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DRIVIN
Non classifié 42

Piano & claviers
Piano seul 35
Piano Trio: piano, violon, violoncelle 2
2 Pianos, 4 mains 2
Piano Quatuor: piano, violon, alto, violoncelle 1
1 Piano, 4 mains 1

Guitares
Guitare 2
4 Guitares (Quatuor) 1

Voix
Chorale TTBB 5
Chorale SATB 3
Chorale SSAA 2
Voix Soprano, Piano 1

Vents
Flûte traversière et Piano 3
Saxophone Alto et Piano 3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Quatuor de Flûtes : 4 flûtes 2
Quatuor de Clarinettes: 4 clarinettes 2

Saxophone Soprano et Piano 2
Clarinette et Piano 1
2 Clarinettes, Basson 1
Quatuor de Saxophones: 4 saxophones 1
Flûte, Hautbois, Clarinette (trio) 1

+ 5 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4
Quatuor de cuivres: 4 trombones 3
Trombone et Piano 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Quatuor de Cuivres 1

Trompette 1
Ensemble de Trombones 1
Trombone 1

+ 3 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 10
Violon 5
Violon et Piano 3
Contre Basse 1
Violoncelle, Piano 1

Quintette à cordes: 2 violons, alto, violoncelle, basse 1
2 Violons (duo) 1
Trio à Cordes: 2 violons, violoncelle 1

+ 3 instrumentations

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Percussions & orchestre
Ensemble Jazz 9
Orchestre 6
Ensemble de cuivres 4
Orchestre d'harmonie 4
Orchestre de chambre 3

Fanfare 1
Cloches 1
Ensemble de Percussions 1

+ 3 instrumentations

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3 partitions trouvées

Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only

Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only #Orchestre de chambre #AVANCÉ #Christian contemporain #Musique Sacrée #Carson Cooman #Carson Cooman: Symphony No. 3, #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...(+)

Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, â€œAve Maris Stellaâ€ (2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute â€“ as both an important American composer and a significantcontributor to Americaâ€™s contemporary musical life.The workâ€™s basic source material is the plainchant Ave maris stella (â€œHail, star of the seaâ€) â€“appropriate because of Duquesneâ€™s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe workâ€™s tone â€“ becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as â€œan underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.â€ The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up â€“ as in a pentimento.At various points, one can begin to hear the original plainchant â€œpeek outâ€ in subtle ways.The opening section of the movement obsesses again and again on what sounds like aâ€œbeginningâ€ â€“ as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked â€œsinister.â€ After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at theâ€œbeginningâ€ again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly â€“ in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movementâ€™stransformations, and â€œmotetâ€ sections â€“ using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)ï»¿This is the score only. The complete parts and each seperate part are also available as seperate items.

$25.95 ≈ ¥188.27

Fantasy for Flute and Strings

Fantasy for Flute and Strings #Orchestre de chambre #AVANCÉ #Adrian Dee #Fantasy for Flute and Strings #Adrian Dee #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee ...(+)

Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; Iâ€™d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com

$39.95 ≈ ¥289.84

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