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Flute duet in A minor FLUTE PARTS ONLY
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Vous avez sélectionné:
Flute duet in A minor FLUTE PARTS ONLY
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BLAVET SONATA No. 1 IN E MINOR FOR 2 FLUTES
BLAVET SONATA No. 1 IN E MINOR FOR 2 FLUTES
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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MICHEL BLAVET
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Edited by Pat Spence
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Allegro assai
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BLAVET SONATA No. 1 IN E MINOR
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Piper Publications
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SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.811687 Composed by MICHEL BLAVET (1700 - 1768. Arranged by Edited by Pat Spence. Baroque,Concert,Instructional,Stan...
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Flute Duet Flute - Level 3 - SKU: A0.811687 Composed by MICHEL BLAVET (1700 - 1768. Arranged by Edited by Pat Spence. Baroque,Concert,Instructional,Standards. Score. 17 pages. Piper Publications #3884077. Published by Piper Publications (A0.811687). This sonata ‘Pour deux Flutes transversieres sans Basse’ is the first of a set of six published by Boivin in Paris in 1728 as Blavet’s ‘Premier Oeuvre’. They were dedicated ‘a Son Altesse Serenissime Monsieigneur LE PRINCE DE CARIGNAN Par Mr. Blavet ordinaire de la musique de S. A. S.’ on the suitably elaborate title page.The sonata is written for two equal players and has 4 movements, Adagio, Allegro, Affetuoso & Allegro assai. Players of Intermediate ability and above will enjoy the interplay between the parts. The sonatas were printed using the soprano G clef which places the G on the bottom line of the treble staff, a practice which was not uncommon at the time. Blavet was not only the best flautist in France but also an extremely good bassoon player so would have found this clef easier to read from as he was not a keyboard player. This edition has been transcribed to the now established treble clef with G on the second line. Trills shown in the original as + are shown in this edition as tr. The breath marks in bar/measures 36, 39 & 41 in the final movement are Blavet’s. This is the first instance of his practice of marking the breaths which he developed in his opus 2 set of sonatas for flute and which has proved so useful to today’s performers of music of this period. Curiously Blavet used a flat (b) to cancel a sharp instead of a natural.
$9.50 ≈
8.75€
"Demelza's Dance" Original For Flute, Clarinet and Piano.
"Demelza's Dance" Original For Flute, Clarinet and Piano.
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Flûte, Clarinette, Piano (trio)
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INTERMÉDIAIRE
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Grant Horsley
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Grant Horsley
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"Demelza's Dance" Or
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Grant Horsley
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.1257354 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.1257354 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contest,Festival,Multicultural,Romantic Period,Wedding,World. 23 pages. Grant Horsley #850687. Published by Grant Horsley (A0.1257354). A Piano Accompaniment track as an MP3 is also available.Demelza's Dance is in bright playful 2/4 time in concert G minor. The middle section by contrast is in G major and is lyrical before returning to the G minor section then coda. The flute range is just over 2 octaves with the top not being top E flat, (Top D Clarinet,) which only occurs once or twice. I have placed it at intermediate level, but on the youtube link there is the full score for you to judge suitability. The full score is 10 pages without repeats- Flute pages are 3, Piano 6 and it is 4mins 30 in length.Price is for the full score and parts. Versions for Clarinet duet, Violin duet and Flute duet are also available.
$5.99 ≈
5.52€
Donut Etudes vol. 3: Don’t Step in the Holes! – Soprano or Tenor Saxophone Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Soprano or Tenor Saxophone Quartet
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2 Saxophones (duo)
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.784332 Composed by Joshua Hauser. Instructional. Score and par...
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Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.784332 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288655. Published by Slide Ride (A0.784332). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.61€
Cornish Traditional Tunes
Cornish Traditional Tunes
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2 Harpes (duo)
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INTERMÉDIAIRE
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Traditional Cornish
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Darhon Rees-Rohrbacher
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Cornish Traditional Tunes
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Afghan Press Music for the Harp
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SheetMusicPlus
Flute,Folk Harp,Instrumental Duet - Level 3 - SKU: A0.1265481 Composed by Traditional Cornish. Arranged by Darhon Rees-Rohrbacher. Celtic,Folk,Historic,...
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Flute,Folk Harp,Instrumental Duet - Level 3 - SKU: A0.1265481 Composed by Traditional Cornish. Arranged by Darhon Rees-Rohrbacher. Celtic,Folk,Historic,Irish,Multicultural,Traditional,World. 54 pages. Afghan Press Music for the Harp #858280. Published by Afghan Press Music for the Harp (A0.1265481). ALL HARPS INTERMEDIATE + MELODY INSTRUMENT – Fifteen Traditional Tunes from Cornwall arranged for Lever harps tuned in Eb, Bb or F, or any pedal harp.  All of these arrangements fit within the 26-string range. Fifteen Arrangements of Traditional Tunes from Cornwall arranged for Lever harps tuned in Eb, Bb or F, or any pedal harp.  Guitar chords included, with duo parts for Flute or Violin.These tunes have been placed in progressive key order to create a satisfying “Cornish suite†that facilitates lever and pedal changes. All tunes were typeset to fix exactly on two facing pages to eliminate any page turns within a piece.Guitar chords are included so that the melody may be played by any C instrument, accompanied by chords on harp, lute, guitar, or keyboard. Also, the transcribed harp part can be played on any keyboard instrument with only minor adjustments. Only one song in this collection, #6, has any lever or pedal changes (B-flat and B-natural). Otherwise, there are only lever or pedal presets in preparation for the next song. Dynamic markings, fingerings, metronome markings, breath marks, and lever/pedal changes are provided throughout. However, the musicians should use whichever expressive markings and lever/pedal adjustments suit them, no matter what this book indicates! Due to space constraints, first and second endings were only indicated above the flute/violin part in the full score and dynamics only within the harp part; but these markings apply to both instruments. (However, all markings are indicated on the separate instrumental leaflet.) This entire book of arrangements can be played on a harp of only 26 strings (3.5 octaves), from low C to high G. Simply treat the C two octaves below middle C as the lowest C on your harp and adjust the octaves accordingly. Ignore any 8va indications and shorten any glissandos.Table of Contents:Helston Furry DanceThe Cottage Thatched With StrawThe White CockadeThe Lovers’ TasksStrangerLimadieThe MarigoldLullabyWilly CoombeRouse, RouseThe BlackbirdCaptain PearseCome My LadsOn A May Morning So EarlyThe Siege Of St. MaloRelated products.
$20.00 ≈
18.42€
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Flute duet in A minor FLUTE PARTS ONLY
