Partitions Numériques de High School Musical 3 pour Quatuor de Flûtes : 4 flûtes

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High School Musical 3
Non classifié 191

Piano & claviers
Piano seul 211
Piano, Voix et Guitare 79
Piano Facile 44
Instruments en Do 10
1 Piano, 4 mains 10

Piano, Voix 9
Orgue 1

+ 2 instrumentations

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Guitares
Guitare notes et tablatures 49
Ligne De Mélodie, (Paroles) et Accords 16
Ukulele 4
Basse électrique (partie séparée) 3
Guitare 2

Ensemble de guitares 1
2 Guitares (duo) 1

+ 2 instrumentations

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Voix
Chorale 3 parties 75
Chorale SATB 66
Chorale 2 parties 16
Chorale TTBB 8
Chorale SSAA 6

Chorale 5
Voix Soprano, Piano 5
Chorale Unison 4
Voix moyenne, Piano 1
Voix duo, Piano 1
Voix Tenor 1

+ 6 instrumentations

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Vents
Saxophone (partie séparée) 24
Clarinette (partie séparée) 24
Quintette de Saxophone: 5 saxophones 14
Flûte traversière et Piano 12
Flûte traversière 9

Flute (partie séparée) 9
Flûte, Hautbois, Clarinette, Basson 8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 8
Clarinette 8
Saxophone Tenor et Piano 7
Saxophone Soprano et Piano 6
Saxophone Baryton, Piano 6
Ensemble de saxophones 6
Cor anglais, Piano 5
Saxophone Alto et Piano 5
Hautbois 4
Hautbois, Piano (duo) 4
Clarinette Basse, Piano 4
Clarinette et Piano 4
Quatuor de Saxophones: 4 saxophones 4
Trio de Flûtes: 3 flûtes 4
Quintette de Flûte : 5 flûtes 3
Quatuor de Clarinettes: 4 clarinettes 3
3 Saxophones (trio) 3
Saxophone Tenor 2
Saxophone Alto 2
Ensemble de Flûtes 2
2 Flûtes traversières (duo) 1
Piccolo, Piano 1
3 Clarinettes (trio) 1
Quintette de Clarinettes: 5 clarinettes 1
Clarinette Basse 1
Ensemble de Clarinettes 1
Quatuor de Flûtes : 4 flûtes 1

2 Saxophones (duo) 1
Hautbois (partie séparée) 1

+ 31 instrumentations

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Cuivres
Trompette (partie séparée) 30
Trombone (partie séparée) 23
Quatuor de Cuivres : 2 trompettes, trombone, tuba 13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 12
Euphonium, Piano (duo) 6

Cor 6
Cor anglais, Piano 5
Cor et Piano 5
Tuba (partie séparée) 5
Trombone et Piano 5
Trompette 5
Quatuor de Cuivres: 2 trompettes, Cor, trombone 5
Cor (partie séparée) 4
Ensemble de Trompettes 3
Tuba ou Euphonium ou Saxhorn 3
Ensemble de Trombones 3
Trompette, Piano 2
2 Trombones (duo) 1
Tuba 1
Tuba et Piano 1
2 Cors (duo) 1
Quatuor de cuivres: 4 trombones 1

+ 17 instrumentations

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Cordes
Violon (partie séparée) 12
Quatuor à cordes: 2 violons, alto, violoncelle 10
Violon et Piano 8
Alto, Piano 7
Violoncelle, Piano 5

Alto seul 4
Quintette à cordes: 2 violons, alto, violoncelle, basse 4
Contrebasse (partie séparée) 4
Violoncelle (partie séparée) 3
Ensemble de Violons 3
Violon 2
2 Violons (duo) 2
4 Violoncelles 1
Contre Basse 1
Violoncelle 1
Ensemble d'Altos 1
Violon, Violoncelle (duo) 1

+ 12 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 63
Ensemble Jazz 28
Orchestre à Cordes 14
Orchestre 12
Percussion 11

Fanfare 10
Percussion (partie séparée) 9
Jazz combo 9
Batterie 4
Ensemble de cuivres 3
Cloches 3
Timbales 2
Xylophone 1
Ensemble d'École 1

+ 9 instrumentations

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Formation musicale - Solfège 2

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High School Musical 3

Quatuor de Flûtes : 4 flûtes

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Solage: Le basile for Flute Quartet

Solage: Le basile for Flute Quartet #Quatuor de Flûtes : 4 flûtes #FACILE #Solage #James M #Solage: Le basile for Flute Qu #jmsgu3 #SheetMusicPlus

Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Earl...(+)

Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.Â Â The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherchÃ© one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â

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