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Till The World Ends
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Vous avez sélectionné:
Till The World Ends
avancé
Partitions à imprimer
16 partitions trouvées
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1
Till The World Ends
Till The World Ends
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Britney Spears
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Ben Bram
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Till The World Ends
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Ben Bram Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.726807 By Britney Spears. By Alexander Kronlund, Kesha Sebert, Lukasz Gottwald, and Max Martin. Arranged ...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.726807 By Britney Spears. By Alexander Kronlund, Kesha Sebert, Lukasz Gottwald, and Max Martin. Arranged by Ben Bram. Contemporary. Octavo. 8 pages. Ben Bram Music #3554593. Published by Ben Bram Music (A0.726807). The price is high because it's a FLAT FEE per ensemble/organization, not a per copy fee. Please only make copies as needed within your ensemble/organization.
$150.00 ≈
139.99€
Over The Rainbow
Over The Rainbow
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Film/TV
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicu...
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Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99 ≈
4.66€
Mountain Goats And Other Creatures
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00 ≈
93.33€
Larry Williams Compositions- The Guitar Book
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00 ≈
18.67€
What A Wonderful World
What A Wonderful World
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Louis Armstrong
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Timothy Stapay
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What A Wonderful World
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1438013 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Music...
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Piano Solo - Level 4 - SKU: A0.1438013 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #1018085. Published by Timothy Stapay (A0.1438013). When it comes to timeless classics, few songs can compare to “What a Wonderful World” by Louis Armstrong’s Orchestra and Chorus. Released in 1967, this beautiful melody has transcended decades, touching the hearts of millions across the globe. After it was heard in the film Good Morning, Vietnam, it was reissued as a single in 1988, and rose to number 32 on the Billboard Hot 100. Armstrong's recording was inducted to the Grammy Hall of Fame in 1999.In a world often plagued by strife and uncertainty, the song serves as a gentle reminder to focus on the positive aspects of life. It urges us to look beyond our differences and embrace the beauty that surrounds us. It celebrates the wonders of nature, the innocence of children, and the power of love, instilling a renewed sense of appreciation for the world we live in.I see trees of green, red roses tooI see them bloom for me and youAnd I think to myself what a wonderful worldI see skies of blue and clouds of whiteThe bright blessed day, the dark sacred nightAnd I think to myself what a wonderful worldThe colors of the rainbow so pretty in the skyAre also on the faces of people going byI see friends shaking hands saying how do you doThey're really saying I love youI hear babies crying, I watch them growThey'll learn much more than I'll never knowAnd I think to myself what a wonderful worldYes I think to myself what a wonderful world.
$7.99 ≈
7.46€
Abendstille (Alphorn Solo)
Abendstille (Alphorn Solo)
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Reto Stadelmann
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Abendstille
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Reto Stadelmann Music
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SheetMusicPlus
Instrumental Solo - Level 4 - SKU: A0.1280295 Composed by Reto Stadelmann. Folk,Multicultural,Traditional,World. Individual part. 1 pages. Reto Stadelma...
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Instrumental Solo - Level 4 - SKU: A0.1280295 Composed by Reto Stadelmann. Folk,Multicultural,Traditional,World. Individual part. 1 pages. Reto Stadelmann Music #871738. Published by Reto Stadelmann Music (A0.1280295). Original work for Alphorn solo (horn in F or G flat/F sharp)Authentic music from the Swiss Alpine region, as it is often heard in open spaces. Not only played by shepherds, but also by a diverse community of alphorn players. The composition 'Abendstille' was composed in 1994. A video recording was made at an altitude of 1848 meters above sea level in the Vaud Alps for the 7th World Yodel Festival in Gokseong, Korea..
$1.99 ≈
1.86€
We Are The Champions - Piano Solo
We Are The Champions - Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
#
Rock
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Queen
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Mario Stallbaumer
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We Are The Champions - Piano S
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download By Queen. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer...
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Piano Solo - Advanced Intermediate - Digital Download By Queen. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here's how to play "We Are The Champions" by Queen on piano!
With these piano sheets, you can play "We Are The Champions" by the British band Queen.
It's an accurate piano arrangement of this legendary song including all parts of the song.
It's a "We Are The Champions" piano version which is not too hard to play, and sounds fantastic!
You can also get a version of this arrangement which includes the song's full lyrics:
https://www.sheetmusicplus.com/title/21186075
If you want to play more Queen songs on piano, here are more of my arrangements:
"Love Of My Life": https://www.sheetmusicplus.com/title/21145110
"Love Of My Life" (Easy Piano): https://www.sheetmusicplus.com/title/21145489
"Bohemian Rhapsody": https://www.sheetmusicplus.com/title/21155920
"Bohemian Rhapsody" (Piano Solo): https://www.sheetmusicplus.com/title/21156151
"We Are The Champions" is a song from Queen's 1977 album "News of the World", and served as the album's first single.
Of course, it was written by the one and only Freddie Mercury.
The song became a world wide hit, a popular anthem for sports events, the official theme song for the 1994 FIFA World Cup, and stayed one of Queen's most recognizable and popular songs.
Now you can play it, too!
Here are the full lyrics to "We Are The Champions":
[Verse 1]
I've paid my dues
Time after time
I've done my sentence
But committed no crime
And bad mistakes
I've made a few
I've had my share of sand kicked in my face
But I've come through
(And I need to go on and on, and on, and on)
[Chorus]
We are the champions, my friends
And we'll keep on fighting till the end
We are the champions
We are the champions
No time for losers
'Cause we are the champions
Of the world
[Verse 2]
I've taken my bows
And my curtain calls
You brought me fame and fortune and everything that goes with it
I thank you all
But it's been no bed of roses
No pleasure cruise
I consider it a challenge before the whole human race
And I ain't gonna lose
(And I need just go on and on, and on, and on)
[Chorus]
We are the champions, my friends
And we'll keep on fighting till the end
We are the champions
We are the champions
No time for losers
'Cause we are the champions
Of the world
$4.99 ≈
4.66€
Les Indes Galantes - Le Turc Generaux (Premiere Entree)
Les Indes Galantes - Le Turc Generaux (Premiere Entree)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jean Phillipe Rameau
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Arte Nova Music Lab
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Les Indes Galantes - Le Turc G
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Arte Nova Music Lab
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.742473 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,Wo...
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String Quartet String Quartet - Level 4 - SKU: A0.742473 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 8 pages. Arte Nova Music Lab #4600763. Published by Arte Nova Music Lab (A0.742473). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Le Turc Generaux. Osman Pasha is in love with his slave, the young Émilie, but she rejects him, telling him she was about to be married when a group of brigands abducted her. Osman urges her to give up hope that her fiancé is still alive (Air: Il faut que l'amour s'evole) but Émilie refuses to believe this is true. The sky turns dark as a storm brews; Émilie sees the violent weather as an image of her despair (Air: Vaste empire des mers). A chorus of shipwrecked sailors is heard (Chorus: Ciel! de plus d'une mort). Émilie laments that they too will be taken captive. She recognises one of the sailors as her fiancé Valère. Their joy at their reunion is tempered by sadness at the thought they are both slaves now. Osman enters and is furious to see the couple embracing. However, unexpectedly, he announces he will free them. He too has recognised Valère, who was once his master but magnanimously freed him. Osman loads Valère's surviving ships with gifts and the couple praise his generosity. They call on the winds to blow them back to France (Duet and chorus: Volez, Zéphyrs). The act ends with celebratory dances as Valère and Émilie prepare to set sail.
$20.00 ≈
18.67€
Trapped
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00 ≈
23.33€
Autumn tableau
Autumn tableau
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Dario Duarte
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Autumn tableau
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Dario Duarte
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages....
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Full Orchestra - Level 4 - SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages. Dario Duarte #684825. Published by Dario Duarte (A0.1080608). The piece consists of a description of a small tableau with an autumn theme in an idyllic town. In the region of the Latin American Andes, more precisely the tableau called ayacuchano is an art form very representative of the folklore of the region. Taking this idea of micro-stories, the work narrates four scenes of a day that begins at dawn and ends with the town's festival. Each story corresponds to the four sections of the music, which are performed successively. First tableau: Autumn morning lights. The change of season is perceived in the ashen morning lights of the autumn season, the sun rises lightly with a slight warmth, giving the ochre color that dominates the landscape a sense of tranquility and reflectiveness. The mood of this piece is one of contemplation. Second tableau: Noon in the town The tableau opens. It is midday. The whole town is busy with preparations for the harvest festival celebration. The music goes by with the sounds of the town and the joy of the inhabitants for the important festivity they are about to share as a community. The whole town is a great hustle and bustle. You hear barrel organs, feel the excitement of hanging banners and decorating the houses for the main parade. Third tableau. Little song for siesta time. A nostalgic voice sings an old folk song to lull the children to sleep. The voices of other adults of the town intertwine to sing a song to the sleeping children. It is a tender song that recovers the stillness and tranquility of the town at the hour when everyone returns to their homes to rest. Fourth tableau: Night of celebration. Harvest Festival The first chords of the town band can be heard in the distance, a melody invites to enter with enthusiasm to the place where the festival will take place. The dance begins, the band plays energetically and everyone participates in a dance of joy. In the most important moment of the party, the town's hymn is played, everyone joins in one voice to sing the song that distinguishes them. And now: the announcement of the winners of the harvest contest. Someone is honored and everyone applauds vigorously. Then the dancing continues again. Everyone occupies the center of the dance floor and enjoys being part of a colorful celebration of unity for the town. Instragram (to be contacted by the instrumental parts): @darioduartenunez.
$15.99 ≈
14.92€
Autour De La Laitemaire (Alphorn Duet)
Autour De La Laitemaire (Alphorn Duet)
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Reto Stadelmann
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Autour De La Laitemaire
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Reto Stadelmann Music
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SheetMusicPlus
Horn,Instrumental Duet - Level 4 - SKU: A0.1435615 Composed by Reto Stadelmann. Folk,Multicultural,Traditional,World. 2 pages. Reto Stadelmann Music #10...
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Horn,Instrumental Duet - Level 4 - SKU: A0.1435615 Composed by Reto Stadelmann. Folk,Multicultural,Traditional,World. 2 pages. Reto Stadelmann Music #1015704. Published by Reto Stadelmann Music (A0.1435615). Original work for Alphorn duet (horn in F or G flat/F sharp)Authentic music from the Swiss Alpine region, as it is often heard in open spaces. Not only played by shepherds, but also by a diverse community of alphorn players. The composition 'Abendstille' was composed in 1994. A video recording was made at an altitude of 1848 meters above sea level in the Vaud Alps for the 7th World Yodel Festival in Gokseong, Korea..
$2.00 ≈
1.87€
Les cloches de Rouen for violin, bassoon and piano
Les cloches de Rouen for violin, bassoon and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Les cloches de Rouen for violi
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David Warin Solomons
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SheetMusicPlus
Bassoon,Piano,Violin - Level 4 - SKU: A0.576480 Composed by David Warin Solomons. Contemporary. 15 pages. David Warin Solomons #26919. Published by Davi...
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Bassoon,Piano,Violin - Level 4 - SKU: A0.576480 Composed by David Warin Solomons. Contemporary. 15 pages. David Warin Solomons #26919. Published by David Warin Solomons (A0.576480). This is my composition from several movements written by various composer members of the Delian Society to illustrate the novel Le Horla by Guy de Maupassant Details, pdf files and mp3 files of the whole suite can be found at:https://dwsolo.com/le-horla-2012-after-the-novel-by-guy-de-maupassant/ This movement is introduced by the narrator as follows: On the left, down yonder, lies Rouen, populous Rouen with its blue roofs massing under pointed, Gothic towers. Innumerable are they, delicate or broad, dominated by the spire of the cathedral, full of bells which sound through the blue air on fine mornings, sending their sweet and distant iron clang to me, their metallic sounds, now stronger and now weaker, according as the wind is strong or light. The protagonist is still in a happy mood, before the madness of Le Horla descends upon him. The sogetto cavato on the name of Guy de Maupassant, used in all of the compositions, is taken as part of the Dorian scale initially, to be transmogrified halfway through into the major scale, representing the optimistic mood of our anti-hero at the outset as he listens to the cheerful bells of Rouen and thinks all is well with his world. In counterpoint to the sogetto cavato you can also hear the first quarter of the hourly chime of Rouen Cathedral played on the bassoon, both themes interweaving playfully in four time, in seven time and in two-two-three time throughout the movement. The misleadingly cheerful scene is set.
$8.00 ≈
7.47€
Fantasia "Conflictus"
Fantasia "Conflictus"
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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D
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Fantasia "Conflictus"
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D A Jaquish
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.984212 Composed by D. A. Jaquish. Concert,Contemporary,Standards,World. Score and parts. 18 pages. D A Jaquish #48888...
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Brass Ensemble - Level 4 - SKU: A0.984212 Composed by D. A. Jaquish. Concert,Contemporary,Standards,World. Score and parts. 18 pages. D A Jaquish #4888899. Published by D A Jaquish (A0.984212). Conflictus: Latin for conflict or struggle. To live is to embrace struggle. Even in a musical work can be heard both protagonist and antagonist voices in conflict, motifs rivaling for preeminence as they interweave, confront and overarch. Such is the case with the fantasia, Conflictus. It begins with a simple theme on a single note; it ends in similar manner: a placid unison as once-strident voices are drawn, still passively resisting, to a concordance. But in between, this interlocked trio will challenge, fight, cajole, ally, mock, mourn and rail with defiance. All within the brief musical foray of Conflictus.
$11.99 ≈
11.19€
TRIBUTUM: FOR CELTIC BAGBPIPES AND FULL SYMPHONIC ORCHESTRA
TRIBUTUM: FOR CELTIC BAGBPIPES AND FULL SYMPHONIC ORCHESTRA
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Nan Avant
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performance.
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TRIBUTUM: FOR CELTIC BAGBPIPES
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Nan Avant
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976183 Composed by Nan Avant. Celtic,Contemporary,World. Score and parts. 156 pages. Nan Avant #3218165. Published by...
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Full Orchestra - Level 4 - SKU: A0.976183 Composed by Nan Avant. Celtic,Contemporary,World. Score and parts. 156 pages. Nan Avant #3218165. Published by Nan Avant (A0.976183). TRIBUTUM for Celtic Bagpipes and Full Orchestra is an award winning concert work. The original composition which is also listed on Sheet Music Plus, was commissioned for Celtic Bagpipes and Chamber Orchestra. Tributum pays homage to the great music of Ireland and Scotland, with lyrical and memorable themes throughout creating a dialogue between the chamber orchestra and the traditional pipes of Ireland, the Uilleann Pipes and the Great Highland Bagpipes. In ‘Tributum,’ Avant masterfully blends ethnic Celtic instruments with symphony orchestra to create a wonderfully moving work. Her majestic melodies and lush orchestrations transport the listener to the British Isles – it is an aural voyage worth taking.~ Hummie Mann, two time Emmy Award -winning composerUS Premier: March 24, 2013, NW Sinfonia Orchestra David Sabee conducting produced by Burmer Music LLC International Premier Canada: January 23, 2016 Edmonton Symphony Orchestra with the Royal Canadian Artillery Pipes and Drums and Brass Quintet conducted by Lucas Waldin. PRO: ASCAPThe MP3 and YouTube video are both from the Chamber Orchestra performance by the NW Sinfonia Orchestra under the direction of David Sabee, a production by Burmer Music LLC https://burmermusic.com/ and performed in Seattle at Benaroya, Nordstrom Hall, 2013. Contact: Nan Avant http://www.nanavant.net/Email: njavant@gmail.comPlease notify the composer when Tributum is to be performed and she will aim to attend the performance.
$152.00 ≈
141.86€
Tala
Tala
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Alfred Feenstra
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Tala
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Alfred Feenstra
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.978015 Composed by Alfred Feenstra. Concert,World. Individual part. 2 pages. Alfred Feenstra #4984709. Published by Alfr...
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Solo Guitar - Level 4 - SKU: A0.978015 Composed by Alfred Feenstra. Concert,World. Individual part. 2 pages. Alfred Feenstra #4984709. Published by Alfred Feenstra (A0.978015). Tala is a facebook girlfriend of me from Iraq where she lives. Through Facebook, we had and still have a quite special relation. For that reason, I composed this song for her. She sends me recordings of her singing in Arabic language, nice although I can not understand the meaning of the words and I wrote for her this song. Now she works in a hospital and supports with her friendship and good care young children with cancer.
$4.00 ≈
3.73€
<
1
Till The World Ends
