Partitions Numériques de The Composer's Own Press pour Piano Quatuor: piano, violon, alto, violoncelle

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The Composer's Own Press
Non classifié 417

Piano & claviers
Piano seul 301
Piano Facile 77
Piano, Voix 27
Piano, Voix et Guitare 26
Instruments en Do 19

Orgue 17
Piano Trio: piano, violon, violoncelle 6
1 Piano, 4 mains 5
2 Pianos, 4 mains 4
Piano Quatuor: piano, violon, alto, violoncelle 2

Piano Quintette: piano, 2 violons, alto, violoncelle 2
Clavecin 2

+ 7 instrumentations

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Guitares
Guitare 22
Guitare notes et tablatures 6
Ligne De Mélodie, (Paroles) et Accords 2
Ukulele 1

Voix
Chorale SATB 173
Chorale 3 parties 26
Chorale Unison 20
Chorale SSAA 18
Chorale 2 parties 14

Voix Alto, Piano 10
Chorale TTBB 8
Voix haute 7
Chorale SSAATTBB 3
Voix Soprano 3
Voix basse, Piano 2
Voix duo 2
Voix Baryton, Piano 2
Voix Soprano, Piano 2
Voix moyenne, Piano 1
Voix seule 1
Voix Tenor, Piano 1
Chorale SATBB 1

+ 13 instrumentations

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Vents
2 Flûtes traversières (duo) 93
Quatuor de Saxophones: 4 saxophones 41
Flûte traversière et Piano 39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 36
Clarinette et Piano 33

2 Saxophones (duo) 23
Hautbois, Piano (duo) 19
Clarinette 17
Hautbois (partie séparée) 14
2 Clarinettes (duo) 13
Saxophone Alto et Piano 13
Flûte, Hautbois, Clarinette, Basson 12
Flûte traversière 11
Quintette de Saxophone: 5 saxophones 10
Quatuor de Clarinettes: 4 clarinettes 10
Saxophone Soprano et Piano 10
Saxophone Tenor et Piano 9
Ensemble de Clarinettes 9
Saxophone Baryton, Piano 8
Quatuor de Flûtes : 4 flûtes 7
Clarinette Basse, Piano 5
Quintette de Clarinettes: 5 clarinettes 4
Ensemble de Flûtes 4
3 Saxophones (trio) 4
3 Clarinettes (trio) 4
Trio de Flûtes: 3 flûtes 4
Hautbois, Basson (duo) 3
Flûte, Violoncelle 3
2 Hautbois (duo) 2
Saxophone (partie séparée) 2
Clarinette et Alto 2
Flûte, Clarinette (duo) 2
Saxophone Alto 2
Clarinette, Violoncelle (duo) 2
Flûte et Guitare 2
Hautbois, Violoncelle 2
Clarinette, Trompette (duo) 2
Ensemble de saxophones 2
Cor anglais, Piano 2
Clarinette, Violon (duo) 2
Flûte, Violon 2
Saxophone, Clarinette (duo) 1
Hautbois 1
Flûte, Alto (duo) 1
Flûte, Saxophone (duo) 1
Cor anglais et Harpe (duo) 1
Clarinette, Basson (duo) 1
Clarinette, Guitare (duo) 1
Flûte, Violon, Violoncelle et Piano 1
Quintette de Flûte : 5 flûtes 1
Hautbois, Flûte 1
Flûte, Clarinette, Piano (trio) 1
2 Cors Anglais Et Pianoforte 1
Saxophone Tenor 1
Flûte, Trompette (duo) 1
Hautbois, Clarinette (duo) 1
Saxophone et Piano 1

+ 52 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 61
Ensemble de Trompettes 25
Trombone et Piano 17
Cor et Piano 15
Trompette 13

Trompette, Piano 6
Quatuor de Cuivres 6
Euphonium, Piano (duo) 6
2 Cors (duo) 6
Tuba et Piano 5
Ensemble de Cors 4
2 Trombones (duo) 4
Quatuor de Cuivres : 2 trompettes, trombone, tuba 4
2 Trompettes (duo) 4
Ensemble de Trombones 3
Quatuor de cuivres: 4 trombones 3
Cor 2
2 Tubas (duo) 2
Trombone 2
Trompette, Saxophone (duo) 2
Cor anglais, Piano 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
2 Euphoniums (duo) 2
Clarinette, Cor (duo) 1
Tuba 1
Cor anglais et Harpe (duo) 1
Trompette, Basson (duo) 1
Trombone et orchestre 1
Trombone basse et Piano 1
2 Euphoniums et 2 Tubas 1
3 Trombones (trio) 1
2 Cors Anglais Et Pianoforte 1
Trompette, Trombone (duo) 1
Quatuor de cuivres: 4 cors 1
Trompette (partie séparée) 1

+ 30 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 156
Violon et Piano 48
Violoncelle, Piano 24
Trio à Cordes: violon, alto, violoncelle 23
Alto, Piano 17

2 Violons (duo) 12
Violon 11
Violoncelle 7
Violon, Violoncelle (duo) 7
4 Violoncelles 6
Quintette à cordes: 2 violons, alto, violoncelle, basse 5
Harpe 5
2 Violoncelles (duo) 5
Harpe, Flûte (duo) 3
Trio à Cordes: 2 violons, violoncelle 3
2 Contrebasses (duo) 2
Piano Trio: Violon, Alto, Piano 2
Quatuor à cordes: 4 violons 2
Violon, Alto (duo) 2
Alto, Guitare (duo) 1
Quatuor à cordes : 4 altos 1
Contrebasse, Piano (duo) 1
Alto seul 1
Violoncelle , Guitare (duo) 1
Alto, Violoncelle (duo) 1
Violon, Clarinette, Piano (trio) 1
Violon (partie séparée) 1
Alto (partie séparée) 1
Harpe, Violoncelle (duo) 1
Trio à Cordes: 3 violoncelles 1

+ 25 instrumentations

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Percussions & orchestre
Orchestre à Cordes 62
Ensemble de cuivres 38
Orchestre 36
Orchestre d'harmonie 26
Orchestre de chambre 22

Ensemble Jazz 6
Cloches 4
Ensemble de Percussions 4
Vibraphone 4
Marimba 3
Jazz combo 3
Batterie 2
2 Marimbas 1
Batterie (partie séparée) 1
Xylophone 1
Piano et Orchestre 1

+ 11 instrumentations

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The Composer's Own Press

Piano Quatuor: piano, violon, alto, violoncelle

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2 partitions trouvées

Fauré: Sicilienne for Piano Quartet

Fauré: Sicilienne for Piano Quartet #Piano Quatuor: piano, violon, alto, violoncelle #INTERMÉDIAIRE/AVANCÉ #Classique #Gabriel Faure #James M #Fauré: Sicilienne for P #jmsgu3 #SheetMusicPlus

Piano Quartet - Level 4 - SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 2...(+)

Piano Quartet - Level 4 - SKU: A0.549058 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Holiday,Instructional,Standards. 21 pages. Jmsgu3 #3449745. Published by jmsgu3 (A0.549058). Gabriel FaurÃ©: Sicilienne Op. 78. Nice recital encore piece. It is very moody with a light touch of impressionism and poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity. Significant Aspects of Faure's Sicilienne Gabriel FaurÃ©'s Sicilienne, Op. 78 is significant due to its history, influence, and musical characteristics. Historical Significance The piece was initially composed in 1893 as part of incidental music for a theatrical production that was later abandoned. FaurÃ© reused the Sicilienne in 1898 when he wrote incidental music for the English translation of Maeterlinck's play PellÃ©as et MÃ©lisande. This piece was later extracted and formed into an orchestral suite for concerts, known as the PellÃ©as et MÃ©lisande Suite, Op. 80. Influence and Popularity FaurÃ©'s harmonic richness and melodic innovations in the Sicilienne influenced other composers. The Sicilienne is the most famous piece from the PellÃ©as et MÃ©lisande Suite and is frequently played by significant orchestras today. Musical Characteristics The piece is known for its conversational style for both cello and piano, and it exhibits chromatic movement to evoke a Renaissance aesthetic with the Sicilienne dance. It is also more complex than the typical song in terms of chords and melody, with above-average scores in chord and melodic complexity. In conclusion, Faure's Sicilienne is significant due to its historical background, influence on other composers, and unique musical characteristics. Dance and Fabric The term Sicilienne is derived from the French word Sicilienne, which means Sicilian. It is associated with a dance called the Siciliana and a kind of rich poplin fabric. Musical Style Sicilienne refers to a musical style or genre often included as a movement within more significant pieces of music, starting in the Baroque period. It is associated with a pastoral mood and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale.

$43.95 ≈ 39.36€

Pachelbel: Canon in D for Piano Quartet

Pachelbel: Canon in D for Piano Quartet #Piano Quatuor: piano, violon, alto, violoncelle #INTERMÉDIAIRE #Classique #Johann Pachelbel #James M #Pachelbel: Canon in D for Pian #jmsgu3 #SheetMusicPlus

Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...(+)

Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-FranÃ§ois Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 â€“1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.

$46.95 ≈ 42.05€

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