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Vous avez sélectionné:
Mary M
avancé
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
9 partitions trouvées
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1
Mary Poppins: A Symphonic Fantasy
Mary Poppins: A Symphonic Fantasy
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Irwin Kostal, Richard M Sherma
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Mary Poppins: A Symphonic Fant
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Nonamé Música
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1081261 Composed by Irwin Kostal, Richard M Sherman, and Robert B Sherman. Arranged...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1081261 Composed by Irwin Kostal, Richard M Sherman, and Robert B Sherman. Arranged by Luis Turina and Nonamé Música. 20th Century,Broadway,Film/TV,Musical/Show,Wedding. Score and parts. 22 pages. Nonamé Música #685399. Published by Nonamé Música (A0.1081261). (Spanish below) Based on the suite A Symphonic Fantasy, we did a conversion with three of the most remembered melodies from Mary Poppins. You have an intro with chim-chim-cheree, followed by feed the birds, but they don't fully develop. After that, A Spoon of Sugar, with the birds part made by the first violin and the second and viola enkoying. The next part is, now complete, Chim-Chim-Cheree, with the melody starting in the cello, and then passing by the rest of instruments from lower to higher. When the second plays the melody, the first plays a counter-theme a little bit tricky. And, in the end, now complete, Feed the Birds, with constant dialogs between the violins. Tested and approved arrangement. All Nonamé arrangements are prepared to avoid page turns if you print the covers properly. Basándonos en la suite A Symphonic Fantasy, hicimos una conversión con tres de las melodÃas más recordadas de Mary Poppins. Tienes una introducción con chim-chim-cheree, seguida de Pan para los pájaros, pero no se desarrollan por completo. Después, Con un Poco de Azúcar, con la parte de los pájaros hecha por el primer violÃn y el segundo y la viola disfrutando. La siguiente parte es, ya completa, Chim-Chim-Cheree, con la melodÃa comenzando en el violoncello, y luego pasando por el resto de instrumentos de más grave a más agudo. Cuando el segundo toca la melodÃa, el primero tiene un contratema un poco complicado. Y, al final, ya completo, Pan Para los Pájaros, con diálogos constantes entre los violines. ¡Arreglo probado y aprobado! Todos los arreglos de Nonamé están preparados para evitar el paso de página si imprimes las portadas correctamente.
$19.99 ≈
17.96€
Mother Mary
Mother Mary
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Simon M
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Mother Mary
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Sperl Publishing
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1024965 Composed by Simon M. Sperl. 20th Century,Contemporary,Sacred,Spiritual. Score and parts. 25 pa...
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String Quartet String Quartet - Level 4 - SKU: A0.1024965 Composed by Simon M. Sperl. 20th Century,Contemporary,Sacred,Spiritual. Score and parts. 25 pages. Sperl Publishing #3679831. Published by Sperl Publishing (A0.1024965). Mother Mary is a musical description of a final hike to Butte Montana's statue of the Virgin Mary once the poor no longer require assistance. After a journey that outlines the struggle for society to care for its most vulnerable, the piece ends with a utopian scene of equality. .
$9.99 ≈
8.97€
Guthrie: I Saw Three Ships for String Quartet
Guthrie: I Saw Three Ships for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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James M
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Guthrie: I Saw Three Ships for
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1491680 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Hi...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1491680 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 14 pages. Jmsgu3 #1068354. Published by jmsgu3 (A0.1491680). I Saw Three Ships is a traditional English Christmas carol that has gained popularity for its melodic simplicity and festive themes. Here are some key points about its significance:Historical ContextOrigins: The earliest known printed version of I Saw Three Ships dates back to the 17th century, with a notable publication by William Sandys in 1833. The song was likely known earlier under As I Sat On a Sunny Bank, particularly popular in Cornwall.Cultural Relevance: The carol reflects a period when maritime themes were prominent in English culture, coinciding with the Age of Exploration. This context made the imagery of ships particularly resonant for audiences of the time.Symbolism and InterpretationThe Ships: The lyrics describe three ships arriving on Christmas Day, which has led to various interpretations. One common belief is that the ships symbolize the three vessels that carried the relics of the Magi to Cologne Cathedral in the 12th century. Alternatively, they may represent the camels used by the Magi, often referred to as ships of the desert due to their role in transporting the wise men to Bethlehem.Bethlehem's Geography: The song mentions ships sailing into Bethlehem, which raises questions, as the nearest body of water is the Dead Sea, about 20 miles away. This discrepancy has prompted interpretations that focus on the symbolic rather than literal meaning of the ships.Musical LegacyPopularity: I Saw Three Ships has been embraced by various artists across genres, with notable recordings by musicians such as Sting, Glen Campbell, and Sufjan Stevens. Its enduring appeal makes it a staple in Christmas music repertoires.Lyric Variations: Different song versions have emerged over the years, reflecting local traditions and interpretations. Some variations even change the context from Christmas to other celebrations, demonstrating the carol's flexibility in cultural contexts.In summary, I Saw Three Ships is significant as a cherished Christmas carol and a cultural artifact that encapsulates historical maritime themes, religious symbolism, and the evolution of folk music traditions.
$34.95 ≈
31.39€
Schumann: Fugue 2 from Six Fugues on BACH for String Quartet
Schumann: Fugue 2 from Six Fugues on BACH for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Robert Schumann
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James M
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Schumann: Fugue 2 from Six Fug
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1424141 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1424141 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 23 pages. Jmsgu3 #1005325. Published by jmsgu3 (A0.1424141). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section.In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95 ≈
38.58€
Schumann: Fugue 5 from Six Fugues on BACH for String Quartet
Schumann: Fugue 5 from Six Fugues on BACH for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Robert Schumann
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James M
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Schumann: Fugue 5 from Six Fug
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1428102 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1428102 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 15 pages. Jmsgu3 #1008910. Published by jmsgu3 (A0.1428102). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95 ≈
38.58€
Schumann: Six Fugues on the name BACH Op. 60 Complete for String Quartet
Schumann: Six Fugues on the name BACH Op. 60 Complete for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Robert Schumann
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James M
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Schumann: Six Fugues on the na
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1429486 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1429486 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 114 pages. Jmsgu3 #1010181. Published by jmsgu3 (A0.1429486). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive. YouTube Playlist Link: https://www.youtube.com/playlist?list=PLT9KtY0S7DRBZOVDKAJZAWv5auRCmS-6v.
$82.95 ≈
74.51€
Schumann: Fugue 6 from Six Fugues on BACH Op. 60 for String Quartet
Schumann: Fugue 6 from Six Fugues on BACH Op. 60 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Robert Schumann
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James M
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Schumann: Fugue 6 from Six Fug
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1429451 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1429451 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #1010138. Published by jmsgu3 (A0.1429451). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95 ≈
38.58€
Mendelssohn: Prelude & Fugue in C Minor Op. 37 No. 1 for String Quartet
Mendelssohn: Prelude & Fugue in C Minor Op. 37 No. 1 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Prelude & Fug
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. 19th...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #938223. Published by jmsgu3 (A0.1353485). The Significance of Mendelssohn's Preludes and Fugues, Op. 37, lies in its role in developing the organ repertoire and reflecting Mendelssohn's compositional style. The work, written in 1837, consists of three preludes and fugues for organ. Here are some critical aspects of its significance: Mendelssohn's compositional style: The Preludes and Fugues, Op. 37, showcase Mendelssohn's unique style, characterized by a combination of Romantic expressiveness and Classical form. This style is evident in the structure, harmony, and melodic content.  Influence of J.S. Bach: Mendelssohn's Preludes and Fugues, Op. 37, are heavily influenced by the style of J.S. Bach, a composer Mendelssohn greatly admired. This influence can be seen in the pieces' counterpoint, harmonic language, and formal structure. Pedal technique: In Op. 37, Mendelssohn composed independent pedal parts that reveal a thorough understanding of the role of the pedals in organ music. For the first time, he composed pedal passages that required more than minimal competency, demonstrating his skill in writing for the organ. Expansion of the organ repertoire: Mendelssohn was an accomplished organist and wrote dozens of works for the instrument. The Preludes and Fugues, Op. 37, contribute to expanding the organ repertoire and demonstrate Mendelssohn's mastery of the medium. Historical context: The Preludes and Fugues, Op. 37, were written when Mendelssohn was also working on his Six Sonatas, Op. 65. This period of productivity and exploration of the organ medium further highlights the significance of Op. 37 in Mendelssohn's compositional output. In summary, Mendelssohn's Preludes and Fugues, Op. 37, are significant to music history due to their reflection of Mendelssohn's compositional style, influence by J.S. Bach, innovative pedal technique, contribution to the organ repertoire, and historical context within Mendelssohn's compositional output.
$32.95 ≈
29.60€
Guthrie: Here We Come A-Wassailing for String Quartet
Guthrie: Here We Come A-Wassailing for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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James M
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Guthrie: Here We Come A-Wassai
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1491580 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Hi...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1491580 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 13 pages. Jmsgu3 #1068280. Published by jmsgu3 (A0.1491580). Here We Come A-Wassailing is a traditional English Christmas carol with roots that likely extend back to the mid-19th century, if not earlier. The exact authorship of the carol is unknown. The song is associated with the tradition of wassailing, which involves going door-to-door singing in exchange for food and drink. This practice predates Christianity and was part of mid-winter celebrations. The term wassail originates from the Anglo-Saxon greeting waes hael, meaning be in good health. This greeting evolved into a toast, with one person saying was hail and another responding drinc hail while passing around a communal bowl of a drink made from mulled ale or mead, spices, and apples, known as wassail. Wassailing has two primary forms: one that occurs post-Christmas, often associated with Twelfth Night, and another that takes place before Christmas. The latter involves singing carols and sharing wassail from a bowl. At the same time, the former includes rituals to encourage fertility in orchards, such as singing to trees and offering cider-soaked toast. The carol Here We Come A-Wassailing has several variations, including Here We Come A-Caroling and Here We Come A-Christmasing, each with different lyrics but similar themes of merriment and well-wishing for the New Year.
$34.95 ≈
31.39€
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