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Vous avez sélectionné:
Folk tune
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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1
Five Norwegian Folk Tunes from Op. 17 for Woodwind Quintet
Five Norwegian Folk Tunes from Op. 17 for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Edvard Grieg
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Ted R
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Five Norwegian Folk Tunes from
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Ted R. Marcus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1271263 Composed by Edvard Grieg. Arranged by Ted R. Marcus. 19t...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1271263 Composed by Edvard Grieg. Arranged by Ted R. Marcus. 19th Century,Chamber,Folk,Romantic Period. 30 pages. Ted R. Marcus #863662. Published by Ted R. Marcus (A0.1271263). A suite of five selections from Edvard Grieg's 25 Norwegian Folk Songs and Dances for piano, Op. 71. Although much of Grieg's work is imbued with the flavor of Norwegian folk music, these are actual folk tunes from rural Norway set in his distinctive style, and now freshly painted in the colors of the woodwind quintet. The selections offer a range of emotions and colors, from spirited dances to melancholy folk songs: Leaping Dance (Springdans, No. 1), Last Saturday Night (Den siste lørdagskvelden, No. 15), Travel Song (Reiselåt, No. 13), The Horsefly and the Housefly (Kleggen og flugga, No. 17), and Peasant Dance (Stabbelåten, No. 18). This suite makes a delightful concert piece or encore for an advanced woodwind quintet. Duration: 6:05Please visit my Web site to explore more classics for adventurous woodwind quintets.
$18.00 ≈
16.84€
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Bela Bartok
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Ray Thompson
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Bartók: Rumanian Folk Dances
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SheetMusicPlus
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Fol...
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Folk, Recital. Score, Set of Parts. 26 pages. Published by RayThompsonMusic
Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.
It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute.
The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures.
This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses):
Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it.
Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region.
Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4]
Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania)
Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania.
Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.
$15.99 ≈
14.96€
Wind Quintet - One Rule
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00 ≈
32.75€
Japanese Suite arr. wind dectet
Japanese Suite arr. wind dectet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Contemporain
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Gustav Holst
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A
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Japanese Suite arr. wind decte
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Hilltop Music Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.795452 Composed by Gustav Holst. Arranged by A. L. Wyver. 20th Century,Concert. 62 pages. Hilltop...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.795452 Composed by Gustav Holst. Arranged by A. L. Wyver. 20th Century,Concert. 62 pages. Hilltop Music Publications #4301367. Published by Hilltop Music Publications (A0.795452). Based on Japanese folk tunes.
$9.00 ≈
8.42€
Themes From Hungarian Rhapsody, No. 2: Wind Quintet
Themes From Hungarian Rhapsody, No. 2: Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Franz Liszt
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Fiona Hickie
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Themes From Hungarian Rhapsody
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Fiona Alice Hickie
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.738191 Composed by Franz Liszt. Arranged by Fiona Hickie. Classi...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.738191 Composed by Franz Liszt. Arranged by Fiona Hickie. Classical,Folk,Romantic Period. 43 pages. Fiona Alice Hickie #5359473. Published by Fiona Alice Hickie (A0.738191). Liszt's classic tune famous for appearances in shows such as the Muppets, Warner Brothers cartoons, Anamanics and the movie Shine. Here I have simplified the the piece, putting it into C minor, simplifying the instrumental runs and shortening the work. This version also has a simplified off beat pattern in the oboe and horn parts.See also: https://www.sheetmusicplus.com/title/themes-from-hungarian-rhapsody-no-2-digital-sheet-music/2076294...
$12.99 ≈
12.16€
Themes from Hungarian Rhapsody No. 2
Themes from Hungarian Rhapsody No. 2
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Franz Liszt
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Fiona Hickie
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Themes from Hungarian Rhapsody
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Fiona Alice Hickie
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.737956 Composed by Franz Liszt. Arranged by Fiona Hickie. Classi...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.737956 Composed by Franz Liszt. Arranged by Fiona Hickie. Classical,Folk,Romantic Period. 43 pages. Fiona Alice Hickie #3548823. Published by Fiona Alice Hickie (A0.737956). Liszt's classic tune famous for appearances in shows such as the Muppets, Warner Brothers cartoons, Anamanics and the movie Shine. Here I have simplified the the piece, putting it into C minor, simplifying the instrumental runs and shortening the work. https://www.youtube.com/watch?v=PRlEkM81fvk&feature=youtu.be.
$20.00 ≈
18.72€
Bartók: Fifteen Hungarian Peasant Songs, Sz.71 (Nos. 1 - 6) - wind quintet
Bartók: Fifteen Hungarian Peasant Songs, Sz.71 (Nos. 1 - 6) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Bela Bartok
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Ray Thompson
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Bartók: Fifteen Hungari
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553984 Composed by Bela Bartok. Arranged by Ray Thompson. 20th C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553984 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Contemporary,Folk,Multicultural,World. 22 pages. RayThompsonMusic #6426207. Published by RayThompsonMusic (A0.553984). Fifteen Hungarian Peasant Songs, Sz. 71, BB 79 is a collection of short folk melodies arranged for piano by Hungarian composer Béla Bartók. It was composed between 1914 and 1918. In 1933, Bartók adapted and orchestrated parts of the piece as Hungarian Peasant Songs, Sz. 100, BB 107, commonly known by its Hungarian name, Magyar parasztdalok([ˈmɒɟɒr ˈpɒrɒstˌdɒlok]).My arrangement for standard wind quintet is based on the piano music.The collection consists of fifteen movements, some of which are grouped together. A typical performance lasts 13–15 minutes. The movements in my arrangement are as follows:Four Old TunesRubatoAndante – Poco sostenuto – Più andante (Tempo I) – Poco sostenuto – Più andantePoco rubato – SostenutoAndanteScherzo. Andante – Sostenuto, poco rubato – Tempo IScherzoBallad (Theme with Variations)
$14.95 ≈
13.99€
Scottish Fantasy (for Wind Quintet)
Scottish Fantasy (for Wind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Robert Newth
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Scottish Fantasy
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Robert Newth
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1397785 Composed by Robert Newth. Celtic,Contemporary,Folk,Irish,Traditional. 15 pages. Robert Ne...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1397785 Composed by Robert Newth. Celtic,Contemporary,Folk,Irish,Traditional. 15 pages. Robert Newth #981052. Published by Robert Newth (A0.1397785). This short piece was written for Prismatic Winds in 2024, to close a Scottish-themed concert, and I wanted a good finale which encompassed as many famous Scottish tunes as possible. The result was Scottish Fantasy, which is a mashup of 23 popular melodies, some more recognisable than others. The piece would be a fantastic addition to any woodwind quintet's repertoire.The PDF download contains a full score and all five parts: Flute, Oboe, Clarinet in Bb, Horn in F and Bassoon.If you have enjoyed this piece, please consider leaving a review!
$14.99 ≈
14.03€
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