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Vous avez sélectionné:
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Quatuor de Saxophones: 4 saxophones
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J. S. Bach: The Well-Tempered Clavier, Book 1 BWV 846-869 24 preludes and fugues arranged for SATB s
J. S. Bach: The Well-Tempered Clavier, Book 1 BWV 846-869 24 preludes and fugues - SATB s
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: The Well-Tempered
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534500 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534500 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 429 pages. Musik Fabrik Music Publishing #3573587. Published by Musik Fabrik Music Publishing (A0.534500). J. S. Bach completed the 24 preludes and fugues that make up the first book of the Well-Tempered Clavier in 1722 in Cöthen, where much of his other important instrumentalchamber music was written. The twenty-four segments go through all of the major and minor keys, with an prelude which explores a single texture or figuration and a contrasting fugue in either 2, 3, 4 or 5 voices. In this arrangement, the different voices are either shared by the four instruments or, in the case of the five voices of the Fugue in Bb minor, implied through arpeggios in the alto and tenor voices. Care must be taken to make these implied chordssound through discretely sustaining these voices through resonance.The preludes are generally in relatively free improvisatory forms which explore different types of baroque devises, including italianate keyboard figuration, “arioso†ornamented melodies with ostinato accompaniments, and more abstract forms. Two of the preludes are especially notable: the stately harmonic progression of the First prelude in C major, one of Bach’s most well-known works, and the gigantic prelude and double fugue of the Eb Major prelude.The fugues represent an exploration of all styles, ranging from the Ricacare in the Fugue no. 4 in c# minor and the use of augmentation, canon and inversion in no. 8 in Eb minor.
$77.95 ≈
71.80€
Le Tombeau de Couperin (part 2) Fugue, Forlane, Toccata (Saxophone Quartet arrangement)
Le Tombeau de Couperin (part 2) Fugue, Forlane, Toccata (Saxophone Quartet arrangement)
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Contemporain
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Maurice Ravel
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James Pybus
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Le Tombeau de Couperin
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.764755 Composed by Maurice R...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.764755 Composed by Maurice Ravel (1875-1937). Arranged by James Pybus. 20th Century,Contemporary. 64 pages. James Pybus #6711845. Published by James Pybus (A0.764755). Le Tombeau de Couperin is a suite originally for piano, composed between 1914 and 1917. Each of its six movements is dedicated to the memory of friends of the composer who had died fighting in World War 1. Ravel himself was an army driver during the war. Tombeau is a musical term popular in the 17th century meaning a piece written as a memorial. It was Ravel's intention to pay tribute to his friends and pay homage to the sensibilities of the Baroque French keyboard suites, of which Couperin was a master; this is reflected in the six-movement structure of Ravel's piece. This arrangement for SATB Saxophone Quartet includes the Fugue, Forlane and Toccata. The Prelude, Menuet and Rigaudon are available on SMP Press in another arrangement under separate cover. This challenging work is an excellent showpiece for Saxophone Quartet and will enhance a variety of concert and performance settings. Duration: 12:13. Contact me at james.pybus56@gmail.com
$19.99 ≈
18.41€
Fugue No 16 in G Minor, BWV 861 - Saxophone Quartet
Fugue No 16 in G Minor, BWV 861 - Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Javier MartÃnez Maya
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Fugue No 16 in G Minor, BWV 86
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Arte Nova Music Lab
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.742367 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.742367 Composed by Johann Sebastian Bach. Arranged by Javier MartÃnez Maya. Baroque,Concert,Standards. 11 pages. Arte Nova Music Lab #2120191. Published by Arte Nova Music Lab (A0.742367). The Prélude and Fugue in G Minor, BWV 861, is a keyboard composition written by Johann Sebastian Bach. It is the sixteenth prélude and fugue in the first book of The Well-Tempered Clavier, a series of 48 préludes and fugues by the composer. This is an arrangement for saxophone quartet by Javier MartÃnez.
$20.00 ≈
18.42€
'Contrapunctus 19' By J.S.Bach BWV 1080 from 'The Art of the Fugue' for Saxophone Quartet.
'Contrapunctus 19' By J.S.Bach BWV 1080 from 'The Art of the Fugue' for Saxophone Quartet.
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephen Davies
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'Contrapunctus 19' By J.S.Bach
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.891915 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.891915 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque. 49 pages. Stephen Davies #3480611. Published by Stephen Davies (A0.891915). The final composition of J.S.Bach is surprisingly triumphant, despite his demise just after bar 239. It's also a matter of scholarly conjecture that Bach wrote 'The Art of Fugue' for the keyboard, as some will argue that certain Contrapunctii (?!) are almost impossible to play, bearing in mind that the sustain pedal had yet to be invented. And thus, the most credible path would be that Bach wrote them as A) Academic exercises for study or B) To be played by a suitable ensemble. I'm going with the latter obviously! I include Donald Tovey's conclusion to the work, its brilliance is noted the world over, but surely not what Bach intended, but damn close! This Saxophone version is particularly LOUD!!, so, go make some noise!!
$14.99 ≈
13.81€
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