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Vous avez sélectionné:
Traditional South African Folk Song
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Traditional South African Folk Song: Modimo, re boka Wena (arr. Thembinkosi Khumalo) - choir (SATB: soprano, alto, tenor, bass)
#
Chorale
#
INTERMÉDIAIRE
#
Traditional South African Folk
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Virtualsheetmusic
Instantly printable sheet music by Traditional South African Folk Song for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / concert,a cappella...
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Instantly printable sheet music by Traditional South African Folk Song for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / concert,a cappella
$5.28 ≈
4.93€
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
#
INTERMÉDIAIRE
#
Traditional
#
Laurie Betts Hughes
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When Cockle Shells Turn Silver
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Dandelion Music Press
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10 ≈
1.96€
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
#
INTERMÉDIAIRE
#
Traditional
#
Laurie Betts Hughes
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I'm Sad and I'm Lonely, from &
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Dandelion Music Press
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10 ≈
1.96€
Cowboy Songs of the American Southwest [TTBB]
Cowboy Songs of the American Southwest [TTBB]
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Traditional
#
Laurie Betts Hughes
#
Cowboy Songs of the American S
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Dandelion Music Press
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20 ≈
3.92€
South Africa in Song
South Africa in Song
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Fanfare
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INTERMÉDIAIRE
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Africain
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Traditional
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Tom Rundle-Wood
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South Africa in Song
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Tom Rundle-Wood
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SheetMusicPlus
Composed by Traditional. Arranged by Tom Rundle-Wood. African, Folk, Spiritual. Score and parts. 91 pages. Tom Rundle-Wood #6853693. Published by Tom Rundl...
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Composed by Traditional. Arranged by Tom Rundle-Wood. African, Folk, Spiritual. Score and parts. 91 pages. Tom Rundle-Wood #6853693. Published by Tom Rundle-Wood
$39.99 ≈
37.32€
Tina Singu
Tina Singu
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Chorale SATB
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INTERMÉDIAIRE
#
Traditional
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Peter Bmus
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Tina Singu
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Peter Batley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1221334 Composed by Traditional. Arranged by Peter Bmus. A Cappella,Folk,Multicultural,World. Octavo. 4 pages. P...
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Choral Choir (SATB) - Level 3 - SKU: A0.1221334 Composed by Traditional. Arranged by Peter Bmus. A Cappella,Folk,Multicultural,World. Octavo. 4 pages. Peter Batley #817673. Published by Peter Batley (A0.1221334). A South African folk song often sung by children. I like to have the audience make body percussion when we sing this, always raises a laugh.
$2.00 ≈
1.87€
Shosholoza
Shosholoza
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Traditional South African
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Maria Mullin
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Shosholoza
#
Maria Mullin
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SheetMusicPlus
Choral Choir - Level 3 - SKU: A0.1164203 Composed by Traditional South African. Arranged by Maria Mullin. A Cappella,Folk,Multicultural,Traditional,Worl...
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Choral Choir - Level 3 - SKU: A0.1164203 Composed by Traditional South African. Arranged by Maria Mullin. A Cappella,Folk,Multicultural,Traditional,World. Octavo. 6 pages. Maria Mullin #764552. Published by Maria Mullin (A0.1164203). A vibrant choral arrangement of this traditional song from South Africa.This is an a cappella arrangement which creates a beautifully rich texture with 6 part harmony. Each individual part is relatively simple to learn, but once put together create a bright and full sound. Written for SSAATB, this is ideal for mixed choirs that have more singers available for upper parts. Ideal for community choirs, singers can learn directly from the score or the arrangement can also easily be taught be ear. This song is a fantastic and uplifting addition to the repetoire for any choir. Arranged by experienced UK choir director Maria Mullin.Â
$2.09 ≈
1.95€
Cindy (Get Along Home Cindy, Cindy)
Cindy (Get Along Home Cindy, Cindy)
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Quatuor de Cuivres
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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American Folk Song
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F
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Cindy
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1148027 Composed by American Folk Song. Arranged by F. Leslie Smith. Folk,Historic,Traditional. 36 pages....
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1148027 Composed by American Folk Song. Arranged by F. Leslie Smith. Folk,Historic,Traditional. 36 pages. Sweetwater Brass Press #747960. Published by Sweetwater Brass Press (A0.1148027). This song uses the same melody as a 19th century African-American spiritual, The Gospel Train. The Cindy lyrics were adapted to the tune during the 20th century and have been recorded by numerous individuals and groups. Probably the most familiar of its many versions describes a girl, tells her to go home and promises future matrimony: You ought to see my Cindy She lives way down South And she's so sweet the honey bees All swarm around her mouth. Get along home Cindy, Cindy Get along home Cindy, Cindy Get along home Cindy, Cindy I'll marry you some day. This arrangement for brass quintet is written in cut time with a suggested tempo of about 96 BPM. It opens in G major and, after a 12-measure introduction, introduces the basic melody using mainly Trumpets and Trombone. This is followed by five variations. The first takes form of a gentle, rhythmically soothing near-hymn played by the Horn; the second, sounds like Turkey in the Straw and features Horn and Trumpet 2; the third is a concoction based on The Little Brown Mouse and The Girl I Left Behind played by Tuba; the fourth is Boil Em Cabbage Down by Horn and Trombone; and the fifth is Kingdom Coming by Trumpets 2 and 1. At this point, the key changes to A major, Trumpets play an extended version of the Cindy melody and Horn provides a gigue-like counterpoint. All join in for the finale. Completed in 2022, performance time runs about 3 minutes, 8 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 ≈
7.42€
Let Us Break Bread Together — trombone, organ
Let Us Break Bread Together — trombone, organ
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Trombone
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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African-American Spiritual
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Todd Marchand
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Let Us Break Bread Together &m
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Con Spirito Music
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.1093124 Composed by African-American Spiritual. Arranged by Todd Marchand. Folk,Sacred,Spiritual,Traditional. Individu...
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Trombone Solo - Level 3 - SKU: A0.1093124 Composed by African-American Spiritual. Arranged by Todd Marchand. Folk,Sacred,Spiritual,Traditional. Individual part. 8 pages. Con Spirito Music #697221. Published by Con Spirito Music (A0.1093124). “Let Us Break Bread Together†is an African-American folk song passed down through oral tradition in South Carolina’s coastal communities. First transcribed by Nicholas George Ballanta-Taylor, an African ethnomusicologist, and published in his Negro Spirituals of Helena’s Island (1925), it has become a hymn sung in many churches throughout the United States and beyond.The tune became widely known after publication in The Second Book of Negro Spirituals (1926), compiled by brothers James Weldon Johnson and Rosamond Johnson, and it grew in popularity with its inclusion in many 20th-century hymnals and through various choral arrangements.In this arrangement, trombone and organ each take a turn at the verse and refrain, then join together after a modulation up one step on verse, refrain and conclusion.©Copyright 2013 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
$5.99 ≈
5.59€
Siyahamba - for Flexible Duo (C, Eb, Bb & Bass Clef Instruments)
Siyahamba - for Flexible Duo (C, Eb, Bb & Bass Clef Instruments)
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Traditional
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Scott Grimaldi
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Bass Clef Instruments)
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Siyahamba - for Flexible Duo
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Scott Grimaldi
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Soprano Saxophone,Tenor Saxophone,Trombone,...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Vibraphone,Violin - Level 3 - SKU: A0.875513 Composed by Traditional. Arranged by Scott Grimaldi. African,Sacred,Spiritual. Score and parts. 15 pages. Scott Grimaldi #3883017. Published by Scott Grimaldi (A0.875513). Siyahamba - for Flexible Duo (C, Eb, Bb & Bass Clef Instruments). Music by Traditional. Arranged by Scott Grimaldi. A South African Traditional Folk Song (a.k.a. We Are Marching In The Light Of God) performed during the Kwanzaa holiday, sacred and secular settings. Includes a title page, instrumentation page, score & set of parts. 15 pages. Duration: 2:12 min. This arrangement allows for various instrumental duo combinations. Create a musical duo by combining any instrument from Part 1 & any instrument from Part 2.
$7.00 ≈
6.53€
We are Marching in the Light of God 'Siyahamba'
We are Marching in the Light of God 'Siyahamba'
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Traditional
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Jonathan Spencer
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We are Marching in the Light o
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Jonathan Spencer
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1348283 Composed by Traditional. Arranged by Jonathan Spencer. Folk,Multicultural,Praise & Worship,Traditional,World....
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Brass Ensemble - Level 3 - SKU: A0.1348283 Composed by Traditional. Arranged by Jonathan Spencer. Folk,Multicultural,Praise & Worship,Traditional,World. 20 pages. Jonathan Spencer #933067. Published by Jonathan Spencer (A0.1348283). Siyahamba, translated to 'we are marching' is a traditional Zulu folk song. The popular South African hymn has had somewhat of a resurgance in recent years. This arrangement is for brass ensemble and is intended to accompany congregational singing (it can be performed as a stand alone though, but recemmend as accompaniment). A lovely, uplifting tune. The translated lyrics (first line) in english are 'We are marching in the light of God'.
$9.99 ≈
9.32€
Life's Railway to Heaven Medley (with "This Train" and "The Gospel Train")
Life's Railway to Heaven Medley (with "This Train" and "The Gospel Train")
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Piano seul
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Life's Railway to Heaven Medle
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1256112 By Sharon Wilson. By African-American Spiritual, Charles Davis Tillman, Folk Song, and Traditional Spiritual. Arr...
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Piano Solo - Level 3 - SKU: A0.1256112 By Sharon Wilson. By African-American Spiritual, Charles Davis Tillman, Folk Song, and Traditional Spiritual. Arranged by Sharon Wilson and Sharon Wilson Music. Christian,Folk,Sacred,Spiritual,Traditional. Score. 8 pages. Sharon Wilson #849579. Published by Sharon Wilson (A0.1256112). Upbeat and rhythmic throughout, this cheerful medley for piano solo combines the Southern Gospel hymn Life's Railway to Heaven with two African American Spirituals, This Train Is Bound for Glory and The Gospel Train. As suggested by the lyrics, this arrangement begins with a simulation of the steady rumbling of a train as it races across the countryside. The Gospel train is coming, I hear it close at hand, I hear the car wheels rumbling, they're rumbling through the land. . . This enthusiastic train medley will inspire all to get on board because this train is bound for glory.  This arrangement is one of the 10 songs in the collection Sacred Medleys: Hymns and Spirituals, Book 2 (A Collection of 10 Medleys for Solo Piano). Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.com.
$4.99 ≈
4.66€
Abu Nni (Festive Ball)
Abu Nni (Festive Ball)
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Chorale SATB
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INTERMÉDIAIRE
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Uzowulu-Ezenwa Henry Uche
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Uzowulu-Ezenwa Henry Uche
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Abu Nni
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Greathenz
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1164616 Composed by Uzowulu-Ezenwa Henry Uche. Arranged by Uzowulu-Ezenwa Henry Uche. A Cappella,Contest,Festiva...
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Choral Choir (SATB) - Level 3 - SKU: A0.1164616 Composed by Uzowulu-Ezenwa Henry Uche. Arranged by Uzowulu-Ezenwa Henry Uche. A Cappella,Contest,Festival,Folk,Multicultural,Traditional,World. Octavo. 22 pages. Greathenz #763520. Published by Greathenz (A0.1164616). A chorale African piece arranged for SATB. Can be sung as a quartet or full choir. The song is set in African idioms and employs an indigenous Igbo language of the Igbos of the south eastern states of Nigeria, and an alternative English Language translation for inter-cultural use. The composer uses metaphor to explain and liken teamwork to the act of cooking and eating in the African context.This is piece is most suitable for concerts.
$1.99 ≈
1.86€
Listen to the Mocking Bird
Listen to the Mocking Bird
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Quatuor de Cuivres
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INTERMÉDIAIRE
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Music by Richard Milburn
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F
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Listen to the Mocking Bird
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1148567 Composed by Music by Richard Milburn. Arranged by F. Leslie Smith. Country,Folk,Historic,Traditio...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1148567 Composed by Music by Richard Milburn. Arranged by F. Leslie Smith. Country,Folk,Historic,Traditional. 27 pages. Sweetwater Brass Press #748729. Published by Sweetwater Brass Press (A0.1148567). Listen to the Mocking Bird was first published in 1855. The melody originated with Richard Milburn, a Philadelphia African-American who has been described variously as a panhandling busker and as a musically inclined barber. A songwriter and publisher by the name of Septimus Winner heard Milburn's tune, arranged it, added words, put it into print and claimed credit for its creation under the pseudonym Alice Hawthorne. Supposedly, Winner sold the rights to the song for five dollars. Listen to the Mocking Bird grew to be one of the most popular songs of the mid-19th century, a real hit. Its sheet music, by one estimate, sold more than 20 million copies. It was sung and performed particularly often during the Civil War, and troops used its melody as a marching tune. It remains somewhat of a standard and has been recorded numerous times, especially as a favorite of bluegrass musicians. In the lyrics, the singer is remembering his loved one. She has passed away but he recalls their good life together. They particularly enjoyed the call of the mocking bird, which even now is singing o'er her grave. This arrangement opens in E-flat major with Trumpet 1 introducing the sweetly sad melody, I'm dreaming now of Hally. After the introduction, the tempo picks up to allegro and whirls along. It does slow down several times, and there are four one-measure deviations from the 4/4 time signature: one 6/4, two 2/4s and one 1/4. At measure 65, the key changes to B-flat major for the finale. Trumpets 1 and 2 each play one A-above-their-staff eighth note as their highest pitch; the rest of the music stays well within the normal playing range of the five instruments. Completed in 2022, performance time runs about 3 minutes, 23 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 ≈
7.42€
In the Evening by the Moonlight
In the Evening by the Moonlight
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Ensemble de cuivres
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INTERMÉDIAIRE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 ≈
7.42€
Down by the River to Pray trio and piano
Down by the River to Pray trio and piano
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Traditional
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Connie Boss
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Down by the River to Pray trio
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Connie Boss
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SheetMusicPlus
Alto Voice,Piano Accompaniment,Soprano voice - Level 3 - SKU: A0.1433341 Composed by Traditional. Arranged by Connie Boss. Folk,Spiritual. 6 pages. Conn...
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Alto Voice,Piano Accompaniment,Soprano voice - Level 3 - SKU: A0.1433341 Composed by Traditional. Arranged by Connie Boss. Folk,Spiritual. 6 pages. Connie Boss #1013632. Published by Connie Boss (A0.1433341). This traditional song has been classified as folk, African spiritual, Appalachian and Southern Gospel. It was published in 1835. This is a trio and piano arrangement of the song. I did change the lyrics from down in the river to pray to down by the river to pray. Look for more of my other arrangements Questions or requests, email cdboss@cvalley.net.
$6.99 ≈
6.52€
Down by the River to Pray Strings and Piano
Down by the River to Pray Strings and Piano
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Traditional
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Connie Boss
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Down by the River to Pray Stri
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Connie Boss
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SheetMusicPlus
Cello,Piano Accompaniment,Violin - Level 3 - SKU: A0.1433941 Composed by Traditional. Arranged by Connie Boss. Folk,Spiritual. 13 pages. Connie Boss #10...
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Cello,Piano Accompaniment,Violin - Level 3 - SKU: A0.1433941 Composed by Traditional. Arranged by Connie Boss. Folk,Spiritual. 13 pages. Connie Boss #1014154. Published by Connie Boss (A0.1433941). This traditional song has been classified as folk, African spiritual, Appalachian and Southern Gospel. It was published in 1835. This is a strings quartet and piano arrangement of the song. Parts are included with download. It can easily be played without the piano. I did change the lyrics from down in the river to pray to down by the river to pray. Look for more of my other arrangements Questions or requests, email cdboss@cvalley.net.
$7.99 ≈
7.46€
Down by the River to Pray Violin Trio and Piano
Down by the River to Pray Violin Trio and Piano
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Traditional
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Connie Boss
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Down by the River to Pray Viol
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Connie Boss
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SheetMusicPlus
Piano Accompaniment,Violin - Level 3 - SKU: A0.1433936 Composed by Traditional. Arranged by Connie Boss. Folk,Spiritual. 11 pages. Connie Boss #1014149....
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Piano Accompaniment,Violin - Level 3 - SKU: A0.1433936 Composed by Traditional. Arranged by Connie Boss. Folk,Spiritual. 11 pages. Connie Boss #1014149. Published by Connie Boss (A0.1433936). This traditional song has been classified as folk, African spiritual, Appalachian and Southern Gospel. It was published in 1835. This is a violin trio and piano arrangement of the song. Parts are included with download. It can easily be played without the piano. I did change the lyrics from down in the river to pray to down by the river to pray. Look for more of my other arrangements Questions or requests, email cdboss@cvalley.net.
$6.99 ≈
6.52€
Down by the River to Pray Trio A Cappella
Down by the River to Pray Trio A Cappella
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Traditional
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Connie Boss
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Down by the River to Pray Trio
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Connie Boss
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SheetMusicPlus
Alto Voice,Soprano voice - Level 3 - SKU: A0.1433906 Composed by Traditional. Arranged by Connie Boss. Folk,Spiritual. 3 pages. Connie Boss #1014133. Pu...
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Alto Voice,Soprano voice - Level 3 - SKU: A0.1433906 Composed by Traditional. Arranged by Connie Boss. Folk,Spiritual. 3 pages. Connie Boss #1014133. Published by Connie Boss (A0.1433906). This traditional song has been classified as folk, African spiritual, Appalachian and Southern Gospel. It was published in 1835. This is a trio a cappella arrangement of the song. I did change the lyrics from down in the river to pray to down by the river to pray. Look for more of my other arrangements Questions or requests, email cdboss@cvalley.net.
$5.99 ≈
5.59€
Down to the River to Pray (Rock Style)
Down to the River to Pray (Rock Style)
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Cor
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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Christian Morris
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Down to the River to Pray
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Hoopla Sheet Music
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.914705 Arranged by Christian Morris. Christian,Gospel,Rock. Individual part. 7 pages. Hoopla Sheet Music #6673831. ...
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French Horn Solo - Level 3 - SKU: A0.914705 Arranged by Christian Morris. Christian,Gospel,Rock. Individual part. 7 pages. Hoopla Sheet Music #6673831. Published by Hoopla Sheet Music (A0.914705). A funky arrangement of the traditional U.S. song, variously described as a Christian folk hymn, an African-American spiritual, an Appalachian song, and a southern gospel song.
$4.99 ≈
4.66€
Down to the River to Pray (Rock Style)
Down to the River to Pray (Rock Style)
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Clarinette
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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Christian Morris
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Down to the River to Pray
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Hoopla Sheet Music
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.914701 Arranged by Christian Morris. Christian,Rock. Individual part. 7 pages. Hoopla Sheet Music #6673827. Published ...
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Clarinet Solo - Level 3 - SKU: A0.914701 Arranged by Christian Morris. Christian,Rock. Individual part. 7 pages. Hoopla Sheet Music #6673827. Published by Hoopla Sheet Music (A0.914701). A funky arrangement of the traditional U.S. song, variously described as a Christian folk hymn, an African-American spiritual, an Appalachian song, and a southern gospel song.
$4.99 ≈
4.66€
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