Partitions Numériques de Charles Wood pour Orchestre de chambre

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Charles Wood
Non classifié 170

Piano & claviers
Piano seul 30
Piano, Voix et Guitare 29
Piano, Voix 15
Piano Facile 14
Instruments en Do 4

Orgue 1
Orgue, Piano (duo) 1
Piano grosses notes 1

+ 3 instrumentations

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Guitares
Guitare notes et tablatures 3
Guitare 3
Ukulele 1
4 Guitares (Quatuor) 1
Banjo 1

Ligne De Mélodie, (Paroles) et Accords 1

+ 1 instrumentations

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Voix
Chorale 3 parties 10
Chorale SATB 10
Chorale 2 parties 4
Chorale 3
Chorale SSAA 3

Chorale TTBB 2
Voix Alto, Piano 2

+ 2 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 170
Quatuor de Saxophones: 4 saxophones 120
Quatuor de Clarinettes: 4 clarinettes 83
Flûte, Hautbois, Clarinette, Basson 79
Quintette de Saxophone: 5 saxophones 56

3 Saxophones (trio) 40
Ensemble de Clarinettes 35
Quatuor de Flûtes : 4 flûtes 34
3 Clarinettes (trio) 24
Trio de Flûtes: 3 flûtes 19
Ensemble de saxophones 17
Quintette de Clarinettes: 5 clarinettes 13
Ensemble de Flûtes 13
Flûte, Hautbois, Basson 10
Flûte, Hautbois, Clarinette (trio) 10
Flûte, Clarinette et Basson 7
Flûte, Clarinette (duo) 5
Quintette de Flûte : 5 flûtes 5
Saxophone (partie séparée) 5
Quatuor de Flûtes à bec 4
3 Hautbois 4
Saxophone Alto 4
Hautbois, Clarinette, Basson (trio d'anches) 4
Flûte traversière 4
Hautbois, Piano (duo) 4
Clarinette Basse, Piano 3
Hautbois (partie séparée) 3
Saxophone Baryton, Piano 3
Saxophone 3
Saxophone Tenor et Piano 3
Clarinette (partie séparée) 3
Cor Anglais 2
2 Clarinettes (duo) 2
4 Hautbois 2
2 Clarinettes, Basson 2
2 Flûtes, 2 Clarinettes (Quatuor) 2
Saxophone Alto et Piano 2
2 Flûtes traversières (duo) 2
Flûte, Clarinette, Piano (trio) 2
2 Flûte à bec (duo) 1
Clarinette, Violoncelle (duo) 1
Ensemble à vent 1
Clarinette 1
Saxophone Tenor 1
Clarinette et Piano 1
Clarinette et Alto 1
2 Saxophones (duo) 1
Saxophone Soprano 1
Flûte traversière et Piano 1
Flute (partie séparée) 1
Hautbois, Basson (duo) 1
2 Hautbois (duo) 1
Ocarina 1
2 Flûtes traversières, Piano 1

+ 49 instrumentations

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Cuivres
Trompette, Piano 5
Cor et Piano 5
Trompette 3
Trombone et Piano 3
Tuba et Piano 3

Cor Anglais 2
Trombone (partie séparée) 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2
Quatuor de cuivres: 4 trompettes 1
Trombone 1
Tuba (partie séparée) 1
Euphonium, Piano (duo) 1
2 Cors (duo) 1
Trompette (partie séparée) 1
2 Trombones (duo) 1
Tuba et Orgue 1
Cor (partie séparée) 1
Cor 1

+ 13 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 14
Violon et Piano 7
Violoncelle, Piano 4
Alto, Piano 4
Contrebasse, Piano (duo) 4

Violon, Violoncelle (duo) 2
Violoncelle 2
2 Violoncelles (duo) 2
Quintette à cordes: 2 violons, alto, violoncelle, basse 2
Violon 2
Violon, Alto (duo) 1
Ensemble de Violoncelles 1
Harpe, Flûte (duo) 1
Trio à Cordes: violon, alto, violoncelle 1
Quatuor à cordes: 4 violons 1
4 Violoncelles 1

+ 11 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 15
Orchestre à Cordes 9
Orchestre 6
Ensemble Jazz 6
Batterie 4

Quatuor à Vent : 4 instruments à vents 2
Orchestre de chambre 2

Ensemble de cuivres 2
Jazz combo 2
Percussion (partie séparée) 2
Xylophone 1
Fanfare 1
Vibraphone et Marimba 1
Timbales (partie séparée) 1
Ensemble de Percussions 1
Quintette à Vent 1

+ 11 instrumentations

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Charles Wood

Orchestre de chambre

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2 partitions trouvées

Galadriel's Song of Eldamar, Orchestral Version

Galadriel's Song of Eldamar, Orchestral Version #Orchestre de chambre #DÉBUTANT #Charles McCreery # #Galadriel's Song of Eldamar, O #St Maur Music #SheetMusicPlus

Chamber Orchestra - Level 1 - SKU: A0.1007141 Composed by Charles McCreery. 20th Century,Children,Contemporary. Score and parts. 46 pages. St Maur Music...(+)

Chamber Orchestra - Level 1 - SKU: A0.1007141 Composed by Charles McCreery. 20th Century,Children,Contemporary. Score and parts. 46 pages. St Maur Music #5024433. Published by St Maur Music (A0.1007141). This song is an orchestral version of one of a series of â€˜Fourteen Tolkien Songsâ€™. A comment on the collection by an Oxford piano teacher: â€˜For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved. Dr Julia Gasper, LGSM A general comment on Charles McCreeryâ€™s music by a violinist and composer in the USA: â€˜Charles McCreeryâ€™s beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.â€™ Samantha Gillogly â€˜Galadrielâ€™s Songâ€™ is appropriate for either womenâ€™s or childrenâ€™s voices, and is potentially of interest to anyone who is familiar with the works of J.R.R. Tolkien. The three vocal parts and the individual orchestral parts can all be printed out separately at the end of the full score. The MP3 which plays from this page is of a version of the song which can be heard on the stmaurmusic channel on YouTube (https://www.youtube.com/user/stmaurmusic). On the front cover is a photograph of leaves in Wytham Woods, Oxford, and at the end of the full score is a photograph of the sea off Treyarnon Bay, Cornwall .

$7.75

TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)

TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF) #Orchestre de chambre #AVANCÉ #Classique #Georg Philipp Telemann #Sneakwood Editions #TELEMANN – VIOLIN CONCER #Sneakwood Editions #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...(+)

Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÃœu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in â€˜La Bizarreâ€™ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called â€˜Relingâ€™ in certain regions of Germany, whence the concertoâ€™s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, â€˜a-a, a-aâ€™, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins â€˜forgetâ€™ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemannâ€™s music. If we knew that a satirist was at work in this â€˜Relingeâ€™ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos â€˜smack of Franceâ€™ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all â€˜sullen old heartâ€™ a little joke at the expense of the relevant concertos of a certain Italian composerâ€¦ â€“ Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com

$18.00

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