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Vous avez sélectionné:
OUT to SEA piano solo
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
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1
Guide to Holiday Shopping
Guide to Holiday Shopping
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
#
Gary D
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Guide to Holiday Shopping
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DR GARY D BELSHAW
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.796770 Composed by Gary D. Belshaw, ASCAP (b. 1949). 20th Century,Christmas,Concert. Score and parts. ...
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String Quartet String Quartet - Level 5 - SKU: A0.796770 Composed by Gary D. Belshaw, ASCAP (b. 1949). 20th Century,Christmas,Concert. Score and parts. 15 pages. DR GARY D BELSHAW #6089697. Published by DR GARY D BELSHAW (A0.796770). 15 pages of score and parts. Duration: less than three minutes. Check out my ring tone derived from this string quartet.Arranged from the original solo piano version (also available in Sheet Music Plus, and on Richard Fountain's debut CD, American Ivory), Guide to Holiday Shopping is joyous Christmas rondo for the advanced string quartet. All players get to dabble in the foreground music. Listen for the second violin's hallelujahs in the final strains. This is music to help us balance the stresses of the holidays with the purpose and mission of our shopping, and to remind us of the reason for the season.
$12.99 ≈
£10.19
Almost May Score and Parts
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
#
Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
£19.59
Liszt: Consolation No. 6 for String Quartet
Liszt: Consolation No. 6 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Franz Liszt
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James M
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Liszt: Consolation No. 6 for S
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1368172 Composed by Franz Liszt. Arranged by James M. Guthrie. 19th Century,Chamber...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1368172 Composed by Franz Liszt. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 14 pages. Jmsgu3 #952494. Published by jmsgu3 (A0.1368172). Liszt's Consolations is a set of six solo piano works known for their enchantingly lyrical and poetic nature. They express Liszt's genuine religious mysticism and are composed in either the key of E or Dâ™ major, each with a distinctive style. These pieces are considered relatively easy to play and appreciated for their serene sweetness and melancholic characteristics. They take the musical style of Nocturnes, with the third Consolation being an homage to Chopin's nocturnes. Liszt's ability to bring out the melody notes and subdue the harmony is necessary in interpreting these pieces. They are cataloged as S.172, a part of Liszt's more extensive work catalog created by Humphrey Searle.
$24.95 ≈
£19.56
Liszt: Consolation No. 5 for String Quartet
Liszt: Consolation No. 5 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
#
Franz Liszt
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James M
#
Liszt: Consolation No. 5 for S
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jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1367513 Composed by Franz Liszt. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
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String Quartet String Quartet - Level 3 - SKU: A0.1367513 Composed by Franz Liszt. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 8 pages. Jmsgu3 #951861. Published by jmsgu3 (A0.1367513). Liszt's Consolations is a set of six solo piano works known for their enchantingly lyrical and poetic nature. They express Liszt's genuine religious mysticism and are composed in either the key of E or Dâ™ major, each with a distinctive style. These pieces are considered relatively easy to play and appreciated for their serene sweetness and melancholic characteristics. They take the musical style of Nocturnes, with the third Consolation being an homage to Chopin's nocturnes. Liszt's ability to bring out the melody notes and subdue the harmony is necessary in interpreting these pieces. They are cataloged as S.172, a part of Liszt's more extensive work catalog created by Humphrey Searle.
$24.95 ≈
£19.56
Liszt: Consolation No. 4 for String Quartet
Liszt: Consolation No. 4 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Franz Liszt
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James M
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Liszt: Consolation No. 4 for S
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1360869 Composed by Franz Liszt. Arranged by James M. Guthrie. 19th Century,Chamber...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1360869 Composed by Franz Liszt. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 7 pages. Jmsgu3 #945353. Published by jmsgu3 (A0.1360869). Liszt's Consolations is a set of six solo piano works known for their enchantingly lyrical and poetic nature. They express Liszt's genuine religious mysticism and are composed in either the key of E or Dâ™ major, each with a distinctive style. These pieces are considered relatively easy to play and appreciated for their serene sweetness and melancholic characteristics. They take the musical style of Nocturnes, with the third Consolation being an homage to Chopin's nocturnes. Liszt's ability to bring out the melody notes and subdue the harmony is necessary in interpreting these pieces. They are cataloged as S.172, a part of Liszt's more extensive work catalog created by Humphrey Searle.
$24.95 ≈
£19.56
Liszt: Consolation No. 3 for String Quartet
Liszt: Consolation No. 3 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Franz Liszt
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James M
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Liszt: Consolation No. 3 for S
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1360860 Composed by Franz Liszt. Arranged by James M. Guthrie. 19th Century,Chamber...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1360860 Composed by Franz Liszt. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 15 pages. Jmsgu3 #945344. Published by jmsgu3 (A0.1360860). Liszt's Consolations is a set of six solo piano works known for their enchantingly lyrical and poetic nature. They express Liszt's genuine religious mysticism and are composed in either the key of E or Dâ™ major, each with a distinctive style. These pieces are considered relatively easy to play and appreciated for their serene sweetness and melancholic characteristics. They take the musical style of Nocturnes, with the third Consolation being an homage to Chopin's nocturnes. Liszt's ability to bring out the melody notes and subdue the harmony is necessary in interpreting these pieces. They are cataloged as S.172, a part of Liszt's more extensive work catalog created by Humphrey Searle.
$24.95 ≈
£19.56
Liszt: Consolation No. 1 for String Quartet
Liszt: Consolation No. 1 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Classique
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Franz Liszt
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James M
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Liszt: Consolation No. 1 for S
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1357806 Composed by Franz Liszt. Arranged by James M. Guthrie. 19th Century,Chamber...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1357806 Composed by Franz Liszt. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 6 pages. Jmsgu3 #942310. Published by jmsgu3 (A0.1357806). Liszt's Consolations is a set of six solo piano works known for their enchantingly lyrical and poetic nature. They express Liszt's genuine religious mysticism and are composed in either the key of E or Dâ™ major, each with a distinctive style. These pieces are considered relatively easy to play and appreciated for their serene sweetness and melancholic characteristics. They take the musical style of Nocturnes, with the third Consolation being an homage to Chopin's nocturnes. Liszt's ability to bring out the melody notes and subdue the harmony is essential in interpreting these pieces. They are cataloged as S.172, a part of Liszt's more extensive work catalog created by Humphrey Searle.
$24.95 ≈
£19.56
Liszt: Consolation No. 2 for String Quartet
Liszt: Consolation No. 2 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Franz Liszt
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James M
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Liszt: Consolation No. 2 for S
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1359503 Composed by Franz Liszt. Arranged by James M. Guthrie. 19th Century,Chamber...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1359503 Composed by Franz Liszt. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 15 pages. Jmsgu3 #943974. Published by jmsgu3 (A0.1359503). Liszt's Consolations is a set of six solo piano works known for their enchantingly lyrical and poetic nature. They express Liszt's genuine religious mysticism and are composed in either the key of E or Dâ™ major, each with a distinctive style. These pieces are considered relatively easy to play and appreciated for their serene sweetness and melancholic characteristics. They take the musical style of Nocturnes, with the third Consolation being an homage to Chopin's nocturnes. Liszt's ability to bring out the melody notes and subdue the harmony is necessary in interpreting these pieces. They are cataloged as S.172, a part of Liszt's more extensive work catalog created by Humphrey Searle.
$32.95 ≈
£25.84
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