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Vous avez sélectionné:
Ensemble vent
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Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
33 partitions trouvées
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26
Two English Carols (Coventry Carol; What Child Is This?) - Sax Quartet
Two English Carols (Coventry Carol; What Child Is This?) - Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional
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Roger Wallace
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Two English Carols
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Roger Wallace
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1202739 Composed by Traditio...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1202739 Composed by Traditional. Arranged by Roger Wallace. Christmas,Renaissance,Sacred. 40 pages. Roger Wallace #801477. Published by Roger Wallace (A0.1202739). Christmas Quartet with Multiple Part Options. The beautiful melodies of both carols are shared by various parts. The conclusion (coda) combines both melodies.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.The audio sample represents a Saxophone Quartet (Soprano, Alto, Tenor, Baritone).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99 ≈
$13.75
Seventy Six Trombones
Seventy Six Trombones
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Ambassadors Of Harmony
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Kenneth Abeling
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Seventy Six Trombones
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1243013 By Ambassadors Of Harmony. By Meredith Willson. Arranged by Kenneth Abeling. Broadway,Fi...
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Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1243013 By Ambassadors Of Harmony. By Meredith Willson. Arranged by Kenneth Abeling. Broadway,Film/TV,Musical/Show. 19 pages. LINCOLN MUSIC PUBLICATIONS #838057. Published by LINCOLN MUSIC PUBLICATIONS (A0.1243013). Seventy-Six Trombones, or 76 Trombones by Meredith Wilson arranged for Saxophone Quartet (SATB or AATB). This is an advanced intermediate to easier advanced arrangement of the signature song from the 1957 musical, The Music Man. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/ https://lincolnmusicpublications.com/music/search.php?q=Seventy-Six+Trombones.
$14.99 ≈
$20.63
TECTONIC. Suite for String Quartet
TECTONIC. Suite for String Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alan Edgar
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TECTONIC. Suite for String Qua
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Alan Edgar Ted Moon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1398314 Composed by Alan Edga...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1398314 Composed by Alan Edgar. 20th Century,Barbershop. 26 pages. Alan Edgar Ted Moon #981590. Published by Alan Edgar Ted Moon (A0.1398314). TECTONIC Sax Quartet (Sop, Alt, Ten, Bar). Â This work depicts aspects of plate tectonics. Five musical movements: 'CREEPING PLATES: very slow and ponderous music and foreboding 12-note serial progressions. HOT VENT GASES depicts the toxic bubbles rising from the ocean floor. VENT LIFE represents the weird worms, microrganisms, crabs and fish which survive there. VOLCANOÂ music describes explosions, falling boulders and terror, and finally mourns the loss of life, devastated landscape and villages. EARTHQUAKE:Â the music tries to depict the swaying effect and noise, falling bricks and running feet. More mourning. Â Pure 12-note serial: Â but you need not tell THEM that. DURATION: 9minutes
$24.00 ≈
$33.03
La Waltz Triste (Saxophone Quartet version)
La Waltz Triste (Saxophone Quartet version)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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James Pybus
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La Waltz Triste
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764635 Composed by James Pyb...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764635 Composed by James Pybus. Contemporary,Contest,Festival. 27 pages. James Pybus #34115. Published by James Pybus (A0.764635). La Waltz Triste is an original composition playable by either SATB or AATB Saxophone Quartet, both with an optional Bass Saxophone part which doubles the Baritone part. Performance time is 3:10. As the title would suggest, it has a rather sad and melancholic feel. Several events in my personal life of a tragic nature which occurred during the year it was written (2014) have subconsciously contributed to this feeling, including in May 2014 the loss of a friend and colleague, followed in September by the loss of my father-in-law. An ongoing health issue which began in April prevented me from playing and performing to the best of my ability. Thankfully this issue has resolved itself; there is a ray of hope for the future. Not wanting to wallow in self-pity, I look forward to more cheerful days ahead. Contact me at james.pybus56@gmail.com.
$15.00 ≈
$20.64
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes arranged for SATB
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes - SATB
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach : Orgelbüchlei
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534471 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708–1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:L’Orgelbüchlein (Le Petit LIvre D‘Orgue) BWV 599−644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitl’organiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Fried’ und Freud’ ich fahr’ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuß den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, bewein’ dein’ Sünde groß, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daß mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heil’ge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heut’ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wend’, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heil’gen zehn Gebot’, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adam’s Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich hab’ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et l’Enterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
$64.95 ≈
$89.38
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, bari
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
$23.32
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, sopr
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
$23.32
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, alto
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
$23.32
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, teno
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
$23.32
Satellite to Planet Nine
Satellite to Planet Nine
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Adam Grim
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Satellite to Planet Nine
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Adam B. Grim
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.939376 Composed by Adam Grim....
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.939376 Composed by Adam Grim. Concert,Contemporary,Standards. 111 pages. Adam B. Grim #6196935. Published by Adam B. Grim (A0.939376). Satellite to Planet Nine is a saxophone quartet inspired by the cosmos surrounding planet Earth. The opening movement, Takeoff, is about the mystery and fear surrounding a possibility of another planet - or black hole - yet to be discovered and the beginning of the journey to find it. The second movement, Hymn for the Moon is dedicated to the closest body of natural rock in our solar system. This movement features the tenor saxophone using a mix of disjunct melodies, smooth jazz, and thick chords to produce a movement of both mysticism and peace as the rocket travels by it. Soca for Saturn is the following movement and is inspired by the Trinidadian popular music known as soca. It is the spark of joy and pure energy that holds the astronauts together as they hold their hopes high traveling to a land that might not even exist at all. The fourth movement depicts the first amount of struggle for the team, Solar Flares, which batter and beat at the crew as they try to find a way through. In the movement the mood is instantly changed with the realization that it is too calm, and soon, meet the purest form of heat and energy. Movement five continues the struggle, but this time with hasty success. Arrival continues where the fourth movement leaves off, but finally they see something in the distance – the planet they have been looking for. They prepare for landing, but with their equipment being nearly destroyed from the solar flares it is not smooth landing. In the final movement, New Gravity, the team ventures out into the new world, which is dark and barren. They feel a disturbing presence around them, and as they search further and further into the cold and dusty landscape, they realize what they are up against – survival. Using what they know, they build on their wreckage and create a new home - The Satellite to Planet Nine.
$30.00 ≈
$41.28
Rondo Alla Turca (Turkish March) | Sax Quartet Sheet Music
Rondo Alla Turca (Turkish March) | Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Wolfgang Amadeus Mozart
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Benzaiten Editions
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Rondo Alla Turca
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Benzaiten Editions
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1283772 Composed by Wolfgang...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1283772 Composed by Wolfgang Amadeus Mozart. Arranged by Benzaiten Editions. 19th Century,Chamber,Classical,Multicultural,World. 14 pages. Benzaiten Editions #874962. Published by Benzaiten Editions (A0.1283772). Hey! Are you a sax player who wants to learn how to play Rondo Alla Turca (Turkish March) by Mozart? It's your lucky day! 🎵Rondo Alla Turca (Turkish March) - Sax Quartet Sheet Music The Benzaiten Editions Sax Quartet Arrangement Embark on a musical journey to the exotic and lively world of Mozart's Rondo Alla Turca with our captivating saxophone quartet sheet music! This vibrant and spirited piece, also known as the Turkish March, is a delightful showcase of Mozart's genius and is sure to enchant both players and audiences alike. Our arrangement of Rondo Alla Turca for sax quartet brings out the playful and energetic nature of the composition while maintaining the grandeur of Mozart's original work. The interplay of violins, viola, and cello creates a harmonious tapestry of sound that captures the essence of this famous march. Perfect for saxophone quartets seeking to explore classical masterpieces or add a touch of excitement to their repertoire, our sheet music strikes a balance between accessibility and musicality. About Turkish March Rondo Alla Turca is the exhilarating final movement from Mozart's Piano Sonata No. 11, often referred to as the Turkish March. The piece exudes a sense of adventure and flair, evoking images of the lively and exotic sounds of Turkey. Mozart's intricate melodies and rhythmic patterns showcase his unparalleled compositional skill, making this march a true gem of classical music. As you and your sax quartet perform Rondo Alla Turca, you'll whisk your listeners away to a world of vivacious dance and sparkling melodies. The quartet's collective artistry will breathe new life into this timeless composition, transporting audiences to the heart of Mozart's musical genius. Whether you're a seasoned quartet seeking to dazzle your audience or simply passionate about exploring classical treasures, Rondo Alla Turca offers an unforgettable musical experience that will leave a lasting impression. Embark on a musical adventure with our captivating saxophone quartet sheet music for Mozart's Rondo Alla Turca and bring the excitement and brilliance of this Turkish March to life like never before. Get ready to delight and thrill your audience with the effervescent charm of Mozart's genius!
$9.99 ≈
$13.75
The Nutcracker Suite - 7. Dance of the Reed Flutes
The Nutcracker Suite - 7. Dance of the Reed Flutes
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Piotr Tchaikovsky
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Sam Bateman
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The Nutcracker Suite - 7. Danc
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Sam Bateman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.948126 Composed by Piotr Tcha...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.948126 Composed by Piotr Tchaikovsky. Arranged by Sam Bateman. Children,Christmas,Contemporary,Romantic Period,World. 13 pages. Sam Bateman #3396011. Published by Sam Bateman (A0.948126). Enjoy all the wondrous beauty of this classic music suite from one of the greatest composers of the Romantic era - Piotr Tchaikovsky! Now, you can purchase your very own copy of The Nutcracker Suite to perform with the rest of your saxophone quartet. So here's the seventh movement, the Dance of the Reed Flutes, or the Dance of the Mirlitons. Enjoy! :)If you'd like to hear some of my other arrangements, feel free to check out my YouTube channel, Sam Bateman's Music. If you would like to contact me for any enquiries or requests, feel free to email me at sambateman.music@gmail.com, and I'll respond back to you as soon as possible.
$6.00 ≈
$8.26
God Rest Ye Merry Gentlemen
God Rest Ye Merry Gentlemen
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
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Traditional English Carol
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Kevin Muncy
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God Rest Ye Merry Gentlemen
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Kevin Muncy
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1042003 Composed by Traditio...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1042003 Composed by Traditional English Carol. Arranged by Kevin Muncy. Christmas,Folk,Holiday,Jazz,Traditional. 16 pages. Kevin Muncy #646793. Published by Kevin Muncy (A0.1042003). A traditional holiday favorite rebooted, souped up, and jazzed up for saxophone quartet. This swinging carol will get toes tapping and hands clapping at your next holiday event and makes a fantastic feature for your saxophone section or ensemble arranged for soprano, alto, tenor and baritone (SATB).
$19.99 ≈
$27.51
Christmas Medley 1 for saxophone quartet
Christmas Medley 1 for saxophone quartet
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
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Bill Malcolm
#
Christmas Medley 1 for saxopho
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Bill Malcolm
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.786272 Arranged by Bill Malco...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.786272 Arranged by Bill Malcolm. Baroque,Christian,Christmas,Romantic Period. 13 pages. Bill Malcolm #6200979. Published by Bill Malcolm (A0.786272). This arrangement makes you think you are in a pit orchestra for a musical. It goes through multiple keys and is a wonderful exercise in reading multiple sharps and flats. The carols are Coventry Carol, Good King Wenceslas, Joy to the World, Green Sleeves, and O, Come All Ye Faithful.
$10.00 ≈
$13.76
THREE NOCTURNES for Saxophone Quartet
THREE NOCTURNES for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Erik Satie
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Steven Paxton
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THREE NOCTURNES for Saxophone
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Creative Spirit
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1392515 Composed by Erik Sat...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1392515 Composed by Erik Satie. Arranged by Steven Paxton. 20th Century,Chamber,Classical. 32 pages. Creative Spirit #976034. Published by Creative Spirit (A0.1392515). The finest among Satie‘s final works for solo piano: finely structured, harmonically inventive, early 20th century modernism at its best. These transcriptions for saxophone quartet capture Satie’s unique musical personality and sensibility. More Satie transcriptions are also available from Creative Spirit Music Publisher.TOTAL DURATION: about 8 minutes.
$24.00 ≈
$33.03
Neapolitan Dance from Swan Lake
Neapolitan Dance from Swan Lake
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Pyotr Ilyich Tchaikovsky
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James Pybus
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Neapolitan Dance from Swan Lak
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764696 Composed by Pyotr Ily...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764696 Composed by Pyotr Ilyich Tchaikovsky (1840-1893). Arranged by James Pybus. Classical. 9 pages. James Pybus #4626349. Published by James Pybus (A0.764696). Swan Lake Op. 20 is a ballet composed by Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular of all ballets. The Neapolitan Dance occurs in Act III of the ballet. It was famously danced in the 1980s in London’s Covent Garden by Wayne Sleep and Rosemary Taylor. This arrangement for SATB Saxophone Quartet features the soprano saxophone in a slower section at the beginning followed by a lively vivace section, which is then repeated. The duration is 2:22. Please contact me at james.pybus56@gmail.com.
$15.00 ≈
$20.64
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on 'Mein Juges Leben hat ein end'- arranged for S
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on 'Mein Juges Leben hat ein end'- - S
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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Paul Wehage
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Jan Pieterszoon Sweelinck/Paul
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532731 Composed by Jan Pieter...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532731 Composed by Jan Pieterszoon Sweelinck. Arranged by Paul Wehage. Renaissance,Sacred,Standards. 26 pages. Musik Fabrik Music Publishing #1913. Published by Musik Fabrik Music Publishing (A0.532731). Jan Pieterszoon Sweelinck (/ˈjÉ‘Ën ˈpiËtÉ™rsoÊŠn ˈsweɪlɪŋk/;[1] Deventer, April or May, 1562 – Amsterdam, 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition. This version is for SATB saxophone quartet.
$20.75 ≈
$28.55
Nightmare for Saxophone Quartet and Percussion
Nightmare for Saxophone Quartet and Percussion
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Kenneth A
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Nightmare for Saxophone Quarte
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Kenneth Carter
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.904128 Composed by Kenneth A. Carter II. Contemporary. 23 pages. Kenneth Carter #12203. Published...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.904128 Composed by Kenneth A. Carter II. Contemporary. 23 pages. Kenneth Carter #12203. Published by Kenneth Carter (A0.904128). Nightmare for Saxophone Quartet was written for the Red Tie Saxophone Quartet during the 24 Hour Festival at Florida Gulf Coast University where it won first prize in the music category. Nightmare, takes you on an adventure through your subconscious to exploit, and exacerbate your greatest fears. The beginning portrays falling into a deep sleep with interjections from the soprano and alto saxophone signaling the nightmare coming on. The nightmare begins with a growling chord and sends the piece off to a frightening dance that leaves you wondering when this Nightmare will end….
$12.99 ≈
$17.88
7 Seas
7 Seas
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Lee Mitchell
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Josh Trentadue
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7 Seas
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T.U.X. People's Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1253715 Composed by Lee Mitc...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1253715 Composed by Lee Mitchell. Arranged by Josh Trentadue. 21st Century,Contemporary,Contest,Festival. 17 pages. T.U.X. People's Music #847341. Published by T.U.X. People's Music (A0.1253715). Seven sections. Seven keys. Seven seas. Extracted from Lee Mitchell's suite Octagon, this version for saxophone quartet arranged by Josh Trentadue will take performers and audiences on a whirlwind, seafaring adventure!
$25.00 ≈
$34.40
It's Beginning To Look Like Christmas
It's Beginning To Look Like Christmas
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Meredith Willson
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W
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It's Beginning To Look Like Ch
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Diamond S Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - SKU: A0.789974 Composed by Meredith Willson. Arranged by W. Brent Sawyer....
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - SKU: A0.789974 Composed by Meredith Willson. Arranged by W. Brent Sawyer. Film/TV. 31 pages. Diamond S Music #3102251. Published by Diamond S Music (A0.789974). IT'S BEGINNING TO LOOK LIKE CHRISTMAS - SAXOPHONE QUARTET (Alto Sax 1-2, Tenor Sax 1-2) with PIANO accompaniment with optional Bass and Drum parts. This fun and jazzy swing arrangement of the favorite Christmas classic by Meredith Willson (composer of The Broadway hit show, THE MUSIC MAN) is bound to be a crowd pleaser whether it's performed at a school concert, a church service, a Christmas Concert or any other event. This arrangement contains some sophisticated tight 4 part swing harmony but is not too difficult even for amateur groups to perform. Your musicians will have a blast learning it and performing it. Comes with Full Score and set of parts: Alto 1-2, Tenor 1-2 , Piano and the optional Bass and Drum parts that will definitely enhance the sound and feel of the arrangement. (This arrangement is also available in other versions for: Flute Quartet, Trumpet Quartet, and Trombone Quartet.) Ho Ho Ho! Merry Christmas!Here is video of the the SSAA Vocal version of this arrangement : https://youtu.be/Q8I1vl7fVE4
$13.99 ≈
$19.25
Arrival Of The Queen Of Sheba
Arrival Of The Queen Of Sheba
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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G F Handel
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Phil Rawle
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Arrival Of The Queen Of Sheba
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Phillip Rawle
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1098422 Composed by G F Hand...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1098422 Composed by G F Handel. Arranged by Phil Rawle. Baroque,Classical. 16 pages. Phillip Rawle #702287. Published by Phillip Rawle (A0.1098422). ‘The Arrival of the Queen of Sheba’ is a short passage from the English oratorio, ‘Solomon’, composed in 1748. It is based on the biblical stories of King Solomon. ‘The Arrival…’ has become famous in its own right, and was featured at the London Olympics in 2012. An oratorio is a musical piece, usually lengthy, and based on a Biblical or religious event. Arranged here for Saxophone Quartet.
$10.00 ≈
$13.76
Summer - The Four Seasons (short version)
Summer - The Four Seasons (short version)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Thiago Joseph
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Summer - The Four Seasons
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Panda Scores
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1082489 Composed by Antonio ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1082489 Composed by Antonio Vivaldi. Arranged by Thiago Joseph. Baroque,Film/TV,Traditional,Wedding. 16 pages. Panda Scores #686678. Published by Panda Scores (A0.1082489). A short version of Summer's first movement for sax quartet. Perfect for wedding and musical event.
$9.99 ≈
$13.75
Christmas Day-Gustav Holst-Saxophone CHOIR QUARTET (Soprano Sax; Alto Sax; Tenor Sax and Baritone Sa
Christmas Day-Gustav Holst-Saxophone CHOIR QUARTET (Soprano Sax; Alto Sax; Tenor Sax and Baritone Sa
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Gustav Holst
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Raymond Fenech
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Christmas Day-Gustav Holst-Sax
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Raymond Fenech
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.760330 Composed by Gustav Ho...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.760330 Composed by Gustav Holst. Arranged by Raymond Fenech. 20th Century,Christmas,Holiday,Instructional,Multicultural,World. 32 pages. Raymond Fenech #3572217. Published by Raymond Fenech (A0.760330). Christmas Day is a choral fantasy on old carols, was written in 1910. It was originally composed for SATB with parts for a sizeable orchestra. It lasts for about seven minutes. The work was dedicated ‘To the music students of Morley College’. Apparently it was extremely well-received and had a further presentation on 18 February at a music students’ ‘Tea and Social’ event. A number of well-known carols are used in this ‘fantasy.’ Throughout the piece, the composer makes use of ‘God rest you merry gentlemen,’ ‘The First Nowell’ and a traditional melody derived from Brittany used to set the words ‘Come ye lofty; come ye lonely.’ The Duration is approx. 6.16 minutes and the level is Advanced Intermediate.
$8.50 ≈
$11.70
Handel - And the Glory of the Lord from Messiah (for Saxophone Quartet SATB or AATB)
Handel - And the Glory of the Lord from Messiah (for Saxophone Quartet SATB or AATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Kenneth Abeling
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Handel - And the Glory of the
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.514442 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Christmas,Sacred...
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Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.514442 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Christmas,Sacred. 17 pages. LINCOLN MUSIC PUBLICATIONS #3216567. Published by LINCOLN MUSIC PUBLICATIONS (A0.514442). “And the Glory of the Lord Shall be Revealed†from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quartet. This is an intermediate to advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com. Playing time: 2:50 AATB Version also available... Preview this score on YouTube: https://www.youtube.com/watch?v=RYKs4kjEm2o
$10.99 ≈
$15.12
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