Partitions Numériques de La La Land pour Hautbois, Violoncelle

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La La Land
Non classifié 366

Piano & claviers
Piano seul 460
Piano Facile 137
Piano, Voix 86
Piano, Voix et Guitare 73
1 Piano, 4 mains 23

Instruments en Do 16
2 Pianos, 4 mains 15
Orgue 12
Piano grosses notes 11
Accordéon 5
Piano (partie séparée) 5
Piano Trio: piano, violon, violoncelle 4
Piano Quatuor: piano, violon, alto, violoncelle 3
Piano Quintette: piano, 2 violons, alto, violoncelle 2
Clavier 1
Ensemble d'Accordéons 1

+ 11 instrumentations

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Guitares
Guitare 52
Guitare notes et tablatures 52
Ukulele 24
Ligne De Mélodie, (Paroles) et Accords 23
Basse electrique 7

2 Guitares (duo) 5
Paroles et Accords 3
Piano, Guitare (duo) 3
4 Guitares (Quatuor) 2
Basse électrique (partie séparée) 1
Ensemble de guitares 1
3 Guitares (trio) 1
Guitare (partie séparée) 1

+ 8 instrumentations

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Voix
Chorale SATB 56
Chorale 3 parties 33
Voix seule 19
Chorale TTBB 14
Chorale SSAA 6

Chorale Unison 5
Chorale 2 parties 4
Voix duo, Piano 4
Voix duo 2
Voix basse, Piano 1
Voix Soprano, Piano 1

+ 6 instrumentations

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Vents
Saxophone 123
Flûte traversière 95
Clarinette 91
Saxophone (partie séparée) 61
Saxophone Alto 32

Flûte traversière et Piano 26
Saxophone Alto et Piano 22
Clarinette (partie séparée) 21
Quatuor de Saxophones: 4 saxophones 21
Hautbois (partie séparée) 20
Saxophone Tenor 20
Hautbois, Piano (duo) 19
2 Saxophones (duo) 16
Clarinette et Piano 15
2 Clarinettes (duo) 14
Flûte, Hautbois, Clarinette, Basson 14
Hautbois 13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 12
Saxophone Tenor et Piano 12
Quatuor de Clarinettes: 4 clarinettes 11
Quintette de Saxophone: 5 saxophones 10
2 Flûtes traversières (duo) 10
3 Saxophones (trio) 10
Flûte à Bec 8
Flute (partie séparée) 8
Saxophone Soprano et Piano 8
Quatuor de Flûtes : 4 flûtes 6
Saxophone Baryton, Piano 5
2 Hautbois (duo) 4
3 Clarinettes (trio) 3
Trio de Flûtes: 3 flûtes 3
Saxophone Soprano 3
Flute, harpe et violon 2
2 Flûtes traversières, Piano 2
Hautbois, Basson (duo) 2
Ensemble de Flûtes 2
Saxophone Baryton 2
Flûte à bec Soprano 2
Cor anglais, Piano 2
Flûte, Hautbois, Clarinette (trio) 2
Ensemble de saxophones 2
Instruments en Mib 1
Cor Anglais 1
Flûte et Guitare 1
3 Hautbois 1
Clarinette, Violoncelle (duo) 1
Hautbois, Violoncelle 1

Hautbois, Flûte 1
Clarinette, Basson (duo) 1
Flûte, Violon 1
Ensemble de Clarinettes 1
Clarinette, Violoncelle, Piano (trio) 1
Clarinette Basse, Piano 1
Flûte, Clarinette et Basson 1
Flûte, Hautbois, Basson 1
Flûte, Violon et Violoncelle 1
Quintette de Clarinettes: 5 clarinettes 1
Flûte, Violon, Guitare 1
Hautbois, Clarinette, Basson (trio d'anches) 1

+ 54 instrumentations

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Cuivres
Trompette 82
Trombone 63
Cor 32
Trompette, Piano 20
Trompette (partie séparée) 16

Quatuor de cuivres: 4 trombones 15
Trombone et Piano 15
Trombone (partie séparée) 15
Tuba 14
Quatuor de Cuivres : 2 trompettes, trombone, tuba 14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 13
Cor et Piano 11
2 Trombones (duo) 9
2 Trompettes (duo) 9
Tuba et Piano 9
Cor (partie séparée) 8
Quatuor de Cuivres: 2 trompettes, Cor, trombone 7
Tuba (partie séparée) 5
Euphonium 5
2 Cors (duo) 5
Trio de Cuivres 4
Quatuor de cuivres: 4 trompettes 2
2 Tubas (duo) 2
Cor anglais, Piano 2
Quatuor de Cuivres 2
Cor Anglais 1
Ensemble de Trombones 1
Tuba ou Euphonium ou Saxhorn 1
Quatuor de cuivres: 4 cors 1
2 Euphoniums et 2 Tubas 1
Trompette, Cor (duo) 1
Instruments en Sib 1

+ 27 instrumentations

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Cordes
Violon 103
Quatuor à cordes: 2 violons, alto, violoncelle 82
Alto seul 74
Violoncelle 70
Violon et Piano 34

Violoncelle (partie séparée) 29
Harpe 28
Violoncelle, Piano 23
2 Violoncelles (duo) 21
Alto, Piano 20
Violon (partie séparée) 20
Violon, Violoncelle (duo) 18
Alto (partie séparée) 15
2 Violons (duo) 14
Contre Basse 12
Quintette à cordes: 2 violons, alto, violoncelle, basse 10
Trio à Cordes: 2 violons, violoncelle 9
Contrebasse, Piano (duo) 9
Contrebasse (partie séparée) 9
Trio à Cordes: violon, alto, violoncelle 8
2 Altos (duo) 7
4 Violoncelles 5
Alto, Violoncelle (duo) 5
Violon, Alto (duo) 5
Trio à Cordes: 3 violoncelles 2
2 Harpes (duo) 1
Trio à cordes: 3 violins 1
Violon, Guitare (duo) 1
Trio à Cordes: 2 violons, alto 1
Piano Trio: Violon, Alto, Piano 1

+ 25 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 46
Orchestre 21
Ensemble de cuivres 13
Percussion (partie séparée) 12
Orchestre à Cordes 11

Ensemble Jazz 8
Orchestre de chambre 6
Percussion 5
Batterie 4
Fanfare 3
Timbales (partie séparée) 2
Ensemble de Percussions 2
Marimba, Piano (duo) 1
Cloches 1
Jazz combo 1
Vibraphone (partie séparée) 1
Batterie (partie séparée) 1

+ 12 instrumentations

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La La Land

Hautbois, Violoncelle

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Josquin: 22 Duets for Oboe & Cello

Josquin: 22 Duets for Oboe & Cello #Hautbois, Violoncelle #FACILE #Josquin des Prez #James M #Josquin: 22 Duets for Oboe &am #jmsgu3 #SheetMusicPlus

Cello,Instrumental Duet,Oboe - Level 2 - SKU: A0.1074014 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Rena...(+)

Cello,Instrumental Duet,Oboe - Level 2 - SKU: A0.1074014 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678282. Published by jmsgu3 (A0.1074014). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular â€œcircular canonâ€ and the more complex â€œstrict canon.â€ He was also an early adopter of the â€œinverted canonâ€ form, in which the same melody is repeated but in an inverted form. Josquinâ€™s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents:Â I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata VirgineÂ III. Duo from the HÃ¶r Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux FerrarieÂ VIII. Agnus Dei II from Missa La sol fa re miÂ IX. Benedictus from Missa L'homme armÃ© super voces musicalesX. Benedictus from Missa L'homme armÃ© Sexti ToniÂ XI. Pleni sunt coeli from Missa Malheur me batÂ XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patrisÂ XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange linguaÂ XVI. Benedictus from Missa Pange linguaÂ XVII. Agnus Dei II from Missa Pange linguaÂ XVIII. Pleni sunt from Missa sine nomineÂ XIX. Domine non secundum peccata nostraÂ XX. Ave verum and Cuius latusÂ XXI. In principio erat verbum from Motet Verbum caro factus estÂ XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.

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