Partitions Numériques de Adagio pour Orchestre de chambre

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Adagio
Non classifié 55

Piano & claviers
Piano seul 97
Orgue 3
Accompagnement Piano 1
Piano, Voix et Guitare 1
Piano Trio: piano, violon, violoncelle 1

2 Pianos, 4 mains 1

+ 1 instrumentations

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Guitares
Guitare 10
2 Guitares (duo) 4
Guitare notes et tablatures 2
4 Guitares (Quatuor) 1

Voix
Chorale SATB 4

Vents
Clarinette 18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 9
Flûte traversière 7
Quatuor de Saxophones: 4 saxophones 4
Ensemble de Clarinettes 3

2 Flûtes traversières (duo) 2
3 Saxophones (trio) 2
Ensemble de saxophones 2
Quatuor de Clarinettes: 4 clarinettes 2
Hautbois, Piano (duo) 2
Clarinette et Piano 2
Saxophone Tenor et Piano 2
Flûte et Guitare 1
Quintette de Clarinettes: 5 clarinettes 1
Saxophone 1
Saxophone Soprano 1
Hautbois (partie séparée) 1
Saxophone Alto 1
Clarinette Basse, Piano 1
Quintette de Saxophone: 5 saxophones 1
Flûte traversière et Piano 1
2 Hautbois (duo) 1
Flûte à Bec 1
Flûte, Hautbois, Clarinette, Basson 1
Cor anglais, Piano 1
Saxophone Tenor 1
Saxophone Soprano et Piano 1
Hautbois 1
Flûte, Violon, Piano 1

+ 24 instrumentations

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Cuivres
Ensemble de Trombones 8
Euphonium, Piano (duo) 7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 6
Trombone et Piano 5
Cor 4

Trombone 3
Trompette (partie séparée) 3
Trompette, Piano 3
Trompette 3
Cor et Piano 3
2 Cors (duo) 3
Tuba et Piano 2
Trombone basse et Piano 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Trombone, Orgue 1
2 Trombones (duo) 1
Cor anglais, Piano 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
3 Trombones (trio) 1
Trompette, Tuba (duo) 1

+ 15 instrumentations

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Cordes
Violon 30
Violoncelle 28
Quatuor à cordes: 2 violons, alto, violoncelle 14
Alto seul 8
Contre Basse 4

Violoncelle, Piano 4
Violon et Piano 3
Violon, Violoncelle (duo) 2
Violoncelle, Orgue 2
Violon, Alto (duo) 1
Contrebasse, Piano (duo) 1
Harpe 1
Violon, Guitare (duo) 1
Alto, Piano 1
Violoncelle , Guitare (duo) 1
Trio à Cordes: violon, alto, violoncelle 1

+ 11 instrumentations

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Percussions & orchestre
Orchestre 19
Orchestre à Cordes 16
Ensemble de cuivres 7
Orchestre d'harmonie 3
Orchestre de chambre 2

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Adagio

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Orchestre de chambre

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2 partitions trouvées

MOZART Clarinet Concerto K 622 - I. ALLEGRO // for Bb clarinet or A clarinet // Original or Modern F

MOZART Clarinet Concerto K 622 - I. ALLEGRO // for Bb clarinet or A clarinet // Original or Modern F #Orchestre de chambre #AVANCÉ #Classique #Wolfgang Amadeus Mozart #Marc GARETTO #MOZART Clarinet Concerto K 622 #Marc GARETTO - Harmonie Editions #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.722926 Composed by Wolfgang Amadeus Mozart. Arranged by Marc GARETTO. Classical,Concert,Holiday,Instructional,Stan...(+)

Chamber Orchestra - Level 5 - SKU: A0.722926 Composed by Wolfgang Amadeus Mozart. Arranged by Marc GARETTO. Classical,Concert,Holiday,Instructional,Standards. Score and parts. 212 pages. Marc GARETTO - Harmonie Editions #4410793. Published by Marc GARETTO - Harmonie Editions (A0.722926). Mozart's Clarinet Concerto in A major, K. 622, was written in October 1791 for the clarinetist Anton Stadler. It consists of three movements, in a fastâ€“slowâ€“fast succession: Allegro (in A major and in sonata form)Adagio (in D major and in ternary form)Rondo: Allegro (in A major and in rondo form)

$110.00 ≈ 101.36€

TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)

TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF) #Orchestre de chambre #AVANCÉ #Classique #Georg Philipp Telemann #Sneakwood Editions #TELEMANN – VIOLIN CONCER #Sneakwood Editions #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...(+)

Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÃœu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in â€˜La Bizarreâ€™ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called â€˜Relingâ€™ in certain regions of Germany, whence the concertoâ€™s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, â€˜a-a, a-aâ€™, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins â€˜forgetâ€™ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemannâ€™s music. If we knew that a satirist was at work in this â€˜Relingeâ€™ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos â€˜smack of Franceâ€™ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all â€˜sullen old heartâ€™ a little joke at the expense of the relevant concertos of a certain Italian composerâ€¦ â€“ Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com

$18.00 ≈ 16.59€

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