Partitions Numériques de James Scott pour Piano Trio: piano, violon, violoncelle

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James Scott
Non classifié 137

Piano & claviers
Piano seul 99
Piano Facile 17
Piano, Voix et Guitare 15
Piano, Voix 7
Orgue 5

Piano Quatuor: piano, violon, alto, violoncelle 3
Instruments en Do 2
Accordéon 2
2 Pianos, 4 mains 2
Piano (partie séparée) 1
1 Piano, 4 mains 1
Piano Trio: piano, violon, violoncelle 1

Accompagnement Piano 1

+ 8 instrumentations

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Guitares
Guitare notes et tablatures 36
Guitare 15
Ligne De Mélodie, (Paroles) et Accords 3
Guitare (partie séparée) 2
Ukulele 1

Mandoline 1
Paroles et Accords 1
Basse électrique (partie séparée) 1

+ 3 instrumentations

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Voix
Chorale SATB 25
Chorale 3 parties 12
Chorale TTBB 12
Voix seule 11
Chorale SSAA 4

Chorale 2 parties 3
Voix duo 1
Voix duo, Piano 1
Chorale 1

+ 4 instrumentations

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Vents
Flûte traversière et Piano 20
Clarinette 17
Ensemble de Clarinettes 12
Saxophone Baryton, Piano 10
Hautbois, Piano (duo) 10

Saxophone (partie séparée) 9
Flûte traversière 9
Saxophone Tenor et Piano 9
Quatuor de Saxophones: 4 saxophones 9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 8
Saxophone Alto 8
Flûte, Hautbois, Clarinette, Basson 8
Saxophone Tenor 8
Saxophone Soprano et Piano 8
Clarinette Basse, Piano 7
Clarinette et Piano 7
Quatuor de Clarinettes: 4 clarinettes 7
Flûte à bec Tenor 6
Saxophone Soprano 6
Piccolo, Piano 6
Saxophone Alto et Piano 6
Flûte à bec Soprano, Piano 4
Quatuor de Flûtes : 4 flûtes 4
Flûte à bec Alto, Piano 3
Cor anglais, Piano 3
Quintette de Saxophone: 5 saxophones 2
Flûte à Bec 2
Flûte à Bec, Piano 2
Quatuor de Flûtes à bec 1
2 Clarinettes (duo) 1
Flute (partie séparée) 1
Quintette de Clarinettes: 5 clarinettes 1
2 Flûte à bec (duo) 1
2 Saxophones (duo) 1
Saxophone et Guitare 1

+ 30 instrumentations

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Cuivres
Trombone et Piano 15
Trompette 10
Quatuor de Cuivres : 2 trompettes, trombone, tuba 8
Trombone 7
Euphonium, Piano (duo) 7

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 6
Trombone (partie séparée) 5
Trombone basse et Piano 5
Trompette, Piano 5
Cor et Piano 4
Tuba et Piano 4
Cor (partie séparée) 3
Cor anglais, Piano 3
Trompette (partie séparée) 3
Tuba (partie séparée) 2
2 Euphoniums et 2 Tubas 1
Quatuor de Cuivres 1
4 Tubas 1
Tuba et Orgue 1

+ 14 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 23
Violon et Piano 19
2 Violons (duo) 18
Violoncelle, Piano 11
2 Altos (duo) 9

Violon 8
Contrebasse, Piano (duo) 7
Alto, Piano 6
Harpe 5
Violoncelle 4
Alto seul 4
Trio à Cordes: violon, alto, violoncelle 3
Trio à Cordes: 2 violons, violoncelle 3
Violon, Violoncelle (duo) 2
2 Violoncelles (duo) 2
Quintette à cordes: 2 violons, alto, violoncelle, basse 2
Violon, Alto (duo) 1
4 Violoncelles 1
Contrebasse (partie séparée) 1

+ 14 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 17
Orchestre à Cordes 11
Ensemble de cuivres 9
Ensemble Jazz 4
Batterie (partie séparée) 4

Orchestre 2
Fanfare 1
Percussion (partie séparée) 1
Batterie 1

+ 4 instrumentations

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James Scott

Piano Trio: piano, violon, violoncelle

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Mendelssohn: Wedding March for Piano Trio

Mendelssohn: Wedding March for Piano Trio #Piano Trio: piano, violon, violoncelle #INTERMÉDIAIRE #Classique #Felix Bartholdy Mendelssohn #James M #Mendelssohn: Wedding March for #jmsgu3 #SheetMusicPlus

Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. J...(+)

Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohnâ€™s Wedding March is so popular that itâ€™s difficult to imagine a wedding without it. It seems like itâ€™s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohnâ€™s music for the Shakespeare play A Midsummer Nightâ€™s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.

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