Partitions Numériques de Roy L pour Violoncelle

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Roy L
Non classifié 31

Piano & claviers
Piano seul 57
Piano, Voix 5
Piano, Voix et Guitare 4
Piano Facile 2
1 Piano, 4 mains 1

Piano Trio: piano, violon, violoncelle 1
Orgue 1
Accompagnement Piano 1

+ 3 instrumentations

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Guitares
Guitare notes et tablatures 12
Guitare (partie séparée) 2
Basse electrique 1
Paroles et Accords 1
Banjo 1

Orchestre à Plectres 1
Mandoline 1

+ 2 instrumentations

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Voix
Chorale SATB 15
Chorale 8
Voix seule 6
Chorale 3 parties 3
Voix basse, Piano 2

Voix duo 1
Voix duo, Piano 1
Chorale SSAA 1
Chorale Unison 1

+ 4 instrumentations

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Vents
Saxophone 60
Flûte traversière 22
Clarinette 21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 9
Saxophone (partie séparée) 7

Quatuor de Saxophones: 4 saxophones 4
Saxophone Alto et Piano 4
Flûte traversière et Piano 3
Saxophone Alto 3
Flûte, Hautbois, Clarinette, Basson 3
Ensemble de Clarinettes 3
2 Flûtes traversières (duo) 2
Hautbois, Piano (duo) 2
Clarinette et Piano 2
Ensemble de Flûtes 2
Quatuor de Clarinettes: 4 clarinettes 2
2 Saxophones (duo) 2
Trio de Flûtes: 3 flûtes 2
Saxophone Tenor 2
Flûte, Clarinette (duo) 1
Saxophone Baryton, Piano 1
Flûte, Hautbois, Clarinette (trio) 1
Quintette de Saxophone: 5 saxophones 1
Saxophone et Guitare 1
2 Hautbois (duo) 1
Quatuor de Flûtes : 4 flûtes 1
Ensemble de saxophones 1
Saxophone Soprano et Piano 1
Quintette de Clarinettes: 5 clarinettes 1
2 Clarinettes (duo) 1
Flute (partie séparée) 1
Saxophone Tenor et Piano 1

+ 27 instrumentations

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Cuivres
Trompette 21
Trombone 20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 6
Trombone (partie séparée) 4
Quatuor de cuivres: 4 cors 3

Trompette (partie séparée) 2
Trompette, Piano 1
Cor (partie séparée) 1
Tuba (partie séparée) 1
Ensemble de Trompettes 1
2 Trombones (duo) 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
2 Euphoniums (duo) 1
2 Cors (duo) 1
2 Trompettes (duo) 1

+ 10 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 9
Violon et Piano 7
Alto, Piano 6
Harpe 4
Violoncelle, Piano 3

Violoncelle 3

Violon 3
Alto seul 1
Contrebasse (partie séparée) 1
Violon, Basse continue 1
2 Violoncelles (duo) 1

+ 6 instrumentations

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Percussions & orchestre
Batterie 11
Orchestre d'harmonie 4
Ensemble de cuivres 2
Orchestre de chambre 2
Cloches 1

Orchestre à Cordes 1
Ensemble Jazz 1
Batterie (partie séparée) 1
Orchestre 1
Jazz combo 1

+ 5 instrumentations

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Roy L

Violoncelle

Partitions à imprimer

3 partitions trouvées

Camille Saint Saens : Carnaval des Animaux - Marche royale du lion #Violoncelle #FACILE #Classique #Camille Saint Saens #Carnaval des Animaux #Tomplay

Telechargez la partition Violoncelle Carnaval des Animaux - Marche royale du lion de Saint-Saëns. Partition pour Violoncelle avec piano d‘accompa...(+)

Telechargez la partition Violoncelle Carnaval des Animaux - Marche royale du lion de Saint-Saëns. Partition pour Violoncelle avec piano d‘accompagnement -- Classique

2.99€

Quartier Libre (Leave from Barracks) for 2 cellos (mp3)

Quartier Libre (Leave from Barracks) for 2 cellos (mp3) #Violoncelle #Ã–lveti MÃ¡tyÃ¡s and M� #Quartier Libre #David Warin Solomons #SheetMusicPlus

Cello - SKU: A0.1103849 By Ã–lveti MÃ¡tyÃ¡s and MÃ¡dy-SzabÃ³ Eszter. By Davied Warin Solomons. Chamber,Contemporary. Full Performance. Durati...(+)

Cello - SKU: A0.1103849 By Ã–lveti MÃ¡tyÃ¡s and MÃ¡dy-SzabÃ³ Eszter. By Davied Warin Solomons. Chamber,Contemporary. Full Performance. Duration 119. David Warin Solomons #707131. Published by David Warin Solomons (A0.1103849). This is based on my vocal duo on the poem by Jacques PrÃ©vert. It relates how the soldier took leave, left his army cap in the cage and went out with the bird (of freedom) on his head. J'ai mis le kÃ©pi dans la cage Et je suis sorti avec l'oiseau sur la tÃªte Alors, on ne salue plus? a demandÃ© le commandant Non, non ne salue plus a rÃ©pondu l'oiseau Ah bon, excusez moi Je croyais qu'on saluait A dit le commandant Vous Ãªtes tout excusÃ©, car tout le monde peut se tromper a dit l'oiseau. [literal translation] I put my army cap in the cage and went out with the bird on my head Now then, don't we salute any more? asked the commander. No we don't salute any more replied the bird. Oh, OK, pardon me, I thought we saluted. said the commander. You are quite forgiven, because anyone can make a mistake. said the bird. Performed by Ã–lveti MÃ¡tyÃ¡s and MÃ¡dy-SzabÃ³ Eszter of Budapest Scoring Cellos.

$5.00 ≈ 4.61€

Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello

Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello #Violoncelle #AVANCÉ #Classique #Jean Daniel Braun #Adam Riggs #Jean Daniel Braun: 5 Unaccompa #AR Publications #SheetMusicPlus

Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 pages. AR Publications #4595589. Published by AR Publications...(+)

Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 pages. AR Publications #4595589. Published by AR Publications
Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Fr�d�ric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a fl�te traversi�re et basse suivie de differentes pi�ces sans basse[1]it is thought that Jean Fr�d�ric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother?s name.[2]

These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.

There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello.

[1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011
[2]Jean Daniel Braun, Sonata a fl�te trabersi�re et basse suivie de differentes pi�ces sans basse. Paris 1740

Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas

Archivum Musicum: L?Art de la fl�te traversi�reVol. 23 Florence: Studio Per Edizioni Scelte, 1982

$25.00 ≈ 23.06€

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