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Vous avez sélectionné:
Simply Red
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Partitions à imprimer
261 partitions trouvées
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Simply Red : Something Got Me Started - Version originale (niveau intermédiaire/difficile)
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Batterie
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Simply Red
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Something Got Me Started
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Tomplay
Telechargez la partition Batterie Something Got Me Started - Version originale (niveau intermediaire/difficile) de Simply Red. Partition avec audio Play Along. ...
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Telechargez la partition Batterie Something Got Me Started - Version originale (niveau intermediaire/difficile) de Simply Red. Partition avec audio Play Along. Pop/rock
5.99€
Simply Red : Something Got Me Started - Version originale (niveau intermédiaire/difficile)
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Basse electrique
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Simply Red
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Something Got Me Started
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Tomplay
Telechargez la tablature et la partition Basse Something Got Me Started - Version originale (niveau intermediaire/difficile) de Simply Red. Tab pour Basse avec ...
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Telechargez la tablature et la partition Basse Something Got Me Started - Version originale (niveau intermediaire/difficile) de Simply Red. Tab pour Basse avec band -- Pop/rock
5.99€
Simply trusting everyday (For Violin Duet)
Simply trusting everyday (For Violin Duet)
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2 Violons (duo)
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INTERMÉDIAIRE/AVANCÉ
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I
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Han-Ki Kim
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Simply trusting everyday
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Han-Ki Kim
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SheetMusicPlus
Violin Duet Violin - Level 4 - SKU: A0.511742 Composed by I.D.Sankey. Arranged by Han-Ki Kim. Instructional,Sacred,Standards. 7 pages. Han-Ki Kim #57745...
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Violin Duet Violin - Level 4 - SKU: A0.511742 Composed by I.D.Sankey. Arranged by Han-Ki Kim. Instructional,Sacred,Standards. 7 pages. Han-Ki Kim #5774591. Published by Han-Ki Kim (A0.511742). Simply trusting everyday is an arrangement for Violin Duet of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the Concert where inspirational music is desired. Arranger- also as a Violinist- is very experienced(with I Musici - world famous chamber group of Italy), and his works are very loved world widely. And, especially, Shown Bowing sign and Fingering will be very helpful to player. Main Theme is rotated by parts, to give interest for the player.
$4.99 ≈
4.67€
I Know That My Redeemer Lives
I Know That My Redeemer Lives
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Lewis D
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Rebecca Maughan
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I Know That My Redeemer Lives
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Rebecca Maughan Cook
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1369592 Composed by Lewis D. Edwards. Arranged by Rebecca Maughan. Christian,Easter,Religious,Sacred. Score and part. 8 ...
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Flute,Piano - Level 4 - SKU: A0.1369592 Composed by Lewis D. Edwards. Arranged by Rebecca Maughan. Christian,Easter,Religious,Sacred. Score and part. 8 pages. Rebecca Maughan Cook #953916. Published by Rebecca Maughan Cook (A0.1369592). This arrangement starts quietly and the piano accompaniment has a tender line that weaves into the verse breaks.  Verse one and verse two do not do the chorus. We wait for it- and then FINALLY when we get to the third verse we get to play the 'He Lives!' chorus. And the flute simply states that up high on beautiful third register G while the piano finishes the phrase. It's a touching way to testify. The flute part dips down to low e, but to really play this well you need to be able to play a gorgeous high g. That's the note on which you spin a beautiful vibrato.You'll need a really good pianist.Please listen to the recording.I hope you feel and enjoy what this music can teach you in your soul.
$5.49 ≈
5.14€
The Best (Simply The Best)
The Best (Simply The Best)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Tina Turner
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Matt Amy
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The Best
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1414667 By Tina Turner. By Holly Knight and Mike Chapman. Arranged by Matt Amy. Contemporary,Pop,Rock. 96 pages. Matt...
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Full Orchestra - Level 4 - SKU: A0.1414667 By Tina Turner. By Holly Knight and Mike Chapman. Arranged by Matt Amy. Contemporary,Pop,Rock. 96 pages. Matt Amy Music #996446. Published by Matt Amy Music (A0.1414667). Key: F majorBPM: 106Style: RockDuration: 4:12“ Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): Simply the Best (MIDI)Instrumentation- Reed 1- Reed 2- Reed 3- Horn 1, 2- Trumpet 1, 2, 3- Trombone- Voice- Piano- Guitar- Electric Bass (Rhythm Section)- Drums- Percussion- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$75.00 ≈
70.17€
Simply trusting everyday (For Violin and Cello)
Simply trusting everyday (For Violin and Cello)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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I
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Han-Ki Kim
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Simply trusting everyday
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Han-Ki Kim
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1279782 Composed by I.D. Sankey. Arranged by Han-Ki Kim. Chamber,Christian,Classical,Instructional,Re...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1279782 Composed by I.D. Sankey. Arranged by Han-Ki Kim. Chamber,Christian,Classical,Instructional,Religious. 3 pages. Han-Ki Kim #871231. Published by Han-Ki Kim (A0.1279782). Simply trusting everyday is an arrangement for Violin and Cello of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the Concert where inspirational music is desired. Arranger - also as a Violinist - is very experienced(with I Musici - world famous Chamber group of Italy), and his works are very loved world widely. And, especially, Shown Bowing sign(Violin and Cello parts) and Fingering(Violin part) will be very helpful to player. As far as the main theme is concerned, it is arranged in the form of violin and cello playing alternately. This makes the performer more interested. Attached music file is recorded with two Violins, it’s just for a reference. AND “SCORE ONLY“.
$3.99 ≈
3.73€
Simply trusting everyday (For Viola Duet)
Simply trusting everyday (For Viola Duet)
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2 Altos (duo)
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INTERMÉDIAIRE/AVANCÉ
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I
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Han-Ki Kim
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Simply trusting everyday
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Han-Ki Kim
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SheetMusicPlus
Viola Duet Viola - Level 4 - SKU: A0.511635 Composed by I.D.Sankey. Arranged by Han-Ki Kim. Contemporary,Instructional,Sacred,Standards. Score. 7 pages....
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Viola Duet Viola - Level 4 - SKU: A0.511635 Composed by I.D.Sankey. Arranged by Han-Ki Kim. Contemporary,Instructional,Sacred,Standards. Score. 7 pages. Han-Ki Kim #3630297. Published by Han-Ki Kim (A0.511635). 1. This music is for Church Season's concert and Educational purpose. 2. Main Theme is rotated by parts, to give interest for all the player 3. Arranger is very experienced(with I Musici), and his works are very loved world widely. 4. Shown Bowing sign and Fingering will be very helpful to player. 5. P.S. Attached MP3 is played by 2 Violins instead of Viola.
$4.99 ≈
4.67€
Stars
Stars
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Simply Red
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Mario Stallbaumer
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Stars
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Mario Stallbaumer
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SheetMusicPlus
By Simply Red. By Mick Hucknall. Arranged by Mario Stallbaumer. Pop. Score. 3 pages. Mario Stallbaumer #652136. Published by Mario Stallbaumer...
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By Simply Red. By Mick Hucknall. Arranged by Mario Stallbaumer. Pop. Score. 3 pages. Mario Stallbaumer #652136. Published by Mario Stallbaumer
$4.99 ≈
4.67€
Stars
Stars
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Simply Red
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Mario Stallbaumer
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Stars
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Mario Stallbaumer
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SheetMusicPlus
By Simply Red. By Mick Hucknall. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #652135. Published by Mario Stallbaumer...
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By Simply Red. By Mick Hucknall. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #652135. Published by Mario Stallbaumer
$4.99 ≈
4.67€
Wind Quintet Op 91 No 4 - Movement 1: Andante. Allegro Assai
Wind Quintet Op 91 No 4 - Movement 1: Andante. Allegro Assai
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Anton Reicha
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Adrian Barnes
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Wind Quintet Op 91 No 4 - Move
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Cammerayguy
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1261168 Composed by Anton Reicha. Arranged by Adrian Barnes. Cha...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1261168 Composed by Anton Reicha. Arranged by Adrian Barnes. Chamber,Classical. 7 pages. Cammerayguy #854237. Published by Cammerayguy (A0.1261168). Anton (AntonÃn, Antoine) Joseph Reicha (Rejcha) (26 February 1770 – 28 May 1836) was a Czech-born, Bavarian-educated, later naturalized French composer and music theorist. A contemporary and lifelong friend of Beethoven, he is now best remembered for his substantial early contributions to the wind quintet literature and his role as teacher of pupils including Franz Liszt, Hector Berlioz and César Franck.Reicha's 25 wind quintets, composed in Paris between 1811 and 1820, were mostly premiered from 1817 in the foyer of the Théâtre Favart by some of the world's fifinest wind soloists. They were well received and were played al over Europe shortly afterward.Reicha claimed in his memoirs that his wind quintets filed a void:At that time, there was a dearth not only of good classic[al] music, but of any good music at al for wind instruments, simply because the composers knew little of their technique.[Wikipedia]Notes concerning this editionIn preparing this edition various manuscripts were consulted including the facimilies held by the IMSLP and Clarinet Institute. I also acknowledge the excel ent transcriptions prepared by Charles-David Lehrer for the International Double Reed Society.In addition, various editorial markings have been added to facilitate the performance of the quintet in a contemporary ensemble. Editorial additions marked in red in the score and may be considered optional. [Adrian Barnes]
$10.00 ≈
9.36€
Beethoven: Duet mit zwei obligaten Augengläsern WoO 32 (Eyeglass Duo) (I.Allegro) - bassoon duet
Beethoven: Duet mit zwei obligaten Augengläsern WoO 32 (Eyeglass Duo) (I.Allegro) - bassoon duet
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2 Bassons (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Duet mit zwei oblig
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RayThompsonMusic
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 4 - SKU: A0.1097228 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. Score and...
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Instrumental Duet Bassoon,Instrumental Duet - Level 4 - SKU: A0.1097228 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. Score and parts. 12 pages. RayThompsonMusic #701184. Published by RayThompsonMusic (A0.1097228). Translated as (Duet with Two Obligato Eyeglasses) or k/a The Obligato/Eyeglass Duo. Originally composed for viola/cello duet it is arranged here for bassoon duet. This arrangement is of of Mvt.I Allegro ONLY Mvt II Minuetto is also available on this site. This duet for viola and cello from 1796-1797 is believed to have been written for Beethoven's longtime frind, Baron Nikolaus Zmeskall. The Baron was an accomplished cellist, and Beethoven had played the viola back in Bonn. Both men wore spectacles at times, which is believed to be the genesis of the curious name. Apparently Beethoven wrote Zmeskall a letter containing these lines: Dearest Baron Garbage-truck driver, I am obliged to you for the weakness of your eyes. Perhaps Zmeskall lent Beethven his eyeglasses. Who knows? One thing is certain: the piece exudes a sense of sheer playfulness, similar in spirit (if not style) to Mozart's Duo for Violin and Viola in B-Flat. Arranged here for bassoon duet. I have changed the octaves in both parts in certain bars to suit the bassoon's range, and to avoid overlap. I have obviously removed the chords in the original viola part, which is now bsn 1, and somtrimes given the lower note in the chord to bsn 2 to give a better balance. Bsn 1 plays top Bb once I have NOT simply lowered the viola part an Octave, which you may find elsewhere. I have also simplified the tricky semi-quaver (sixteenth notes) broken chords passages. It suits the bassoon duet.
$9.95 ≈
9.31€
Who We Love
Who We Love
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Sam Smith
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Jacob Klingsten
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Who We Love
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Jacob Klingsten
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1349490 By Sam Smith. By Ed Sheeran, Fred Gibson, James Napier, Johnny McDaid, Samuel Frederick Sm...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1349490 By Sam Smith. By Ed Sheeran, Fred Gibson, James Napier, Johnny McDaid, Samuel Frederick Smith, and Steve Mac. Arranged by Jacob Klingsten. 21st Century,A Cappella,Contemporary,Singer/Songwriter. 16 pages. Jacob Klingsten #934182. Published by Jacob Klingsten (A0.1349490). Who We Love by Sam Smith is a moving ballad that has beautiful harmonic integrity. This arrangement is for average- to larger-sized SATB a cappella groups, and sits at a intermediate-advanced difficulty for high school/collegiate groups. This arrangement is similarly for the a cappella group looking to explore cluster chords while fulfilling a slow, but moving ballad slot for your song set. While there isn’t a vocal percussionist part in the score, there is a slight amount of body percussion involved in the second verse, which can be replaced by a vocal percussionist if desired.This arrangement features incredible harmonies, including many cluster chords that sound full and rich; these cluster chords are often met with two- and occasionally three-part splits within each voice part, which makes it crucial for each part to be solid. If your group does not have enough members to satisfy the three-part splits, one of the notes can be omitted for a similar sounding product. Additionally, there are two solo opportunities featured, each with the exact same range. If only one solo is desired, the soloist can simply follow the melody. Finally, this arrangement also has a unique ending -- instead of ending on the four (IV) chord, like in the original recording, the final progression resolves to the tonic with a tear-jerking minor four (iv) to one (I). Additional Details: Key: B major 16 Pages Length: 2m 50s Ranges: Solos 1/2: F#3-G#5 Soprano: C#4-D#5 Alto: A#3-F#4 Tenor: F#3-C#4 Bass: F#2-F#3 (optional notes between B1 and E#2) If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges $50-75 per commissioned arrangement. Jacob would love to work with you and your ensemble!
$2.49 ≈
2.33€
Die Fledermaus Overture (arr. for string orchestra): Score and Parts
Die Fledermaus Overture (arr. for string orchestra): Score and Parts
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Die Fledermaus Overture
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922627 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 54 pages. Aa...
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String Orchestra - Level 4 - SKU: A0.922627 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 54 pages. Aaron Meier #5759757. Published by Aaron Meier (A0.922627). Composed by Johann Strauss IIArranged by Aaron MeierFull Score + All Parts (Violin I, Violin II, Viola, Cello, Bass)This arrangement is simply reduction to String Orchestra; technically, it is similar to the original. This reduction is a full length arrangement of the original composition by Strauss. (Intermediate-advanced to advanced)Notes:- There are two soloist parts: Violin I and Cello, both requiring the first stand to perform at some point.- It is assumed that areas not marked div. but are impossible to play on one string are to be divided. Div. are marked when a section splits into two completely different parts, rather than just splitting an octave.
$20.00 ≈
18.71€
Four pieces from LA TRAVIATA - Solo Lever Harp
Four pieces from LA TRAVIATA - Solo Lever Harp
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Giuseppe Verdi
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Alessandro Palazzani
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Four pieces from LA TRAVIATA -
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A work by Alessandro Palazzani
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SheetMusicPlus
Lever Harp - Level 4 - SKU: A0.1405402 Composed by Giuseppe Verdi. Arranged by Alessandro Palazzani. 19th Century,Classical,Opera,Romantic Period,Weddin...
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Lever Harp - Level 4 - SKU: A0.1405402 Composed by Giuseppe Verdi. Arranged by Alessandro Palazzani. 19th Century,Classical,Opera,Romantic Period,Wedding. Score. 29 pages. A work by Alessandro Palazzani #988458. Published by A work by Alessandro Palazzani (A0.1405402). Four Pieces fromGiuseppe Verdi’s LA TRAVIATAarranged for lever harp by Alessandro PalazzaniCONTENTS:Addio del passato    aria from act 3 (Violetta)Un dì, felice, eterea    duetto from act 1 (Violetta & Alfredo)Di Provenza il mar, il suol  aria from act 2 (Germont)Prelude and Finale    prelude from act 1 and last measures of act 3Discover the timeless elegance of Giuseppe Verdi's beloved opera 'La Traviata' in a whole new light with Alessandro Palazzani's enchanting arrangement for lever harp. In this captivating collection, Palazzani brings to life four exquisite pieces from the opera, allowing the delicate yet powerful melodies to soar through the strings of the harp with grace and emotion. Dive into the world of Violetta, Alfredo, and the tragic love story that has captured hearts for generations, as each note transports you to the heart of 19th-century Paris. Whether you're a experienced harpist or simply a lover of classical music, this collection promises to enchant and inspire with its unique interpretation of Verdi's timeless masterpiece.For fully levered 34/36 strings harp, E flat tuningLevel: late intermediate/advanced
$25.00 ≈
23.39€
"Di Provenza il mar, il suol" from LA TRAVIATA - solo lever harp
"Di Provenza il mar, il suol" from LA TRAVIATA - solo lever harp
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Giuseppe Verdi
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Alessandro Palazzani
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"Di Provenza il mar, il s
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A work by Alessandro Palazzani
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SheetMusicPlus
Lever Harp - Level 4 - SKU: A0.1405426 Composed by Giuseppe Verdi. Arranged by Alessandro Palazzani. 19th Century,Classical,Opera,Romantic Period,Weddin...
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Lever Harp - Level 4 - SKU: A0.1405426 Composed by Giuseppe Verdi. Arranged by Alessandro Palazzani. 19th Century,Classical,Opera,Romantic Period,Wedding. Score. 14 pages. A work by Alessandro Palazzani #988481. Published by A work by Alessandro Palazzani (A0.1405426). Di Provenza il mar, il suol fromGiuseppe Verdi’s LA TRAVIATAarranged for lever harp by Alessandro PalazzaniDiscover the timeless elegance of Giuseppe Verdi's beloved opera 'La Traviata' in a whole new light with Alessandro Palazzani's enchanting arrangement for lever harp. Dive into the world of Violetta, Alfredo, and the tragic love story that has captured hearts for generations, as each note transports you to the heart of 19th-century Paris. Whether you're a experienced harpist or simply a lover of classical music, this collection promises to enchant and inspire with its unique interpretation of Verdi's timeless masterpiece.For fully levered 34/36 strings harp, E flat tuningLevel: late intermediate/advanced
$7.00 ≈
6.55€
"Addio del Passato" from LA TRAVIATA - solo lever harp
"Addio del Passato" from LA TRAVIATA - solo lever harp
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Giuseppe Verdi
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Alessandro Palazzani
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"Addio del Passato"
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A work by Alessandro Palazzani
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SheetMusicPlus
Lever Harp - Level 4 - SKU: A0.1405416 Composed by Giuseppe Verdi. Arranged by Alessandro Palazzani. 19th Century,Classical,Opera,Romantic Period,Weddin...
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Lever Harp - Level 4 - SKU: A0.1405416 Composed by Giuseppe Verdi. Arranged by Alessandro Palazzani. 19th Century,Classical,Opera,Romantic Period,Wedding. Score. 12 pages. A work by Alessandro Palazzani #988471. Published by A work by Alessandro Palazzani (A0.1405416). Addio del Passato fromGiuseppe Verdi’s LA TRAVIATAarranged for lever harp by Alessandro PalazzaniDiscover the timeless elegance of Giuseppe Verdi's beloved opera 'La Traviata' in a whole new light with Alessandro Palazzani's enchanting arrangement for lever harp. Dive into the world of Violetta, Alfredo, and the tragic love story that has captured hearts for generations, as each note transports you to the heart of 19th-century Paris. Whether you're a experienced harpist or simply a lover of classical music, this collection promises to enchant and inspire with its unique interpretation of Verdi's timeless masterpiece.For fully levered 34/36 strings harp, E flat tuningLevel: late intermediate/advanced
$7.00 ≈
6.55€
"Un dì, felice, eterea" from LA TRAVIATA - solo lever harp
"Un dì, felice, eterea" from LA TRAVIATA - solo lever harp
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Giuseppe Verdi
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Alessandro Palazzani
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"Un dì, felice, eterea" from
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A work by Alessandro Palazzani
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SheetMusicPlus
Pedal Harp - Level 4 - SKU: A0.1405423 Composed by Giuseppe Verdi. Arranged by Alessandro Palazzani. 19th Century,Classical,Opera,Romantic Period,Weddin...
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Pedal Harp - Level 4 - SKU: A0.1405423 Composed by Giuseppe Verdi. Arranged by Alessandro Palazzani. 19th Century,Classical,Opera,Romantic Period,Wedding. Score. 15 pages. A work by Alessandro Palazzani #988478. Published by A work by Alessandro Palazzani (A0.1405423). Un dì, felice, eterea fromGiuseppe Verdiâ??s LA TRAVIATAarranged for lever harp by Alessandro PalazzaniDiscover the timeless elegance of Giuseppe Verdi's beloved opera 'La Traviata' in a whole new light with Alessandro Palazzani's enchanting arrangement for lever harp. Dive into the world of Violetta, Alfredo, and the tragic love story that has captured hearts for generations, as each note transports you to the heart of 19th-century Paris. Whether you're a experienced harpist or simply a lover of classical music, this collection promises to enchant and inspire with its unique interpretation of Verdi's timeless masterpiece.For fully levered 34/36 strings harp, E flat tuningLevel: late intermediate/advanced
$7.00 ≈
6.55€
"Prelude and Finale" from LA TRAVIATA - solo lever harp
"Prelude and Finale" from LA TRAVIATA - solo lever harp
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Giuseppe Verdi
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Alessandro Palazzani
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"Prelude and Finale"
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A work by Alessandro Palazzani
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SheetMusicPlus
Lever Harp - Level 4 - SKU: A0.1405430 Composed by Giuseppe Verdi. Arranged by Alessandro Palazzani. 19th Century,Classical,Opera,Romantic Period,Weddin...
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Lever Harp - Level 4 - SKU: A0.1405430 Composed by Giuseppe Verdi. Arranged by Alessandro Palazzani. 19th Century,Classical,Opera,Romantic Period,Wedding. Score. 15 pages. A work by Alessandro Palazzani #988485. Published by A work by Alessandro Palazzani (A0.1405430). Prelude and Finale fromGiuseppe Verdi’s LA TRAVIATAarranged for lever harp by Alessandro PalazzaniDiscover the timeless elegance of Giuseppe Verdi's beloved opera 'La Traviata' in a whole new light with Alessandro Palazzani's enchanting arrangement for lever harp. Dive into the world of Violetta, Alfredo, and the tragic love story that has captured hearts for generations, as each note transports you to the heart of 19th-century Paris. Whether you're a experienced harpist or simply a lover of classical music, this collection promises to enchant and inspire with its unique interpretation of Verdi's timeless masterpiece.For fully levered 34/36 strings harp, E flat tuningLevel: late intermediate/advanced
$7.00 ≈
6.55€
Heavy Metal for Balinese gamelan and chamber ensemble
Heavy Metal for Balinese gamelan and chamber ensemble
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Christine Southworth
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Heavy Metal for Balinese gamel
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Airplane Ears Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane ...
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Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00 ≈
23.39€
WHEN ONCE WE WALKED for Full Orchestra
WHEN ONCE WE WALKED for Full Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Kent S
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WHEN ONCE WE WALKED for Full O
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WINDCREST
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.945075 Composed by Kent S. Burchill. 20th Century,Concert,Contemporary,New Age. Score and parts. 60 pages. WINDCREST ...
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Full Orchestra - Level 4 - SKU: A0.945075 Composed by Kent S. Burchill. 20th Century,Concert,Contemporary,New Age. Score and parts. 60 pages. WINDCREST #6461735. Published by WINDCREST (A0.945075). WHEN ONCE WE WALKED is an original level 4.5 to 5 composition for orchestra with full woodwinds, slightly reduced brass section, timpani, misc. percussion. Performance time is about six minutes and 40 seconds which makes it the ideal duration for a featured concert selection. English horn solo is featured; also has an important piano part, but celesta or vibraphone may be substituted.. WHEN ONCE WE WALKED was inspired by a poem about the importance of spending quality time with young children. It is a single movement work but contains four sections. This selection and other works are available at sheetmusicplus.com, All listings include a full mp3 audio recording and score excerpts. You are invited to peruse our ever-growing library. Once at sheetmusicplus.com simply type WINDCREST in the search box. As you review repertoire needs, we hope you will consider WINDCREST MUSIC PRESS. We look forward to supporting your programming needs. WINDCREST MUSIC PRESS
$30.00 ≈
28.07€
Three Painters (score)
Three Painters (score)
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Contemporain
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages....
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #1989261. Published by Drake Mabry (A0.799462). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full-blown big band style played by the ensemble. The duration is 12 minutes.Three Painters was premiered by an ensemble conducted by Philippe Cambreling at the Auditorium, CRR de Chalon sur Saône, France on March 22, 2009.
$9.99 ≈
9.35€
Concertino Barocco (after C.P.E. Bach and G.B. Pescetti)
Concertino Barocco (after C.P.E. Bach and G.B. Pescetti)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach, Gio
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Kiyoshi Tamagawa
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Concertino Barocco
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Mastery for Strings Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. Baroque. Score. 12 pages. Mastery for Strings Press #5999147. Published by Mastery for Strings Press (A0.945464). The practice of adding an accompaniment to a composition originally created for a solo instrument is a time-honored tradition in Western art music, whether the additional music be for one or a few instruments or an entire ensemble. In the latter case a concerto movement can be fabricated from a solo work. The Concertino Barocco (Little Baroque Concerto) takes as its basis two pieces of the Baroque era that have long been popular repertoire for advancing students of the keyboard: the Solfeggio (or Solfeggietto) by C.P.E. Bach, and the third movement, Presto, from the Sonata in C minor by Giovanni Battista Pescetti. These works are transformed into two miniature concerto movements by adding and interpolating short tutti passages at various points in the form, rather in the style of Antonio Vivaldi. Not a note has been added or subtracted from the original keyboard solos, so that a student who has mastered the originals may play this Concertino simply by memorizing the exact points in the original pieces where additional music for the orchestra has been added and they must wait to continue.
$9.99 ≈
9.35€
One More Arrow
One More Arrow
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Elton John
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Roy Rashbrook
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One More Arrow
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Silverbright Music
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1310999 By Elton John. By Bernie Taupin and Elton John. Arranged by Roy Rashbrook. 20th Century,A ...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1310999 By Elton John. By Bernie Taupin and Elton John. Arranged by Roy Rashbrook. 20th Century,A Cappella,Contest,Festival,Singer/Songwriter. 7 pages. Silverbright Music #899973. Published by Silverbright Music (A0.1310999). One More Arrow originally featured as the closing song of 1983's album Too Low For Zero.It's a perfect song to include in a programme on the subject of life and remembrance. Bernie Taupin's beautiful lyrics present an elegy for a departed friend or father figure who now lies in the soft brown earth that holds him, forever always young. The lyrics drew from Elton John one of his most gorgeous melodies and I have kept much of the harmony intact in this arrangement, although the second verse gets a bit more ambitious. In addition, the melody is shared out between the various vocal parts, meaning that the basses don't have to spend the entire performance going doo doo!Scored for Soprano solo, SATB á capella, this moderately difficult arrangement involves frequent splits in the Soprano and Bass parts, occasional splits in the alto and none at all in the tenor! In my arrangements, I like to go one step beyond simply presenting the original song for choir, so in the second verse there's the gentlest of subtle nods to Paul Simon's The Boxer at the mention of he could have been a boxer and the lyric knocked me down provides an opportunity for a choral cascade from top to bottom. And just before the final chorus, the choir's vocal lines represent the trajectory of an arrow, shooting up to a top F in the soprano solo part before descending into the new key of B flat major for the closing section.For medium to advanced chamber choirs.
$1.99 ≈
1.86€
KriyÄ (Direction, Goal) for 10-String Guitar
KriyÄ (Direction, Goal) for 10-String Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Julian Bertino
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KriyÄ
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Julian Bertino
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1187094 By Julian Bertino. By Julian Bertino. Classical,Contemporary. Individual part. 10 pages. Julian Bertino #786726....
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Solo Guitar - Level 4 - SKU: A0.1187094 By Julian Bertino. By Julian Bertino. Classical,Contemporary. Individual part. 10 pages. Julian Bertino #786726. Published by Julian Bertino (A0.1187094). Kriyā is a Sanskrit word meaning to do, make, perform, accomplish, cause, effect, prepare, undertake†toward something specific. We often live our lives hiding from ourselves, usually because of an artificial sense of fear, embarassment, shame or guilt that we may have acquired because of social pressures. This is why we many people have a mid-life crisis and suddenly change the way they have lived their lives into how they wished to live all along. This piece represents the unraveling of previously held ideals into one which is synchronous with the world around us, beginning with a vision reminding us of mortality, progressing through the difficulties and cognitive dissonances which occur when we must change our lives to find happiness. Kriya began originally as a tremolo etude on the 2nd and 3rd strings, but quickly evolved into a musical composition. Practicing Tremolo on strings other than the first develops control and discipline in the right hand, which was my original intention in writing it- but I felt as if the material that was generated required more and more variation and contrast- and quite quickly I realized that I had to complete it with the intention of performing it as a piece of music rather than simply a technical exercise.**This version is for 10-string guitar. There is a 6-string guitar version available also.
$9.99 ≈
9.35€
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