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Look After You
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Vous avez sélectionné:
Look After You
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
9 partitions trouvées
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1
I Will Look After You
I Will Look After You
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Contemporain
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Charles Wright and Kevin Rhoad
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I Will Look After You
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Samantha Bramley
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.800214 Composed by Charles Wright and Kevin Rhoads. Arranged by Samantha J Bramley - stringspirational...
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String Quartet String Quartet - Level 2 - SKU: A0.800214 Composed by Charles Wright and Kevin Rhoads. Arranged by Samantha J Bramley - stringspirational@gmail.com. Contemporary. Score and parts. 8 pages. Samantha Bramley #5213823. Published by Samantha Bramley (A0.800214). I Will Look After You – Aron Wright This haunting little melody was made famous in the UK by virtue of its use in a TV ad for a well-known bank featuring a black horse and its foal. My arrangement for string quartet is a little shorter than the original, lasting two and a half minutes, with the melody being passed amongst the upper strings. None of the parts go beyond 4th position (with the exception of harmonics), making it suitable for early intermediate ensembles. Some close harmonies make good intonation essential. There is also rhythmic interest in the syncopated vocal line. An absolute must-have in the Wedding Album of any String Quartet and sure to become a wedding classic. Note from the arranger: All my arrangements for strings are conceived specifically with the aim of writing interesting parts for all players. Most parts do not go beyond 4th position, making them suitable for student and mixed ability groups. A complete score and set of individual parts (violin, violin 2, viola, ‘cello) is included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com
$14.99 ≈
13.81€
You Really Got Me
You Really Got Me
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Kinks
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Sarah Cellobat Chaffee
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You Really Got Me
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.526265 By The Kinks. By Ray Davies. Arranged by Sarah Cellobat Chaffee. Pop,Rock. 1...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.526265 By The Kinks. By Ray Davies. Arranged by Sarah Cellobat Chaffee. Pop,Rock. 16 pages. Sarah Cellobat Chaffee #6260161. Published by Sarah Cellobat Chaffee (A0.526265). You Really Got Me was released in 1964 as the third single by British rock band The Kinks. The song became the band's breakthrough hit, reaching number one on the UK singles chart and establishing them as one of the top British Invasion bands of the 60's. The song's style ended up being very influential for generations of rock and punk musicians afterward, and the song has lived on in the cultural canon and is still beloved to this day. This Cellobat arrangement of You Really Got Me for string quartet is true to the original Kinks recording, with its driving beat, punk-rock feel, and epic solo -- which violin 1 and 2 get to share! This chart will be readable for professionals and playable for advanced-intermediate students; overall it's more of an intermediate level, with fairly straightforward rhythms and almost entirely in 1st position, but it goes by pretty fast and it might be worth it for V2 to look at the guitar solo beforehand :) and most of all, have fun! Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$16.99 ≈
15.65€
This I Promise You - String Quartet - *NSYNC arr. Cellobat - Recording Available!
This I Promise You - String Quartet - *NSYNC arr. Cellobat - Recording Available!
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Rock
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N Sync
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Sarah Cellobat Chaffee
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This I Promise You - String Qu
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SheetMusicPlus
String Quartet - Intermediate - By N Sync. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 17 pages. Published by Sarah Chaffee...
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String Quartet - Intermediate - By N Sync. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 17 pages. Published by Sarah Chaffee
"This I Promise You" is one of *NSYNC's most iconic love songs and a ubiquitous pop hit of the early 2000's. Originally written by Richard Marx, this song lasted 13 weeks at number 1 on the Billboard Adult Contemporary chart after its release, so any child of the 90's probably knows this one by heart! I had the honor of performing this song with Richard Marx himself as part of the quartet-in-residence for his 3-week residency "Satisfied: Only The Hits" at the Flamingo Hotel in Las Vegas, so I'm super excited to bring you my own version!
This arrangement for string quartet will be perfect for pop concerts, solo & ensemble concerts, weddings, receptions, and any other occasion that needs some boy band throwback nostalgia - you're sure to get everyone singing along! Full of catchy melodies, beautiful layered harmonies, and a laid back R&B-style groove, this arrangement is just as much fun to listen to as it is to play. Rated intermediate - there is nothing very difficult in any of the parts and this chart will be easily sightreadable for professionals, but students might need a minute to look at the syncopated rhythms in the violin parts.
Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "This I Promise You." Crowd pleasing guaranteed.
Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mtley Cre, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:
http://www.cellobat.com
http://www.instagram.com/cellobat
http://www.youtube.com/c/SarahCellobatChaffee
$16.99 ≈
15.65€
Jacques Leguerney: String Quartet in D for two violins, viola and cello
Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95 ≈
35.88€
Merry Christmas
Merry Christmas
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Ed Sheeran & Elton John
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Alison Gillies
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Merry Christmas
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quartetpad.com
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1337591 By Ed Sheeran & Elton John. By Ed Sheeran and Elton John. Arranged by Aliso...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1337591 By Ed Sheeran & Elton John. By Ed Sheeran and Elton John. Arranged by Alison Gillies. Advent,Christmas,Holiday,Pop. 14 pages. Quartetpad.com #923393. Published by quartetpad.com (A0.1337591). Merry Christmas by Ed Sheeran and Elton John, arranged for string quartet by Alison Gillies.Released in 2021, this song appears on the Christmas edition of Elton John's collaborative album, The Lockdown Sessions. It reached UK no.1 in December 2021, narrowly missing out on the coveted Christmas no.1 spot after being knocked off by LadBaby's parody charity record Sausage Rolls for Everyone.This fun, upbeat and festive arrangement is in the same key as the original (C major) and follows the same structure as the single release.Other quartetpad Christmas arrangements include:-     It's Beginning to Look Like Christmas-     All I Want For Christmas Is You-     The Christmas Song (Chestnuts Roasting on An Open Fire)-     Feliz Navidad-     Have Yourself A Merry Little Christmas-     Happy Xmas (War Is Over)-     Christmas Time (Dont Let the Bells End)-     Rockin Around the Christmas Tree-     Santa Claus Is Comin To Town-     The Most Wonderful Time of The Year-     Let It Snow! Let It Snow! Let It Snow!-     White Christmas-     Hallelujah Chorus from Messiah-     Merry Xmas Everybody-     The Christmas Can-Can-     Stay Another Day-     Merry Christmas EveryoneSee more arrangements by Alison Gillies at quartetpad.com InstagramFacebookTikTok
$16.99 ≈
15.65€
Sunday Bloody Sunday
Sunday Bloody Sunday
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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U2
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Kyle Pudenz
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Sunday Bloody Sunday
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. Score and parts. 30 pages. ViolinVagabond Music #753361. Published by ViolinVagabond Music (A0.1153128). One does not simply walk into their local music store to find a string arrangement like this one... Unlike much of what you'll find out in the world of cheap gig music, this was in fact written BY a string player who has played in symphony orchestras, rock bands, and everything in between; who knows what gigging as a quartet looks like, but also what will wow your audiences without requiring weeks of rehearsal to prepare. So leave your days of sight-reading through piano scores behind and give your quartet some firepower with this hard hitting chart, that will surely enable your ensemble to do at least a little justice to this legendarily emotional banger from Ireland's finest! Bono's soaring vocal melodies on this tune offer more than enough material on their own to tug at an audience's heartstrings, but in this chart you'll also find faithful adaptations of the iconic guitar & bass parts (performed by cello & viola) that truly make this song one of a kind. Using extended string techniques like chopping & strum bowing, you'll feel as if you're rocking out with the band... with no need to hire those annoying extra musicians. But as we all know, strings have much more to offer dynamically than simply plodding along mimicking a rock band, so I've taken several select moments in this chart to break away briefly from those driving grooves into more open, contemplative textures, truly allowing this instrumentation to shine in its own unique way. All of that said, maybe rhythmic string playing isn't your thing and you just need a chart that classical string players can read through on a cocktail gig where the buyer clearly doesn't pay attention to the lyrical content of their song requests. If that's the case, I've provided a couple alternate figures at the back of the book that can be used to replace the percussive stuff in the viola part, making it much simpler without sacrificing too much of the energy. OR if you want to go even further, maybe you DO want to hire that band after all so you can just relax and play some melody lines. Lucky for you I have included a rhythm section lead sheet as part of the music packet, so that any auxiliary musicians you want to add in will be able to follow along with ease. If you have absolutely no idea what chopping and strum bowing are, and you'd like to expand your horizons and learn a bit more, I highly recommend this resource: https://strum-bowing-groove-academy.teachable.com?coupon_code=KYLE20&affcode=459429_z8y3atf As mentioned before though, these techniques are not 100% necessary to handle this arrangement, so feel free to experiment on your own and add them in as you feel comfortable. Enjoy this chart, and don't be afraid to do a little head-banging once that groove really locks in! Performance time - approximately 4:05-4:20 depending on how hard you want to push the tempo Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99 ≈
18.41€
The Polar Express
The Polar Express
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Alan Silvestri and Glen Ballar
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Roger Wallace
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The Polar Express
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Roger Wallace
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.578036 Composed by Alan Silvestri and Glen Ballard. Arranged by Roger Wallace. Chri...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.578036 Composed by Alan Silvestri and Glen Ballard. Arranged by Roger Wallace. Christmas,Contemporary,Film/TV. 40 pages. Roger Wallace #187073. Published by Roger Wallace (A0.578036). Song Title: Believe Christmas Quartet with Multiple Part Options. Features middle and low voices in the verse and high voices in the chorus. Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.NOTE: Audio sample clip begins at Measure 13 (9 measures after Letter A).A full length audio version can be heard in the YouTube video.The audio sample represents a String Quartet.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$12.99 ≈
11.96€
Morango ... almost a tango, full score
Morango ... almost a tango, full score
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Thomas Oboe Lee
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Morango ... almost a tango, fu
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. T...
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String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
$9.99 ≈
9.20€
THE CROWN - FOR STRING QUARTET
THE CROWN - FOR STRING QUARTET
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Zimmer, Gregson-Williams, Ba
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Helen Marple-Horvat
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THE CROWN - FOR STRING QUARTET
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Helen Marple-Horvat
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SheetMusicPlus
Violin, Viola, Cello, String Quartet - Advanced Intermediate - Digital Download By Zimmer, Gregson-Williams, Balfe. Arranged by Helen Marple-Horvat. ...
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Violin, Viola, Cello, String Quartet - Advanced Intermediate - Digital Download By Zimmer, Gregson-Williams, Balfe. Arranged by Helen Marple-Horvat. Score, Set of Parts. 22 pages. Published by Helen Marple-Horvat
'The Crown' is an award winning Netflix series that has won the hearts of many people around the world. Hans Zimmer wrote the theme for the main title with Rupert Gregson-Williams, from Wiltshire, composing music for the first series, joined by Lorne Balfe, a Scottish composer for series two.
I have made an arrangement for String Quartet and hope to make more for different combinations of instruments and piano in the future.
As usual my arrangement can be played by professionals for concerts, weddings and events but also tackled by young people. The key is the original one, D minor, which is easy for strings, and younger players can make use of open strings and take as many bows as they need. I have included some bowing as a guide. Most of the double stopping includes one open string but less experienced players can leave out one of the notes where necessary, especially of it is doubled by one of the other players. I have included some 'commas' in this arrangement and recommend recovering the bow and watching the leader like a hawk!
The long ?piano? sections will need lots of crescendo and decrescendo markings to sound effective. I put down some ideas, but feel free to experiment. The main thing is that they grow and decay again, to keep up the tension. Without that movement, those soft passages might sound boring, albeit the chords are gorgeous.
I have included a crescendo in the penultimate bar before each new dynamic, but ideally a long crescendo is needed between each new dynamic marking. The texture becomes gradually thicker, which will help, but I am looking forward to Capriccio Quartet recording this one as they are so good at building up excitement.
There must be a great deal of drama at letters D and O. After a massive increase in dynamic I am hoping for a ?breath? at the comma, and a very sudden softness for the chords that follow. I also like harmonics for the viola at bars 21-22, giving way to a natural note on the fourth beat of 22. I would like the harmonic in viola to be almost imperceptible as the piece closes out. I haven?t marked it as such, and I couldn?t write a ?simile? on the page without clashes of staves or an extra page. I intended it to be a harmonic to the end though.
Please send me any recordings you make because I love to hear people playing my arrangements, even if it is a phone recording, and especially younger players! I am on facebook and I have a Youtube Channel too. Helen Marple-Horvat Songwriter, Arranger, Composer.
$20.00 ≈
18.42€
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