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Vous avez sélectionné:
Weber
intermédiaire
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
5 partitions trouvées
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WEBER: SONATA IN G MAJOR Opus 10 No. 2 FOR WOODWIND QUINTET
WEBER: SONATA IN G MAJOR Opus 10 No. 2 FOR WOODWIND QUINTET
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Carl Maria von Weber
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Pat Spence
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WEBER: SONATA IN G MAJOR Opus
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Piper Publications
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.840940 Composed by Carl Maria von Weber (1786 - 1826). Arranged ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.840940 Composed by Carl Maria von Weber (1786 - 1826). Arranged by Pat Spence. Contest,Festival,Instructional,Romantic Period,Wedding. 34 pages. Piper Publications #447646. Published by Piper Publications (A0.840940). The Sonata is the second of a set of 6 composed in 1810 for violin & piano. The Three movements, Espagnuola, Adagio & Air Polonais., have been arranged for flute, oboe, clarinet in Bb, horn in F and bassoon. Players of intermediate standard and above will enjoy the lively outer movements and the contemplative short Adagio.
$20.00 ≈
18.35€
Marcia No. 5 (Op. 3)
Marcia No. 5 (Op. 3)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Carl Maria von Weber
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Lori Archer Sutherland
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Marcia No. 5
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Lori Archer Sutherland
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.764887 Composed by Carl Maria von Weber. Arranged by Lori Archer Sutherland. Classical,Wedding. 9...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.764887 Composed by Carl Maria von Weber. Arranged by Lori Archer Sutherland. Classical,Wedding. 9 pages. Lori Archer Sutherland #3479483. Published by Lori Archer Sutherland (A0.764887). Originally composed by Carl Maria von Weber in 1803 as part of a collection of piano duets (6 Petites pièces faciles, Op. 3), Weber’s music lends itself exceptionally well for winds. Showcase your woodwind quintet for solo and ensemble contests, recitals, weddings, graduations, or as part of a larger music concert.
$12.99 ≈
11.92€
Old May Day (for Wind Quartet)
Old May Day (for Wind Quartet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Jules Benedict
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Andrew Lamb
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Old May Day
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Andrew Lamb
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1325343 By Jules Benedict. By Jules Benedict. Arranged by Andrew...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1325343 By Jules Benedict. By Jules Benedict. Arranged by Andrew Lamb. 19th Century,Chamber. 19 pages. Andrew Lamb #913584. Published by Andrew Lamb (A0.1325343). 🎶 Elevate your wind ensemble performance with the captivating Wind Quartet arrangement of Jules Benedict's Old May Day by Andrew Lamb! 🌬ï¸ðŸŽ¼ Scored for Flute, Oboe, Clarinet, and Bassoon, this adaptation brings a fresh breeze to Benedict's timeless composition. ðŸƒðŸŽµðŸŒŸ Level of Difficulty: Medium - Hard 🎓 Potential Uses: Perfect for concerts or recitals, this arrangement showcases the talents of each wind instrument, creating a harmonious and delightful auditory experience. 🎉Dive into the rich history of Sir Julius Benedict, a German-born composer who found his musical home in England. 🇩🇪ðŸ´ó §ó ¢ó ¥ó ®ó §ó ¿ From his early training with Hummel and Weber to his operatic triumphs in Vienna and Naples, Benedict's legacy is celebrated in this exquisite Wind Quartet adaptation. ðŸŽðŸŽ¹Don't miss the chance to add this musical gem to your repertoire! 🌬ï¸âœ¨ Like and subscribe to stay tuned for more enchanting arrangements and musical discoveries! 🎶🔔.
$8.00 ≈
7.34€
Oelflecke auf dem Wasser [woodwind quintet]
Oelflecke auf dem Wasser [woodwind quintet]
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Oelflecke auf dem Wasser [wood
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Juan Maria Solare
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.596552 Composed by Juan MarÃa Solare. Concert,Contemporary,Instructional,World. 20 pages. Juan...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.596552 Composed by Juan MarÃa Solare. Concert,Contemporary,Instructional,World. 20 pages. Juan Maria Solare #4598385. Published by Juan Maria Solare (A0.596552). Ölflecke auf dem Wasser ( Oil spots on the water )This is my second Wind Quintet. The first one (Strange preludes and double canon) was written in 1992, this one in 2003 and there are numerous sketches (even complete movements) for a third one.The title Oil spots on the water doesn't have much with ecological issues, but rather with those abstract, colourful, poly-semantic shapes of small oil spots on asphalt, especially when it rains.The Wind Quintet Ölflecke auf dem Wasser was selected in 2003 in a shortlist of 31 among 270 compositions for the project Neue Kammermusik für Musikschulen (New chamber music for music schools) by the Verband deutscher Musikschulen (Association of German Schools of Music) in Bonn, Germany.In October 2004 this piece, together with two other pieces by the same composer, received first prize at the Bremer Komponistenwettweberb organised by the Council of the Music (Landsmusikrat) in Bremen, Germany.Ölflecke auf dem Wasser was first performed on 10th July 2004 at the Castle Sonderhausen in Germany by the Wind Quintet of the Music School Carl Schroeder of Sonderhausen: Eva-Maria Albrecht (flute), Malte Schneegaß (oboe), Antje Eckstein (clarinet) Julia Wallis (bassoon), Manuela Hirsch (horn), Stephan Uhl (conductor); in the cycle Neue Musik in alten Residenzen (New Music in old residencies) of the Council of the Music Thüringen.After the premiere, Stephan Uhl published an article about the piece: Juan MarÃa Solares 'Ölflecke auf dem Wasser' (2003) für Bläserquintett. Anregungen zur Praxisarbeit zwischen Interpretation und Improvisation (Oil spots on the water (2003) by Juan MarÃa Solare: Ideas about rehearsal practice between performance and improvisation). This article was published in November 2004 in the book Ensembleleitung Neue Kammermusik (Dokumentation und Arbeitshilfe des Modellprojekts), edited by the VdM (Verband deutscher Musikschulen - Association of German Music Schools), Bonn, ISBN 3-925574-59-X, pages 82-86.In March 2005 Oil spots on the water was chosen in the shortlist at the Piece of the Year Competition organised by Alan Taylor and the London Chamber Group. In this context it was performed on 10th July 2005 at a venue unknown to the composer.
$4.00 ≈
3.67€
Geometria
Geometria
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Kent Piper
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a mirror image in sound
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Geometria
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RKPiper
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1024240 Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPi...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1024240 Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPiper (A0.1024240). Geometria is a serial composition*.Geometria, Latin for geometry, is an arrangement of sound shapes. Beginning with a parallelogram it moves to a square and then to a triangle. At the apex of the triangle the piece retrogrades back through the previous shapes; a mirror image in sound. The parallelogram is achieved by use of canon, the square by homophony and the triangle by staggered entrances. There are 5 instruments and 5 notes; F, F#, A,C# and Bb. F#,Bb,C# form a major triad, F#,A,C# form a minor triad, A,Bb,C# form trichord 3-3, Bb,C#,F form trichord 3-11 and A,C#,F form trichord 3-12. Therefore, 5 geometric shapes, 5 instruments, 5 notes, 5 plus harmonic possibilities and 5 players. *Serial Music - the use of a sequence of notes in a definite order as a thematic basis for a composition and a source from which the musical material is derived. Serialism was an attempt to escape tonal-centered compositions prior to the twentieth century. It began with Arnold Schoenberg's twelve tone-technique in the early 1900's, though some of his contemporaries such as Anton Webern, Alban Berg, Karlheinz Stockhausen, Pierre Boulez, Luigi Nono and Milton Babbit were also working to establish serialism as a form of post-tonal thinking. Other composers such as Bela Bartok, Luciano Berio, Benjamin Britten, John Cage, Aaron Copland, Olivier Messiean, Arvo Part, Dmitri Shostakovich and Igor Stravinsky used serialism only for some of their compositions.
$5.99 ≈
5.50€
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