Partitions Numériques de THREAT pour Quatuor à cordes: 2 violons, alto, violoncelle

THREAT

THREAT

Puccini O Mio Babbino Caro" for String Quartet
Puccini O Mio Babbino Caro" for String Quartet #Quatuor à cordes: 2 violons, alto, violoncelle #Giacomo Puccini #Paul Wood #Puccini O Mio Babbino Caro&quo #MyMusicScores.com #SheetMusicPlus

String Quartet String Quartet - SKU: A0.736799 Composed by Giacomo Puccini. Arranged by Paul Wood. 20th Century,Romantic Period. Score and parts. 7 page...(+)

String Quartet String Quartet - SKU: A0.736799 Composed by Giacomo Puccini. Arranged by Paul Wood. 20th Century,Romantic Period. Score and parts. 7 pages. MyMusicScores.com #6321127. Published by MyMusicScores.com (A0.736799). O mio babbino caro (Oh my dear papa) is a soprano aria from the opera Gianni Schicchi (1918) by Giacomo Puccini to a libretto by Giovacchino Forzano. It is sung by Lauretta after tensions between her father Schicchi and the family of Rinuccio, the boy she loves, have reached a breaking point that threatens to separate her from Rinuccio.

Beethoven: Bagatelle Op. 33 No. 4 for String Quartet
Beethoven: Bagatelle Op. 33 No. 4 for String Quartet #Quatuor à cordes: 2 violons, alto, violoncelle #INTERMÉDIAIRE #Classique #Ludwig van Beethoven #James M #Beethoven: Bagatelle Op. 33 No #jmsgu3 #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1208462 Composed by Ludwig van Beethoven (1770 â€“ 1827). Arranged by James M....(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1208462 Composed by Ludwig van Beethoven (1770 â€“ 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 10 pages. Jmsgu3 #806573. Published by jmsgu3 (A0.1208462). 4. Andante.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period. Â The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.The Bagatelle No. 4 of Op. 33 by Beethoven is a sentimental Andante set in ternary form. The piece is cast in the key of A major. The first section of the piece is characterized by a simple tuneful melody that is repeated throughout the section. The second section is in the parallel homotonic minor key of A minor and features a more dramatic and intensely brooding harmonic sequence with no actual melody. Itâ€™s like a thunderstorm threatening to upset a picnic, but no real damage was done. The third section brings us back to our optimistic A major environment and develops the melody through artful variation. The piece ends with a brief codetta featuring octave displacement. Overall, the piece is an excellent example of Beethoven's ability to create a memorable melody, and a contrasting harmonic sequence, and develop these in a short amount of time.

String Quartet n.1 "Et expecto" in memoriam Gyorgi Ligeti
String Quartet n.1 "Et expecto" in memoriam Gyorgi Ligeti #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Panagiotis Theodossiou #String Quartet n.1 "Et ex #Panagiotis Theodossiou #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.886701 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 58 pages. ...(+)

String Quartet String Quartet - Level 5 - SKU: A0.886701 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 58 pages. Panagiotis Theodossiou #3579277. Published by Panagiotis Theodossiou (A0.886701). String Quartet in memoriam Gyorgi Ligeti (2006) The work is written in the memory of G. Ligeti. It goes from strict atonal to tonal and almost neoclassical idiom, from inner intense expression to parody and grotesque humour. Elements so characteristic in the musical language of the honored composer.The 5 parts are: 1. Introduction: Strange Visitors (Lento misterioso), 2. Scherzo I: Interrupted cha-cha : Faith's Dance (Andantino scherzando), 3.Intermezzo: Et expecto...(Larghetto semplice), 4. Scherzo II: Devil's Dance (Allegro giocoso), 5. Finale: Flames (Feroce) There is also a programmatic scenario behind the five mouvements of the work: Strange visitors appear threatening or cheating. And suddenly Faith start to dance an interrupted cha â€“cha. Expectation stands in the center of the work and in the soul of our hero. Devilâ€™s dance leads to the final test. Flames. Flames of purification or flames of hell?It has been performed by the ensemble ALEA III under Theodor Antoniou at Tsai Performance Centre, Boston University in 2007. Parts of the work have been performed by Athens Bridge Quartet at Faculty Lounge, Deree College under the project Composing the String Quartet of Deree Arts Festival in 2013.Athens Bridge Quartet recorded it ion CD (MOTIVO BQ1070) among Greek Composers Works in 2017.