Partitions Numériques de Largo pour Ensemble de Bassons

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Largo
Non classifié 473

Piano & claviers
Piano seul 358
Piano Facile 78
Piano, Voix 51
Orgue 50
Piano Trio: piano, violon, violoncelle 15

1 Piano, 4 mains 10
Piano Quintette: piano, 2 violons, alto, violoncelle 9
Piano, Voix et Guitare 6
Piano Quatuor: piano, violon, alto, violoncelle 5
Instruments en Do 4
Piano grosses notes 3
Accompagnement Piano 3
2 Pianos, 4 mains 2
Orgue, Trompette (duo) 2
Clavecin 1
Orgue, Piano (duo) 1
1 Piano, 6 mains 1
Piano Quatuor: piano, 2 violons, violoncelle 1

+ 13 instrumentations

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Guitares
Guitare 38
Guitare notes et tablatures 28
2 Guitares (duo) 13
Ligne De Mélodie, (Paroles) et Accords 6
Ukulele 3

Basse electrique 2
3 Guitares (trio) 2
Paroles et Accords 1
Ensemble de guitares 1
4 Guitares (Quatuor) 1
Orchestre à Plectres 1
2 Ukuleles 1

+ 7 instrumentations

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Voix
Chorale SATB 22
Chorale 3 parties 13
Chorale 2 parties 6
Voix Soprano, Piano 5
Chorale TTBB 4

Chorale SSAA 4
Voix duo, Piano 4
Voix seule 3
Voix haute, Piano 2
Voix moyenne, Piano 2
Voix Baryton, Piano 2
Chorale Unison 2
Voix duo 1
Voix Alto, Piano 1

+ 9 instrumentations

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Vents
Flûte traversière et Piano 81
Flûte traversière 74
2 Saxophones (duo) 59
Clarinette et Piano 57
2 Flûtes traversières (duo) 53

2 Clarinettes (duo) 43
Saxophone Alto et Piano 42
Clarinette 41
Hautbois, Piano (duo) 40
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 40
Quatuor de Saxophones: 4 saxophones 37
Flûte, Hautbois, Clarinette, Basson 32
Saxophone Tenor et Piano 26
Saxophone Soprano et Piano 25
2 Hautbois (duo) 24
Saxophone (partie séparée) 23
Quatuor de Clarinettes: 4 clarinettes 22
Quintette de Saxophone: 5 saxophones 20
Saxophone Baryton, Piano 16
Clarinette (partie séparée) 15
Flûte à Bec 13
Flûte et Guitare 13
Clarinette Basse, Piano 11
Flûte, Clarinette (duo) 11
Quatuor de Flûtes : 4 flûtes 11
Hautbois (partie séparée) 10
Cor anglais, Piano 10
Quatuor de Flûtes à bec 9
Saxophone Alto 9
Quintette de Clarinettes: 5 clarinettes 8
2 Flûte à bec (duo) 7
2 Cors Anglais Et Pianoforte 7
Clarinette, Guitare (duo) 6
Ensemble de Flûtes 6
Flûte à bec Alto, Basse continue 5
Ensemble de Clarinettes 5
Flute (partie séparée) 5
3 Clarinettes (trio) 4
Saxophone Tenor 4
5 Flûtes à bec 4
Quintette de Flûte : 5 flûtes 4
Flûte à bec, Guitare (duo) 3
Hautbois 3
Flûte, Hautbois, Clarinette (trio) 3
Flûte, Violoncelle, Piano (trio) 3
Ensemble de saxophones 3
Flûte à bec Alto, Piano 2
Flûte à bec Soprano 2
Ensemble De Flûte à bec 2
Flûte, Violon, Piano 2
Flûte à Bec, Piano 2
Saxophone et Guitare 2
Flûte, Violoncelle 2
Flûte à bec Tenor 2
Saxophone 2
Flûte, Clarinette et Basson 2
2 Saxophones, Piano 2
Hautbois, Clarinette (duo) 2
Clarinette, Basson (duo) 2
Hautbois, Basson (duo) 2
Flûte à bec Soprano, Piano 2
Clarinette, Violon (duo) 2
Flûte, Trombone (duo) 1
2 Flûtes traversières, Piano 1
Flûte et Trio à cordes 1
Clarinette, Violoncelle (duo) 1
Instruments en Mib 1
Flûte, Violoncelle, Guitare 1
Quintette de Clarinette: Clarinette, Quatuor à Cordes 1
Trio de Flûtes: 3 flûtes 1
Flûte, Hautbois, Basson 1
Ensemble de Hautbois 1
Piccolo, Piano 1
Flûte, Violon 1
3 Flûtes à bec (trio) 1
Clarinette et Alto 1
3 Saxophones (trio) 1

+ 72 instrumentations

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Cuivres
Trompette, Piano 43
Cor et Piano 33
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 31
Trombone et Piano 28
Trompette 27

Trombone 20
Euphonium, Piano (duo) 20
2 Cors (duo) 19
Quatuor de Cuivres : 2 trompettes, trombone, tuba 17
2 Trompettes (duo) 16
2 Trombones (duo) 15
Trompette (partie séparée) 14
Trombone (partie séparée) 11
Tuba et Piano 11
Quatuor de Cuivres: 2 trompettes, Cor, trombone 11
2 Euphoniums (duo) 11
Cor anglais, Piano 10
Cor 9
Quatuor de Cuivres 8
Tuba (partie séparée) 7
Trompette, Trombone (duo) 7
2 Cors Anglais Et Pianoforte 7
Quatuor de cuivres: 4 cors 6
Cor (partie séparée) 6
2 Tubas (duo) 5
Quatuor de cuivres: 4 trombones 4
Ensemble de Trombones 4
Ensemble de Trompettes 3
Tuba 3
Trompette, Cor (duo) 3
Tuba et Orgue 2
3 Trompettes (trio) 2
2 Euphoniums et 2 Tubas 2
Euphonium, Tuba (duo) 2
Trio de Cuivres 2
Instruments en Fa 1
Quatuor de cuivres: 2 trompettes, 2 trombones 1
Euphonium 1
Trompette, Trombone, Piano 1
Cor, Tuba (duo) 1
4 Tubas 1
Trompette, Euphonium (duo) 1
Bass Clef Instruments 1
Euphonium Ou Saxhorn Et Piano 1
Trombone basse et Piano 1
Trombone, Orgue 1
Trompette et Guitare 1

+ 42 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 137
Violon et Piano 110
Violon 106
Violoncelle, Piano 79
Alto, Piano 54

Violoncelle 41
Alto seul 38
2 Violoncelles (duo) 27
2 Violons (duo) 26
2 Altos (duo) 18
Violon, Violoncelle (duo) 17
Trio à Cordes: violon, alto, violoncelle 16
Violoncelle (partie séparée) 15
Violon (partie séparée) 13
Violoncelle , Guitare (duo) 13
Violon, Guitare (duo) 13
Harpe 12
4 Violoncelles 11
Violon, Alto (duo) 11
Quintette à cordes: 2 violons, alto, violoncelle, basse 10
Contre Basse 8
Contrebasse, Piano (duo) 8
2 Contrebasses (duo) 8
Trio à Cordes: 2 violons, violoncelle 7
Alto, Guitare (duo) 5
Alto (partie séparée) 5
Piano Trio: Violon, Alto, Piano 4
Violon, Basse continue 4
Contrebasse (partie séparée) 4
Trio à cordes 3
Quatuor à cordes: 4 violons 3
Trio à cordes: 3 violins 2
Violoncelle, Contrebasse (duo) 2
Ensemble de Violons 2
Trio à Cordes: 3 violoncelles 2
Harpe, Violon, Violoncelle 2
2 Violoncelles, Piano 2
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Alto, Violoncelle (duo) 1
Violoncelle, Orchestre 1
Quatuor à cordes : 4 altos 1
2 Violons, Piano 1
Harpe, Flûte (duo) 1

+ 38 instrumentations

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Percussions & orchestre
Orchestre à Cordes 56
Orchestre 54
Orchestre d'harmonie 46
Orchestre de chambre 40
Ensemble de cuivres 18

Cloches 13
Timbales (partie séparée) 4
Percussion (partie séparée) 3
Instrumentation Flexible 2
Percussion 2
Fanfare 2
Ensemble Jazz 1
Ensemble de Percussions 1

+ 8 instrumentations

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Largo

Ensemble de Bassons

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Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)

Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet) #Ensemble de Bassons #INTERMÉDIAIRE #Classique #Musique Sacrée #Antonin Dvorak #Regis Bookshar #Largo #Regis Bookshar #SheetMusicPlus

Woodwind Ensemble Bassoon - Level 3 - SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards...(+)

Woodwind Ensemble Bassoon - Level 3 - SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:â€ƒâ€ƒâ€ƒâ€ƒI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:â€ƒâ€ƒI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.

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