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24 partitions trouvées
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1
Bach : Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack (Saxophone alto)
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Saxophone Alto
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FACILE
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Classique
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Bach
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Cantate des paysans, BWV 212
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Tomplay
Telechargez la partition Saxophone Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack (Saxophone alto) de Bach. Partition pour Saxopho...
(+)
Telechargez la partition Saxophone Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack (Saxophone alto) de Bach. Partition pour Saxophone avec piano d‘accompagnement -- Classique
1.99€
Bach : Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack
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Flûte traversière
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FACILE
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Classique
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Bach
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Cantate des paysans, BWV 212
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Tomplay
Telechargez la partition Flûte Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack de Bach. Partition pour Flûte avec piano...
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Telechargez la partition Flûte Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack de Bach. Partition pour Flûte avec piano d‘accompagnement -- Classique
1.99€
Bach : Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack
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Violon
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FACILE
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Classique
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Bach
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Cantate des paysans, BWV 212
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Tomplay
Telechargez la partition Violon Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack de Bach. Partition pour Violon avec piano d&lsq...
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Telechargez la partition Violon Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack de Bach. Partition pour Violon avec piano d‘accompagnement -- Classique
1.99€
Bach : Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack
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Clarinette
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FACILE
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Classique
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Bach
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Cantate des paysans, BWV 212
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Tomplay
Telechargez la partition Clarinette Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack de Bach. Partition pour Clarinette avec piano d...
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Telechargez la partition Clarinette Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack de Bach. Partition pour Clarinette avec piano d‘accompagnement -- Classique
1.99€
Bach : Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack (Saxophone ténor)
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Saxophone Tenor
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FACILE
#
Classique
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Bach
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Cantate des paysans, BWV 212
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Tomplay
Telechargez la partition Saxophone Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack (Saxophone tenor) de Bach. Partition pour Saxoph...
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Telechargez la partition Saxophone Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack (Saxophone tenor) de Bach. Partition pour Saxophone avec piano d‘accompagnement -- Classique
1.99€
Bach : Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack
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Trompette
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FACILE
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Classique
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Bach
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Cantate des paysans, BWV 212
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Tomplay
Telechargez la partition Trompette Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack de Bach. Partition pour Trompette avec piano d&a...
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Telechargez la partition Trompette Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack de Bach. Partition pour Trompette avec piano d‘accompagnement -- Classique
1.99€
Bach : Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack (piano d'accompagnement)
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Piano seul
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FACILE
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Classique
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Bach
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Cantate des paysans, BWV 212
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Tomplay
Telechargez la partition Piano Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack (piano d'accompagnement) de Bach. Partition pou...
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Telechargez la partition Piano Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack (piano d'accompagnement) de Bach. Partition pour Piano d‘accompagnement -- Classique
1.99€
Bach : Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack
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Alto seul
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FACILE
#
Classique
#
Bach
#
Cantate des paysans, BWV 212
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Tomplay
Telechargez la partition Alto Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack de Bach. Partition pour Alto avec piano d‘a...
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Telechargez la partition Alto Cantate des paysans, BWV 212 - XXIV. Choral: Wir gehen nun, wo der Dudelsack de Bach. Partition pour Alto avec piano d‘accompagnement -- Classique
1.99€
E'dude
E'dude
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Piano seul
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FACILE
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Rhonda
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E'dude
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Rhonda Bodenstab Bennett
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1009517 Composed by Rhonda (Bodenstab) Bennett. Blues,Jazz,Standards. Score. 3 pages. Rhonda Bodenstab Bennett #1921147. ...
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Piano Solo - Level 2 - SKU: A0.1009517 Composed by Rhonda (Bodenstab) Bennett. Blues,Jazz,Standards. Score. 3 pages. Rhonda Bodenstab Bennett #1921147. Published by Rhonda Bodenstab Bennett (A0.1009517). A quirky character piece with jazz appeal for the early intermediate (fun loving) pianist of any age; teaches the natural swing and swank to bluesy and jazz pieces at an early level. Please contact me at https://www.facebook.com/rhonda.benn with questions or comments.
$4.99 ≈
4.59€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.67€
All The Young Dudes
All The Young Dudes
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Trio à Cordes: violon, alto, violoncelle
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FACILE
#
Contemporain
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Bruce Dickinson
#
Lee Mitchell
#
All The Young Dudes
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Lee Mitchell
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.826469 By Bruce Dickinson. By David Bowie. Arranged by Lee Mitchell. Contemporary. Sc...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.826469 By Bruce Dickinson. By David Bowie. Arranged by Lee Mitchell. Contemporary. Score and parts. 5 pages. Lee Mitchell #6103585. Published by Lee Mitchell (A0.826469). For string trio.
$12.99 ≈
11.96€
Hymns from Childhood - Set 1 (SATB)
Hymns from Childhood - Set 1 (SATB)
#
Chorale SATB
#
FACILE
#
Musique Sacrée
#
Various
#
Curtis Hanson
#
Hymns from Childhood - Set 1
#
Curtis Hanson
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.719730 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 10 pages. Curtis Hanson #4572983. Publish...
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Choral Choir (SATB) - Level 2 - SKU: A0.719730 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 10 pages. Curtis Hanson #4572983. Published by Curtis Hanson (A0.719730). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include He Leadeth Me, Savior, Like a Shepherd Lead Us, and O Master, Let Me Walk with Thee.
$2.25 ≈
2.07€
Hymns from Childhood - Set 2 (SATB)
Hymns from Childhood - Set 2 (SATB)
#
Chorale SATB
#
FACILE
#
Musique Sacrée
#
Various
#
Curtis Hanson
#
Hymns from Childhood - Set 2
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Curtis Hanson
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.719728 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #4573003. Publish...
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Choral Choir (SATB) - Level 2 - SKU: A0.719728 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #4573003. Published by Curtis Hanson (A0.719728). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include This Is My Father's World, I Love to Tell the Story, and Faith of Our Fathers.
$2.25 ≈
2.07€
Hymns from Childhood - Set 6 (SATB)
Hymns from Childhood - Set 6 (SATB)
#
Chorale SATB
#
FACILE
#
Musique Sacrée
#
Various
#
Curtis Hanson
#
Hymns from Childhood - Set 6
#
Curtis Hanson
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.719734 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 10 pages. Curtis Hanson #4573071. Publish...
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Choral Choir (SATB) - Level 2 - SKU: A0.719734 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 10 pages. Curtis Hanson #4573071. Published by Curtis Hanson (A0.719734). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include My Faith Looks Up to Thee, Dear Lord and Father of Mankind, and Nearer, My God, to Thee.
$2.25 ≈
2.07€
Hymns from Childhood - Set 7 (SATB)
Hymns from Childhood - Set 7 (SATB)
#
Chorale SATB
#
FACILE
#
Musique Sacrée
#
Various
#
Curtis Hanson
#
Hymns from Childhood - Set 7
#
Curtis Hanson
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.719735 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 10 pages. Curtis Hanson #4573081. Publish...
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Choral Choir (SATB) - Level 2 - SKU: A0.719735 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 10 pages. Curtis Hanson #4573081. Published by Curtis Hanson (A0.719735). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Make Me a Captive, Lord, Beneath the Cross of Jesus, and Abide with Me.
$2.25 ≈
2.07€
Hymns from Childhood - Set 4 (SATB)
Hymns from Childhood - Set 4 (SATB)
#
Chorale SATB
#
FACILE
#
Musique Sacrée
#
Various
#
Curtis Hanson
#
Hymns from Childhood - Set 4
#
Curtis Hanson
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.719731 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 12 pages. Curtis Hanson #4573021. Publish...
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Choral Choir (SATB) - Level 2 - SKU: A0.719731 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 12 pages. Curtis Hanson #4573021. Published by Curtis Hanson (A0.719731). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include I Need Thee Every Hour, O Jesus, I Have Promised, and The Church's One Foundation.
$2.25 ≈
2.07€
One Hundred Ways
One Hundred Ways
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Ligne De Mélodie, (Paroles) et Accords
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FACILE
#
Jazz
#
David Sanborn
#
Marco Polo C
#
One Hundred Ways
#
MARCO POLO IGNACIO
#
SheetMusicPlus
Instrumental Duet,Piano C Instrument - Level 2 - SKU: A0.881010 By David Sanborn. By Anthony Coleman, Benjamin Wright, and Kathleen Wakefield. Arranged ...
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Instrumental Duet,Piano C Instrument - Level 2 - SKU: A0.881010 By David Sanborn. By Anthony Coleman, Benjamin Wright, and Kathleen Wakefield. Arranged by Marco Polo C. Ignacio. Jazz. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #6490475. Published by MARCO POLO IGNACIO (A0.881010). One Hundred Ways is a 1981 single released from Quincy Jones's album The Dude on A&M Records. The song features James Ingram on vocals. The song reached number 14 on the U.S. Billboard Hot 100 in 1982. It was a bigger Adult Contemporary hit, reaching number five in the U.S. and number six in Canada. One Hundred Ways received the 1982 Grammy Award for Best R&B Vocal Performance.
$4.99 ≈
4.59€
Hymns from Childhood - Set 8 (SATB)
Hymns from Childhood - Set 8 (SATB)
#
Chorale SATB
#
FACILE
#
Musique Sacrée
#
Various
#
Curtis Hanson
#
Hymns from Childhood - Set 8
#
Curtis Hanson
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.719737 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #4573093. Publish...
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Choral Choir (SATB) - Level 2 - SKU: A0.719737 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #4573093. Published by Curtis Hanson (A0.719737). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Breathe on Me, Breath of God, Blest Be the Tie That Binds, and More Love to Thee, O Christ.
$2.25 ≈
2.07€
Leo Brouwer : Estudios Sencillos (Edudes simples) - N° 4
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Guitare
#
FACILE
#
Classique
#
Leo Brouwer
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Estudios Sencillos
#
Tomplay
Telechargez la tablature et la partition Guitare Estudios Sencillos (Edudes simples) - N° 4 de Leo Brouwer. Tab pour Guitare seule -- Classique...
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Telechargez la tablature et la partition Guitare Estudios Sencillos (Edudes simples) - N° 4 de Leo Brouwer. Tab pour Guitare seule -- Classique
3.99€
Leo Brouwer : Nuevos Estudios Sencillos (Nouvelles édudes simples) - N° 1 Hommage à Debussy
#
Guitare
#
FACILE
#
Classique
#
Leo Brouwer
#
Nuevos Estudios Sencillos
#
Tomplay
Telechargez la tablature et la partition Guitare Nuevos Estudios Sencillos (Nouvelles edudes simples) - N° 1 Hommage à Debussy de Leo Brouwer. Tab po...
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Telechargez la tablature et la partition Guitare Nuevos Estudios Sencillos (Nouvelles edudes simples) - N° 1 Hommage à Debussy de Leo Brouwer. Tab pour Guitare seule -- Classique
2.99€
Leo Brouwer : Nuevos Estudios Sencillos (Nouvelles édudes simples) - N° 2 Hommage à Mangore
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Guitare
#
FACILE
#
Classique
#
Leo Brouwer
#
Nuevos Estudios Sencillos
#
Tomplay
Telechargez la tablature et la partition Guitare Nuevos Estudios Sencillos (Nouvelles edudes simples) - N° 2 Hommage à Mangore de Leo Brouwer. Tab po...
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Telechargez la tablature et la partition Guitare Nuevos Estudios Sencillos (Nouvelles edudes simples) - N° 2 Hommage à Mangore de Leo Brouwer. Tab pour Guitare seule -- Classique
2.99€
Sechs Lieder
Sechs Lieder
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Joseph Haas
#
Sechs Lieder
#
Schott Music - Digital
#
SheetMusicPlus
Female choir or children's choir (SMezA) - easy - SKU: S9.Q611 1. Mailied Dudeldumdei, nun haben wir Mai!. Composed by Joseph Haas. This edition:...
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Female choir or children's choir (SMezA) - easy - SKU: S9.Q611 1. Mailied Dudeldumdei, nun haben wir Mai!. Composed by Joseph Haas. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Op. 44. Duration 3 minutes. Schott Music - Digital #Q611. Published by Schott Music - Digital (S9.Q611). German.
$2.99 ≈
2.75€
Lukas Graham: 7 Years (for Piano Solo) VEVO VERSION
Lukas Graham: 7 Years (for Piano Solo) VEVO VERSION
#
Piano Facile
#
FACILE
#
Pop musique
#
Lukas Graham
#
Flavio Regis Cunha
#
Lukas Graham: 7 Years
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Flavio Regis Cunha
#
SheetMusicPlus
Piano Solo - Early Intermediate - Digital Download By Lukas Graham. Arranged by Flavio Regis Cunha. Score. 8 pages. Published by Flavio Regis Cunha...
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Piano Solo - Early Intermediate - Digital Download By Lukas Graham. Arranged by Flavio Regis Cunha. Score. 8 pages. Published by Flavio Regis Cunha
"7 Years" is a song by Danish soul-pop band Lukas Graham from their second studio album, Lukas Graham. This arrangement was written for solo piano with chords (VEVO VERSION)
Frontman Lukas Forchhammer described "7 Years" as a song that summarises his life so far and what he hopes to achieve in the future. He continued: "It's a song about growing older. I'm also coming to a realisation that being a father is the most important thing. My biggest dream is not to be some negative old dude, but to have my kids' friends say, 'You're going to visit your dad? Say hi! He's awesome.' I had a perfect father.
$5.99 ≈
5.51€
The fat city Dude
The fat city Dude
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Piano Facile
#
FACILE
#
Calvin Holt
#
The fat city Dude
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Calvin Holt
#
SheetMusicPlus
Composed by Calvin Holt. Modern, Jazz. Lead Sheet. 3 pages. Published by Calvin Holt (S0.359293). - Lead Sheet - Modern,Jazz - Calvin Holt...
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Composed by Calvin Holt. Modern, Jazz. Lead Sheet. 3 pages. Published by Calvin Holt (S0.359293). - Lead Sheet - Modern,Jazz - Calvin Holt
$1.99 ≈
1.83€
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