Partitions Numériques de PIANO Early 20th century pour Piano Quatuor: piano, violon, alto, violoncelle

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PIANO Early 20th century
Non classifié 170

Piano & claviers
Piano seul 720
Piano Facile 241
Piano, Voix et Guitare 35
Piano, Voix 30
1 Piano, 4 mains 24

Piano Trio: piano, violon, violoncelle 13
Accompagnement Piano 5
Orgue 4
2 Pianos, 4 mains 4
2 Pianos, 8 mains 2
Piano Quintette: piano, 2 violons, alto, violoncelle 2
1 Piano, 6 mains 2
Piano Quatuor: piano, 2 violons, violoncelle 2
Piano Quintette: piano, violon, alto, violoncelle, contre basse 2
Clavecin 1
Piano Quatuor: piano, violon, alto, violoncelle 1

Instruments en Do 1

+ 12 instrumentations

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Guitares
Guitare notes et tablatures 7
Piano, Guitare (duo) 5
Guitare 3
Ligne De Mélodie, (Paroles) et Accords 2
Mandoline, Piano (duo) 1

Ukulele 1

+ 1 instrumentations

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Voix
Chorale SATB 26
Chorale 3 parties 17
Chorale 5
Chorale 2 parties 5
Voix duo, Piano 4

Chorale SSAA 3
Chorale TTBB 3
Voix Tenor 2
Voix duo 2
Voix Soprano, Piano 2
Chorale Unison 1
Voix haute 1
Voix Alto, Piano 1

+ 8 instrumentations

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Vents
Flûte traversière et Piano 52
Clarinette et Piano 44
Saxophone Alto et Piano 33
Hautbois, Piano (duo) 33
2 Flûtes traversières, Piano 27

Saxophone Soprano et Piano 21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 16
Saxophone Tenor et Piano 12
Clarinette 10
Saxophone Baryton, Piano 8
Clarinette Basse, Piano 6
2 Saxophones (duo) 6
Flûte, Clarinette, Piano (trio) 5
2 Clarinettes (duo) 5
Quatuor de Saxophones: 4 saxophones 4
2 Flûtes traversières (duo) 4
Flûte, Violon, Piano 4
2 Hautbois (duo) 3
Cor anglais, Piano 3
Quatuor de Flûtes : 4 flûtes 2
Quintette de Saxophone: 5 saxophones 2
3 Clarinettes (trio) 1
Quatuor de Clarinettes: 4 clarinettes 1
Ensemble de saxophones 1
Flûte, Hautbois, Clarinette, Basson 1
3 Saxophones (trio) 1
Flûte, Clarinette (duo) 1
Flûte traversière 1
Flûte, Violon, Violoncelle et Piano 1
Ensemble de Clarinettes 1
Ensemble à vent 1

+ 26 instrumentations

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Cuivres
Trombone et Piano 25
Trompette, Piano 17
Euphonium, Piano (duo) 14
Cor et Piano 13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 11

Tuba et Piano 6
Trompette 6
2 Cors (duo) 4
2 Trombones (duo) 3
Cor anglais, Piano 3
2 Euphoniums (duo) 2
2 Trompettes (duo) 2
Trio de Cuivres 2
Cor et Harpe 1
Quatuor de cuivres: 4 trombones 1
2 Tubas (duo) 1

+ 11 instrumentations

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Cordes
Violon et Piano 88
Alto, Piano 40
Violoncelle, Piano 37
Quatuor à cordes: 2 violons, alto, violoncelle 10
Trio à Cordes: violon, alto, violoncelle 6

Violon, Guitare (duo) 4
Contrebasse, Piano (duo) 3
Violon 2
Violon (partie séparée) 2
Quintette à cordes: 2 violons, alto, violoncelle, basse 2
Harpe 2
Violoncelle (partie séparée) 1
2 Violons (duo) 1
Alto et Harpe 1
2 Violoncelles (duo) 1
Trio à Cordes: 2 violons, violoncelle 1
Violon, Alto (duo) 1
Violoncelle 1
Alto (partie séparée) 1
Violon, Clarinette, Piano (trio) 1
4 Violoncelles 1
Harpe, Violon (duo) 1
Harpe, Flûte (duo) 1

+ 18 instrumentations

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Percussions & orchestre
Orchestre à Cordes 11
Orchestre 9
Orchestre d'harmonie 8
Orchestre de chambre 6
Ensemble de cuivres 2

Ensemble de Percussions 2
Jazz combo 1
Piano et Orchestre 1
Marimba, Piano (duo) 1

+ 4 instrumentations

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PIANO Early 20th century

Piano Quatuor: piano, violon, alto, violoncelle

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Fauré: Élégie Op. 24 for Piano Quartet

Fauré: Élégie Op. 24 for Piano Quartet #Piano Quatuor: piano, violon, alto, violoncelle #INTERMÉDIAIRE/AVANCÉ #Classique #Gabriel Faure #James M #Fauré: Élé #jmsgu3 #SheetMusicPlus

Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stan...(+)

Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. FaurÃ© Background: In the first place, Gabriel FaurÃ© 1845 â€“1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs AprÃ¨s un rÃªve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: FaurÃ© was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that FaurÃ© studied music composition with the French musical mastermind Camille Saint-SaÃ«ns, who became his lifelong friend. FaurÃ© eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Ã‰glise de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: FaurÃ© was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, FaurÃ©'s music was slow to become accepted, except, of course, in England. Legacy: Historians often describe FaurÃ©'s music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when FaurÃ© was born, Chopin was still composing. However, by FaurÃ©'s death, jazz and atonal music had mainly come to fruition. FaurÃ©, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.

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