Partitions Numériques de Traditional Patterns pour Orchestre de chambre

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Traditional Patterns
Non classifié 81

Piano & claviers
Piano Facile 204
Piano seul 53
Piano, Voix 5
1 Piano, 4 mains 3
Piano, Voix et Guitare 2

Orgue 1
1 Piano, 6 mains 1
Piano Trio: piano, violon, violoncelle 1

+ 3 instrumentations

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Guitares
Guitare notes et tablatures 29
Guitare 7

Voix
Chorale Unison 4
Chorale SATB 3
Chorale 3 parties 3
Chorale 2 parties 1
Chorale TTBB 1

Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Hautbois, Violoncelle 1
Flûte et Guitare 1
Hautbois, Basson (duo) 1
3 Saxophones (trio) 1

Flûte, Hautbois, Clarinette, Basson 1
Flûte traversière 1

+ 2 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
Trompette 2
2 Trompettes (duo) 1

Cordes
Violon et Piano 36
Harpe 13
2 Harpes (duo) 5
Violon 5
Quatuor à cordes: 2 violons, alto, violoncelle 3

Violoncelle 3
Harpe, Violon (duo) 2
Contre Basse 2
2 Violoncelles (duo) 2
Violon, Guitare (duo) 1
Alto seul 1
Trio à Cordes: violon, alto, violoncelle 1

+ 7 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 21
Orchestre à Cordes 6
Cloches 5
Ensemble Jazz 4
Orchestre de chambre 2

Batterie 2
Ensemble de cuivres 1
Orchestre 1
Piano et Orchestre 1

+ 4 instrumentations

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Traditional Patterns

Orchestre de chambre

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2 partitions trouvées

"On the beaches of Tijuana"

"On the beaches of Tijuana" #Orchestre de chambre #INTERMÉDIAIRE/AVANCÉ #Luis Carlos Diaz #Luis Carlos Diaz #}p { margin-bottom: 0.1in #"On the beaches of Tijuan #azdi #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and p...(+)

Chamber Orchestra - Level 4 - SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Azdi #5983045. Published by azdi (A0.1029901). On the beaches of Tijuana August 2018 It is a sound work for chamber orchestral ensemble based on the traditional and anonymous Son IstmeÃ±o La Llorona. Developed under a minimalist aesthetic influenced by ambient and experimental music. It fuses the themes of the traditional son with melodic and rhythmic motifs of popular Mexican rock songs also inspired by this traditional rhythm: La muerte chiquita by CafÃ© Tacuba and Llorona by Caifanes. It is structured similar to the format of a rock song. Start with a long base note or drone. Introduction (intro) about a descending harmony in the key of La Menor. A melody as a verse and a different melody as choir. Both melodies are presented and performed by different instruments with variations and different combinations of accompaniment and instrumentation. Variations of the thematic patterns and the Â¨introÂ¨. A rhythmic-melodic experiment towards the end on the same descending harmonic progression as the solo part in a rock song. It ends with a fading orchestral atmosphere (outro). All oriented towards a minimalist style setting focused on melodic lines and emotional expressiveness. For a chamber orchestra. Ideally a string septet consisting of: 2 violins. 2 violas. 2 cellos. 1 double bass. Breaths: 1 trombone. 1 trumpet. 1 transverse flute. 1 Picollo flute. 1 Clarinet. 1 Oboe. Percussion of a determined note. It can be a vibraphone. Xylophone (preferably) or marimba. If it is not possible to use this type of instrument, that part is played an octave up on a piano. The number of instruments can be increased for each of the parts if needed and be convenient for the chamber orchestra in question. The Tempo can vary between 95 and 115 bpm. The work is designed so that it can be performed mainly by youth and children's orchestras. Dedicated to Tijuana beaches. pre.cjk { font-family: WenQuanYi Micro Hei Mono, monospace; }p { margin-bottom: 0.1in; line-height: 115%; }

$22.00

Concertino - for clarinet, mandolin and symphony orchestra

Concertino - for clarinet, mandolin and symphony orchestra #Orchestre de chambre #Klezmer #Ofer Ben-Amots #Concertino - for clarinet, man #The Composer's Own Press #SheetMusicPlus

Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029....(+)

Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud â€“ a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com

$54.00

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