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Vous avez sélectionné:
Traditional Patterns
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
3 partitions trouvées
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1
Supercollider
Supercollider
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Christine Southworth
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Gamelan Elektrika
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Supercollider
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Airplane Ears Music
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1013056 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 35 pages. ...
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String Quartet String Quartet - Level 3 - SKU: A0.1013056 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 35 pages. Airplane Ears Music #5802093. Published by Airplane Ears Music (A0.1013056). Super Collider (2010, 18 minutes) Kronos Quartet and electronic gamelanComposed for Kronos Quartet & Gamelan Elektrika. Premiered at Lincoln Center Out of Doors Festival, August 13, 2010 by Kronos Quartet and Gamelan Elektrika: Evan Ziporyn, kendang; Sean Mannion, kempli; Balaji Mani, ceng-ceng; Laurel Pardue & Sachi Sato, pemade; Katie Puckett & Sam Schmetterer, kantilan; Mark Buckles, Ramon Castillo, Elizabeth Johansen, Julie Strand, reong; Beth Mullins & Po-Chun Wang, pokokGamelan Elektrika is an electronic virtual gamelan designed and developed by Alex Rigopulos (founder and CEO of Harmonix Music, inventors of video games Guitar Hero and Rock Band). The piece is inspired by the Large Hadron Collider at CERN - the largest machine ever built, that's purpose is to change science forever, recreating the beginning of the universe in a tube and proving (or disproving) the theories of particle physics of the last half-century.Particle physics is the unbelievable in pursuit of the unimaginable. To pinpoint the smallest fragments of the universe you have to build the biggest machine in the world. To recreate the first millionths of a second of creation you have to focus energy on an awesome scale. - The GuardianSuper Collider will explore two obverse sound worlds and traditions, the vast culture of the string quartet juxtaposed with the ancient performance methods of a gamelan, unleashed through the unlimited sonic universe of electronics. In our own test-tube experiment, this musical moment of collision will hopefully achieve similarly unparalleled results.What does particle physics have to do with music and art? String theory, which the CERN facility hopes to verify or disprove, presumes that matter itself is the manifestation of resonant vibrations, that the world itself is a universal harmony. This post-modern notion - which Kronos embodies with every performance - itself resonates with the ancient Hindu notion of om, the absolute manifest, which is the basis of Indonesian gamelan. We will bring these two ideas of resonance together by combining Kronos with a gamelan - even a virtual one.The behavior of subatomic particles is probabilistic, group-oriented: the motion of any one particle is unpredictable and unknowable: it's what the group does that counts. This could also be a description of the Balinese gamelan, where individual virtuosity is subsumed to interlocking patterns, composite melodies, the sound of the whole. This is also the spirit of Kronos.When Robert Moog developed his synthesizer in the 1960s, he modeled its functionality on the piano and on western music in general - a single person, sitting at a keyboard. This is one reason why it was popularized by Wendy Carlos' Swtiched On Bach. Gamelan Elek Trika takes a similar approach to the very distinctive musical practices of Indonesia. Like the great gamelans of Bali and Java, Gamelan Elek Trika works as a single unit, played by a complete ensemble. The instruments are played like a gamelan - metallophones, drums, and gongs, playing interlocking patterns - but all are channeled through a central 'brain', a single processing unit which controls their sound, tuning, and timbre. The composer can thus alter the sonic environment globally, not just for one instrument at a time but for the complete ensemble.Super Collider is made possible by generous support from Alex Rigopulos and Sachi Sato, MIT, and the MIT Media Lab. Gamelan Elektrika instruments produced by Alex Rigopulos; sensors, electronics, and interface design by Andrew Boch, Matt Boch, and Laurel Pardue; technical assembly by Stéphanie Bouchard; frame design and assembly by Quentin Kelly.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic.
$35.00 ≈
31.37€
The First Nowell
The First Nowell
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Musique Sacrée
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Traditional
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Thomas Quigley
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The First Nowell
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Thomas Quigley
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.732017 Composed by Traditional. Arranged by Thomas Quigley. Christian,Christmas,Concert,Praise & Worsh...
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String Quartet String Quartet - Level 2 - SKU: A0.732017 Composed by Traditional. Arranged by Thomas Quigley. Christian,Christmas,Concert,Praise & Worship. Score and parts. 15 pages. Thomas Quigley #3914569. Published by Thomas Quigley (A0.732017). The famous carol melody is clearly heard against simple, catchy,rhythmic patterns with repeated motifs, making it very accessible students and amateur quartets. Harmonically it is quite novel and solid, whilst a brief digression in the middle creates a charming contrast. Highly recommended, this is a novel, well-constructed arrangement which is very appealing.
$7.99 ≈
7.16€
String Quartet《弦樂四é‡å¥ã€‹
String Quartet《弦樂四é‡å¥ã€‹
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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Ma Shui Long 馬水é¾
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String Quartet《弦æ
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SpringAutumnmusic
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.961998 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and part...
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.961998 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 49 pages. SpringAutumnmusic #2341873. Published by SpringAutumnmusic (A0.961998). 《弦樂四é‡å¥ã€‹1983å¹´ é€™é¦–é€£æ¨‚ç« é«”å¼çš„å››é‡å¥ï¼Œå¯åˆ†ç‚ºï¼šç”Ÿæ°£è“¬å‹ƒçš„å¿«æ¿ã€åŸè©©èˆ¬çš„æ…¢æ¿ã€å¦‚æŒçš„è¡Œæ¿åŠç”Ÿå‹•æ´»æ½‘的終曲這四部分。在曲åé€²è¡Œä¸Šï¼Œæ¨‚ç« èˆ‡æ¨‚ç« ä¹‹é–“æ˜¯ç›¸é€£ä¸æ–·çš„ï¼Œä¸€ç« çš„çµæŸæ˜¯ä¸‹ä¸€ç« 的開始，在綿延與連繼之間，樂念æµæš¢åœ°ç™¼å±•ä¸‹åŽ»ã€‚ ç¬¬ä¸€æ¨‚ç« æ˜¯ä»¥å¼·è€Œæœ‰åŠ›çš„æ’¥å¥ä¾†æé–‹åºå¹•ï¼Œä¸¦ä¸”以ä¸åœ‹å‚³çµ±çš„鑼鼓節å¥ä¾†é€²è¡Œï¼Œä¹‹å¾Œä¸»é¡Œç”±å¤§æç´å°Žå…¥ã€‚ç¬¬äºŒæ¨‚ç« æ˜¯æ•´æ›²æœ€å¤§çš„å°æ¯”與張力點，是以「åŸè©©ã€çš„æ¨‚å¿µä¾†ç™¼å±•ã€‚ç¬¬ä¸‰æ¨‚ç« æ•´åˆäº†ç¬¬ä¸€ã€ç¬¬äºŒæ¨‚ç« ä¹‹å¾Œï¼Œç™¼å±•åˆ°çµ‚æ›²ã€‚æ•´æ›²åœ¨å…§å®¹ä¸Šï¼Œç¬¬ä¸€ã€ç¬¬ä¸‰èˆ‡ç¬¬å››æ¨‚ç« çš„é—œä¿‚æ˜¯éžå¸¸å¯†åˆ‡ï¼Œå…¶é–“ä¸åŒä¹‹è™•åªæ˜¯ç”±æ–¼ç¶“ç”±å„種手法的變化所致。 éŸ³æ¨‚çš„å…§å®¹å°±æ˜¯ä¸€ç¨®é¢¨æ ¼ï¼Œä½œæ›²è€…åœ¨å½¢å¼çš„ä¾·é™ä¸‹ï¼Œé‹ç”¨æ–°çš„ç†å¿µåŠæ‰‹æ³•ï¼Œå‘ˆç¾äº†å››é‡å¥çš„å¦ä¸€ç¨®å¢ƒç•Œã€‚ ※本曲係文建會委託創作，於1983年完æˆä¹‹ä½œå“，1987年樂èœåˆç‰ˆï¼Œä¸¦æ–¼2016å¹´å†ç‰ˆã€‚ 1985å¹´1月4日首演於å°å¤§å¸ç”Ÿæ´»å‹•ä¸å¿ƒå¤§ç¦®å ‚，由å°å¤§æ„›æ¨‚社主辦之「馬水é¾å®¤å…§æ¨‚之夜ã€ã€‚æ¼”å¥å®¶ç‚ºç¬¬ä¸€å°æç´æ±Ÿç¶ä¸ã€ç¬¬äºŒå°æç´æ´ªåƒè²´ã€ä¸æç´å·«æ˜Žä¿ã€å¤§æç´å«ç¬çŽ²ã€‚ 《String Quartet》（1983） String Quartet is divided into four movements (sections): I. Allegro con brio, II. Dichterisches Adagio, III. Andante cantabile, IV. Lebendiges Finale. The composer designed this piece to play continuously between sections and makes the composition a quasi-single-movement. Due to the continuity, the musical elements and compositional concepts are connected smoothly through out the piece. The vigorous pizzicato opens up the first movement of this piece, imitates the traditional Chinese Gong-and-Drum rhythmic patterns. The cello solo main theme flows in later and develop the music to the following sections. The second movement is inspired from the concept of poetry reading. It is the most intensive section and holds the greatest contrast of this piece. The third movement combines elements from the earlier movments and leads to the fourth movement, Lebendiges Finale. The musical ideas between these four movments of the composition are strongly revelent to each other. The musical content in a composition sets up the style for itself. Even under some restrictions of tradional musical forms, the composer tried to develop few new compositional ideas in order to achieve a new sphere of string quartet with this piece. String Quartet was commissioned by the Council for Cultural Affairs, finished in 1983, premiered on 4th of January 1985 in the National Taiwan University Student Activity Center. It was programed in the event A Night of Shui-Long Ma’s Chamber Music, held by Asian Composers’ League-Taiwan Section and NTU-Philharmonic Club. The premiered musicians were: Wei-Chung Chiang (Violin I), Chin-Kuei Hong (Violin II), Ming-Li Wu (Viola) and Wan-Ling Sun (Cello). The first edition of the score was published in 1987, and the second edition published in 2016.
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