holiday
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Marc Williams
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Tears
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God Bless the Child for 10-par
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Gordon Cherry
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SheetMusicPlus
Rhythm Section,Small Ensemble Bass Trombone - Level 5 - SKU: A0.811086 Composed by Billie Holiday. Arranged by Marc Williams. 20th Century,Jazz. Score a...
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Rhythm Section,Small Ensemble Bass Trombone - Level 5 - SKU: A0.811086 Composed by Billie Holiday. Arranged by Marc Williams. 20th Century,Jazz. Score and parts. 62 pages. Gordon Cherry #5008593. Published by Gordon Cherry (A0.811086). God Bless the Child is a song written by Billie Holiday and Arthur Herzog Jr. in 1939. Holiday's version was honored with a Grammy in 1976. The lyrics are inspired by a personal event in Holiday's life and a quote from the Bible. The song has been recorded by dozens of artists over the years. Marc Williams' 6-minute all instrumental arrangement is inspired by the Blood Sweat & Tears version from 1969 and features solo Trombone, 9-part Trombone Ensemble and rhythm section. The arrangement is appropriate for advanced performers.
$40.00 ≈
37.34€
'Contrapunctus 10' By J.S.Bach BWV 1080 from 'The Art of the Fugue' for Woodwind Quartet.
'Contrapunctus 10' By J.S.Bach BWV 1080 from 'The Art of the Fugue' for Woodwind Quartet.
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Flûte, Hautbois, Clarinette, Basson
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephen Davies
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Saxophone versions).
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'Contrapunctus 10' By J.S.Bach
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.891856 Composed by Johann Sebastian Bach. Arranged by Stephen Davies....
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.891856 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Concert. 19 pages. Stephen Davies #3465670. Published by Stephen Davies (A0.891856). Many scolarly, and some frankly impenetrable, analyses have been written on the subject of Contrapunctus 7, all available on the internet somewhere (mainly if you can't sleep!). So I would simply say that the motif throughout is stretched, further elongated, scrunched up, placed on different beats, played upsidedown, sideways, shortened, further shortened, over the bar, under the bar, off to the bar(!), and so on, it shouldn't work!! But of course it really does, really! I've known this piece for many years, but it was not until I began unravelling it for this arrangement that I must again doff my cap to old J.S. and his enduring genius!(See also Clarinet & Saxophone versions).
$1.99 ≈
1.86€
The Oak
The Oak
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Orchestre d'harmonie
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AVANCÉ
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Florence Beatrice Price
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John Ivor Holland
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The Oak
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1389302 Composed by Florence Beatrice Price. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World....
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Concert Band - Level 5 - SKU: A0.1389302 Composed by Florence Beatrice Price. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. 188 pages. John Ivor Holland #972867. Published by John Ivor Holland (A0.1389302). Born in Little Rock, Arkansas in 1887, Florence Price received early musical training from her mother, going on to study at the prestigious New England Conservatory of Music, graduating in 1906 with a Soloist’s Diploma in Organ Performance, and a Teacher’s Diploma in Piano Performance. After completing her degree, Price returned back to the south to teach music and after about 20 years, moved her family moved to Chicago to ultimately escape the racial tension in the south. It was here that she was able to properly establish herself as a concert pianist, organist and composer. She composed over 300 works, including 20 full orchestral pieces and over 110 art songs, many performed by leading American orchestras and esteemed vocalists. Price was the first African-American woman composer to earn national recognition. Seen as a pioneer among women, she was celebrated constantly for her achievements. Composed in 1943, about 10 years before her death, 'The Oak' is an unpublished tone poem, perhaps more appropriately described as an 'orchestral essay', quite serious in tone and character. The foreboding opening slowly grows as more instruments enter the mix. The piece explores a number of different moods and atmospheres, from mysterious to more aggressive and irritated. Arranged for symphonic wind ensemble, 'The Oak' is a major contribution to the repertoire and deserves detailed attention - there are two different endings, the second, one that resolves quietly, is written in the score as 'the composer's preference'.
$99.99 ≈
93.34€
Romantic Guitar Anthology
Romantic Guitar Anthology
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Guitare
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AVANCÉ
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Romantic Guitar Anthology
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Schott Music - Digital
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SheetMusicPlus
Guitar - advanced to difficult - SKU: S9.Q555470 12 Original Works & Transcriptions. Schott Anthology Series. Für fortgeschrittene Schüler ...
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Guitar - advanced to difficult - SKU: S9.Q555470 12 Original Works & Transcriptions. Schott Anthology Series. Für fortgeschrittene Schüler mit ca. 8-10 Jahren Spielerfahrung. Bewährte Unterrichtsstücke der führenden Komponisten Sor und Coste aus dem 19. Jahrhundert finden sich darin ebenso wie seltenere Werke von José Ferrer und Johann Kaspar Mertz. Downloadable. Op. 4. Schott Music - Digital #Q555470. Published by Schott Music - Digital (S9.Q555470). The fourth and final volume in this successful series, 'Romantic Guitar Anthology' is a graded repertoire book suitable for advanced students, of c. 8-10 years of playing experience. Well-established teaching pieces by leading 19th Century composers Sor and Coste are presented alongside more rarely available works by José Ferrer and Johann Kaspar Mertz. This volume includes several pieces which would make effective and charming concert pieces. Composer biographies and extensive teaching notes on each piece are included. Each piece has been recorded, performed by the series Editor, Jens Franke. The audio files can be downloaded with a voucher code (in the book). Also available: Baroque Guitar Anthology: Vol 1 – ED 13357 Vol 2 – ED 13437 Vol 3 – ED 13446 Vol 4 – ED 13489 Romantic Guitar Anthology: Vol 1 – ED 13110D Vol 2 – ED 13111D Vol 3 – ED 13112D.
$16.99 ≈
15.86€
Starlit Waters
Starlit Waters
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Piano seul
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AVANCÉ
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Contemporain
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Dan Phelps
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Starlit Waters
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Phelps Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1017249 Composed by Dan Phelps. 20th Century. Score. 12 pages. Phelps Music #6082609. Published by Phelps Music (A0.10172...
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Piano Solo - Level 5 - SKU: A0.1017249 Composed by Dan Phelps. 20th Century. Score. 12 pages. Phelps Music #6082609. Published by Phelps Music (A0.1017249). Starlit Waters, the 8th track from the debut album Reflections (2010). This is where it all began 'seriously' for me. Written in 1999, this piece won first prize in a composition competition and very much became the start of the journey of the whole album for the following 10 years! This was composed at a time in my life when I was using my pianistic skills to challenge my writing and vice versa. It was also at a time in my creative journey when I liked to cram as many different ideas into a piece of music as I possible could, something which I've been criticised for for my entire professional life (tough cookies I say!). It's definitely no coincidence that my interest in creating 'surprise' with sudden changes in music coincided with having Bohemian Rhapsody on constant repeat when was a kid!
$3.00 ≈
2.80€
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50 ≈
21.00€
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00 ≈
14.00€
Introduction, Theme and Variations
Introduction, Theme and Variations
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Gioachino Rossini
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Sean Brennan
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Introduction, Theme and Variat
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bl_music
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SheetMusicPlus
Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Br...
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Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period. Score and parts. 19 pages. Bl_music #6643225. Published by bl_music (A0.842571). Theme and Variations by G. Rossini, arr. Brennan for Solo Euphonium/Baritone with Piano accompaniment This edition is the theme and variations from Rossini's Introduction, Theme and Variations originally for clarinet and orchestra. This version has been performed and recorded by a number of internationally renowned Euphonium soloists. We first published the complete Introduction, Theme and Variations for Euphonium in 1991 and performed it on a 1830s ophicleide and a 1840s square piano in 1993. This edition comes with a shortened introduction,theme and variations. Duration around 8 ½ min. Solo part in treble and bass clef.Message from Sean Brennan:This arrangement, or more correctly transcription, was first published by us in 1991, although its origins go back much further than that. I do remember being transfixed in the 1970s by Richard Stoltzman’s recording of the original form of the work for clarinet and orchestra. I was convinced it would work for Euphonium and that one day there would be players with the technique, and above all musicality, to bring it off. For me, this vision came true in 1994 when we first performed the piece in Birmingham in 2004, and then again 10 years later when David Thornton and the Black Dyke Band recorded the Theme and Variations. Rossini composed the Introduction, Theme and Variations for clarinet and orchestra in 1810 at the request of a fellow student at the Conservatorio di Bologna. Although the autograph score has been lost, and some musicologists have questioned the authenticity of the work, I find no reason for doubt since Rossini recycled some of the material in later works, and apart from that his evervascent musical personality is abundant from beginning to end.
$18.99 ≈
17.73€
24 Studies
24 Studies
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Flûte traversière
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AVANCÉ
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Methodes Etudes
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Karl Joachim Andersen
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24 Studies
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Schott Music - Digital
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SheetMusicPlus
Flute - advanced - SKU: S9.Q16200 Studies in all major and minor keys. Composed by Karl Joachim Andersen. This edition: Sheet music. Il Flauto tr...
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Flute - advanced - SKU: S9.Q16200 Studies in all major and minor keys. Composed by Karl Joachim Andersen. This edition: Sheet music. Il Flauto traverso. Opus 21 behandelt alle Dur- und Molltonarten. Downloadable. Op. 21. Schott Music - Digital #Q16200. Published by Schott Music - Digital (S9.Q16200). The Danish flautist and composer Andersen was one of the founder members of the Berlin Philharmonic, and for 10 years was the orchestra's 1st flute. He toured extensively (including Russia and America) and shared a platform with artists like Hans von Bülow and Joseph Joachim. In addition to his performing career he also wrote studies for flute, instructive as well as musically attractive, which have become part of the standard works used in teaching. Further pieces by Andersen for flute and piano have been published by Schott in The Andersen Collection (EA 748).
$18.99 ≈
17.73€
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00 ≈
14.00€
Vivaldi - La Cetra Op.9 - 12 Concertos for Violin and Piano - Full scores and Violin part
Vivaldi - La Cetra Op.9 - 12 Concertos for Violin and Piano - Full scores and Violin part
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Violon et Piano
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AVANCÉ
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - La Cetra Op.9 - 12 C
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Santino Cara
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.517081 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. 254 pages. Santino Cara #3408299. Published by S...
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Piano,Violin - Level 5 - SKU: A0.517081 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. 254 pages. Santino Cara #3408299. Published by Santino Cara (A0.517081). Complete version of 12 Concertos La Cetra Op.9 by Antonio Vivaldi. Transcribed by Santino Cara in the last 10 years from the reconstructions made by the same transcriber of the manuscripts Kept at the National Library of Turin, the Italian Institute Antonio Vivaldi, the Library of the State of Saxony in Dresden.
$54.00 ≈
50.41€
26-2
26-2
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Jazz
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John Coltrane
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Stephen Davies
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26-2
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.891946 By John Coltrane. By John Coltrane. Arranged by Stephen Davies. Jazz. 23 pages. Stephen Da...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.891946 By John Coltrane. By John Coltrane. Arranged by Stephen Davies. Jazz. 23 pages. Stephen Davies #5730583. Published by Stephen Davies (A0.891946). This piece by John Coltrane was recorded in 1960 on Atlantic Records, but was only released 10 years later on the album 'The Coltrane Legacy'. Coltrane based 26-2 on Charlie Parkers 'Confirmation', but altered it slightly using his famous 'Coltrane Changes' system of over writing the melody and harmonies. Scored for 5 Saxophones, this is not for the faint-hearted!! But should engender some focused practice sessions! Incidentally, 26-2 was originally an untitled track on the 1960 album, Trane brought it into the studio at the last minute, and after 26 takes on day 2 it was labelled as such by the producer, 26-2, and the name just seemed to stick!Full recorded MP3 on this site too.
$12.99 ≈
12.13€
Marin Marais Variations
Marin Marais Variations
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Quatuor à cordes : 4 altos
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AVANCÉ
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Contemporain
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Marin Marais Variations
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Schott Music - Digital
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SheetMusicPlus
4 violas - difficult - Digital Download On Folies d'Espagne. Composed by Garth Knox. This edition: score and parts. Viola Library. Downloadable. O...
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4 violas - difficult - Digital Download On Folies d'Espagne. Composed by Garth Knox. This edition: score and parts. Viola Library. Downloadable. Op. Vol. III. Duration 10 minutes. Schott Music - Digital #Q17776. Published by Schott Music - Digital
Many violists know Garth Knox as author of Viola Spaces (ED 20520), the groundbreaking compendium of modern playing techniques on the viola. In this edition, he applies them to variations on the famous 'Folies Espagne' by the French gamba virtuoso Marin Marais. Each variation is dedicated to a certain technique, such as the generation of harmonics, quarter tones, glissando, tremolo and others.
The piece is ideally suited both for lessons and for concert performances. Performers and listeners are going to enjoy it.
Garth Knox is one of the most distinguished violists of his generation. For many years, he was a member of the Arditti Quartet. Today, he gives concerts and lessons all over the world while always performing works of contemporary music.
$17.99 ≈
16.79€
The Last Rose of Summer, Op.73 - Thalberg
The Last Rose of Summer, Op.73 - Thalberg
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Piano seul
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AVANCÉ
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Classique
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Sigismond Thalberg
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Editions Melodia
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The Last Rose of Summer, Op.73
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James Keenan
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SheetMusicPlus
Piano Solo - Advanced - Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period. 10 pages. Published by James Keenan...
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Piano Solo - Advanced - Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period. 10 pages. Published by James Keenan
Originally a poem written by Thomas Moore in 1805, "The Last Rose of Summer" is based upon the Irish traditional tune of "Aislean an Oigfear", or "The Young Man's Dream."
Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing.[57] He was greatly in fashion and was imitated by others.[58] In 1852, Wilhelm von Lenz wrote:
'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.'
Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote:
'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'.
Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end.
In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this.
'His bravura pieces, fantasies on melodies from Rossini's Mos and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard.'
$3.00 ≈
2.80€
Elegie in Eb Minor (Classical Music for Tablet Series)
Elegie in Eb Minor (Classical Music for Tablet Series)
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Piano seul
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AVANCÉ
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Classique
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Stephen R Dalrymple
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Edited by Stephen R Dalrymple
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Elegie in Eb Minor
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.818281 By Stephen R Dalrymple. By Sergei Rachmaninoff. Arranged by Edited by Stephen R Dalrymple. Romantic Period....
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Instrumental Solo - Level 5 - SKU: A0.818281 By Stephen R Dalrymple. By Sergei Rachmaninoff. Arranged by Edited by Stephen R Dalrymple. Romantic Period. Individual part. 18 pages. Stephen R Dalrymple #4966281. Published by Stephen R Dalrymple (A0.818281). Élegié in E Flat Minor for solo piano (Classical Music for Tablet Series) ♫ by Sergei Vasilyevich Rachmaninoff (Opus 3.1) ♫ Rachmaninoff (born in 1873) , Russian composer, virtuoso pianist, and conductor, was considered one of the finest pianists of his day. His compositions belong to the Romantic period of music history. He graduated at the Moscow Conservatory in 1892. After the premiere of his First Symphony in 1897, the negative reaction by an important critic sent him into a tailspin of depression that lasted several years. ♫ In 1909 he performed a series of 26 performances with the Boston Symphony Orchestra in the USA. In 1914 he travelled to England for a concert tour. ♫ In February 1917 on the day the Socialist Revolution began in St Petersburg, he performed a benefit piano recital in Moscow for wounded Russian soldiers. When he returned home, he found that a group of Social Revolutionary Party members had seized his property as their own communal property. He had invested most of his earnings on the estate, but left it behind. Rachmaninoff's concert performance in Yalta on 5 September 1917 was to be his last in Russia. The chaos and tension of the October Revolution was daunting. He composed with the noise of gunshots and rallies in the background. He received an invitation to perform 10 recitals across Scandinavia. He accepted the offer, using it as an excuse to obtain permits so he and his family could flee Russia. ♫ He returned to the USA in November 1918 and America became his home. When he became an American citizen in 1943, Sergei Rachmaninoff said: “This is the only place on earth where a human being is respected for what he is and what he does, and it does not matter who he is and where he came from.†He died in March 1943 from cancer at the age of 70. (condensed from Wikipedia - October 2022) ♫ Rachmaninoff’s Opus 3 contains 5 piano pieces. The first is the Élegié in E Flat Minor, the second is the Prelude in C# Minor (one of his most famous piano compositions). This opus was finished in 1892, when he was 19 years old. The Prelude in C# Minor is loud, explosive, and declarative; the Élegié in E Flat Minor is soft, fluid, and contemplative. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Sequenced by the Editor ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
3.72€
Sharktooth Frenzy
Sharktooth Frenzy
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Christine Southworth
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Sharktooth Frenzy
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Airplane Ears Music
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SheetMusicPlus
Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and ...
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Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054). Sharktooth Frenzy (2014, 4') solo pianist with snare drum and bass drum. For Danny Holt. Composed at The Hermitage Artist Retreat. I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00 ≈
4.67€
Donut Music
Donut Music
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Roger Aldridge
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Donut Music
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Roger Aldridge
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.979661 Composed by Roger Aldridge. Blues,Contemporary,Folk,Jazz,World. Individual part. 6 pages. Roger Aldridge #484355....
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Solo Guitar - Level 5 - SKU: A0.979661 Composed by Roger Aldridge. Blues,Contemporary,Folk,Jazz,World. Individual part. 6 pages. Roger Aldridge #484355. Published by Roger Aldridge (A0.979661). Donut Music is an extended piece for solo guitar. It was commissioned by Keith Calmes and is on his CD All We Know is Now. The music was inspired by a line in a story written by my granddaughter Eillonwy (then 8 years old): Sitting in a dark room, eating a chocolate donut. The music represents a stream of memories, images, and thoughts as one’s life is contemplated over a donut. The composition is in 9 movements...or bites. The movements have varied lengths, from miniatures to developed pieces, and draw upon various roots-based musical styles including blues, Appalachian, tango, jazz, and samba. Miniature compositions have been an interest to me for many years. Donut Music's imagery gave me an opportunity to have several miniature compositions along with the longer movements. Above all, this piece is meant to be fun and playful -- especially, in how old and new styles are juxtaposed. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI VIDEO: https://youtu.be/he_aw8XV_s4 WEBSITE: http://www.rogeraldridge.com/ DURATION: around 8:00 to 10:00. YEAR OF RELEASE: 2012 PERFORMANCE: The lead sheet format enables performers have the freedom to shape this music to their vision and personal style. The score has optional improvisation in movements 2 (blues), 7 (tango), and 9 (samba). In addition, Donut Music can be performed as a complete composition or by using individual movements.
$5.00 ≈
4.67€
Taiwan Fantasia for Brass Quintet
Taiwan Fantasia for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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van Deursen, John
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Taiwan Fantasia for Brass Quin
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792096 Composed by van Deursen, John. World. Score and parts. 41 pages. Gordon Cherry #3429341. Published by Gordon C...
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Brass Ensemble - Level 5 - SKU: A0.792096 Composed by van Deursen, John. World. Score and parts. 41 pages. Gordon Cherry #3429341. Published by Gordon Cherry (A0.792096). About the Taiwan Fantasia, van Deursen states: After having lived in Taipei for a number of years, I learned many of the local folk and popular songs. Some of the melodies are exceptionally beautiful, and my idea was to somehow combine all the elements that have made up my musical experiences over these years - Chinese melodies, western orchestral music and jazz; I wanted to see if these songs could survive with a totally different harmonic structure and concept. My original goal was to write a simple arrangement of the two songs, but quickly I discovered more melodies building upon the original ones and thus the Variations were born. Composed in 1995, this work of about 10 minutes in length is in one continuous movement, but is divided into seven short sections of contrasting moods including two cadenzas, for Trumpet and Trombone. The music is appropriate for advanced performers. Parts in C and B-flat are supplied for the Trumpets. A recording of Taiwan Fantasia can be purchased on iTunes from the album by the Yeh Shu Han Brass Quintet.
$30.00 ≈
28.01€
The Last Time I Saw Paris
The Last Time I Saw Paris
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Piano seul
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AVANCÉ
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Classique
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,...
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Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$7.99 ≈
7.46€
Six Songs
Six Songs
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Robert Schumann, op
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Aribert Reimann and Robert Sch
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Aribert Reimann
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Six Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and string quartet - difficult - SKU: S9.Q3058 By Robert Schumann, op. 107. Composed by Aribert Reimann and Robert Schumann. Arrang...
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Soprano voice and string quartet - difficult - SKU: S9.Q3058 By Robert Schumann, op. 107. Composed by Aribert Reimann and Robert Schumann. Arranged by Aribert Reimann. This edition: score and parts. Downloadable, Score and parts. Duration 10 minutes. Schott Music - Digital #Q3058. Published by Schott Music - Digital (S9.Q3058). In these lieder, Robert Schumann seems to mirror his life full of crises. The composition coincides with the first signs of his illness. The picture of the drowning Ophelia evoked in the first chant conjures up the image of his suicide attempt three years later. Aribert Reimann’s transcription seems to be opposed to Schumann’s endeavours to make stronger use of ‘the development of the accompanying instrument, the piano’. On the other hand, the complete integration of the vocal part in the musical setting of the string quartet confirms Schumann’s assessment that the singing voice alone cannot ‘express everything; apart from the expression of the whole, even subtle nuances of the poem shall become apparent’. These transcriptions show Reimann’s sense of timbre and his many years of experience as a lied accompanist.
$40.99 ≈
38.27€
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