Partitions Numériques de The Music's Always There With You pour Harpe

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The Music's Always There With You
Non classifié 107

Piano & claviers
Piano seul 40
Piano Facile 7
Piano, Voix 5
Orgue 5
Piano, Voix et Guitare 1

Guitares
Guitare 10
Guitare notes et tablatures 4
2 Guitares (duo) 2
4 Guitares (Quatuor) 1

Voix
Chorale SATB 15
Chorale TTBB 6
Chorale 3 parties 3
Chorale SSAA 3
Chorale 2 parties 2

Chorale Unison 1
Chorale SSATTB 1

+ 2 instrumentations

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Vents
2 Saxophones (duo) 19
2 Flûtes traversières (duo) 16
2 Clarinettes (duo) 11
Saxophone, Clarinette (duo) 10
Clarinette, Trompette (duo) 6

Clarinette, Violon (duo) 6
Hautbois, Flûte 4
Flûte, Violon 4
Flûte, Trompette (duo) 4
2 Hautbois (duo) 4
Flûte, Saxophone (duo) 4
Hautbois, Clarinette (duo) 4
Flûte traversière 4
Flûte, Clarinette (duo) 3
Flûte, Alto (duo) 3
Hautbois, Basson (duo) 3
Flûte, Hautbois, Clarinette, Basson 3
Clarinette et Alto 2
Saxophone (partie séparée) 2
Flûte traversière et Piano 2
Quatuor de Saxophones: 4 saxophones 1
Clarinette et Piano 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Flûte, Clarinette, Piano (trio) 1
Quatuor de Clarinettes: 4 clarinettes 1
Clarinette, Guitare (duo) 1
Ensemble de Flûtes 1
Flûte, Hautbois, Basson 1
Flûte, Hautbois (duo) 1
Flûte irlandaise 1
Flûte, Clarinette et Basson 1

+ 26 instrumentations

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Cuivres
Trompette, Trombone (duo) 9
Trompette, Saxophone (duo) 8
2 Trombones (duo) 5
2 Trompettes (duo) 5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4

Trompette 2
Trio de Cuivres 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Tuba 1
2 Euphoniums et 2 Tubas 1
Cor et Piano 1
Trombone 1

+ 7 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 151
Violon, Violoncelle (duo) 145
Trio à Cordes: violon, alto, violoncelle 113
Violon 108
Quintette à cordes: 2 violons, alto, violoncelle, basse 20

Violon, Alto (duo) 10
Violon et Piano 6
2 Violoncelles (duo) 6
2 Altos (duo) 4
2 Violons (duo) 4
Trio à Cordes: 2 violons, violoncelle 3
Harpe 3

2 Harpes (duo) 2
4 Violoncelles 2
Alto seul 2
Violoncelle, Piano 2
Contrebasse, Piano (duo) 2
Violoncelle 2
Trio à Cordes: 2 violons, alto 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Trio à Cordes: 3 violoncelles 1
Alto, Piano 1

+ 17 instrumentations

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Percussions & orchestre
Orchestre à Cordes 89
Ensemble Jazz 9
Orchestre d'harmonie 7
Ensemble de cuivres 3
Orchestre 3

Orchestre de chambre 1
Ensemble de Percussions 1

+ 2 instrumentations

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The Music's Always There With You

Harpe

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3 partitions trouvées

Rorie Dall's Sister's Lament for Double-strung Lap Harp

Rorie Dall's Sister's Lament for Double-strung Lap Harp #Harpe #FACILE #Celtique/Irlandais #Rory Dall #Karen Peterson #Rorie Dall's Sister's Lament f #Karen Peterson #SheetMusicPlus

Harp - Level 2 - SKU: A0.928333 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5993785. Pu...(+)

Harp - Level 2 - SKU: A0.928333 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5993785. Published by Karen Peterson (A0.928333). WATCH THE D DORIAN VERSION: You are viewing the arrangement for lap harp, which is in the key of A dorian. To hear the D dorian version played on a larger harp, go to www.youtube.com/watch?v=l0-Kg0LifaUOverview: This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Key and range: A dorian (one sharp). 21x2 strings. G below middle C through F. (LARGER HARPS: For harps with C below middle C or lower, get the D dorian version here: www.sheetmusicplus.com/title/rorie-lament-for-double-strung-harp-digital-sheet-music/21815669)Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that arenâ€™t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff).Notation: Chord symbols are provided. Treble clef is used for both staves, with 8va for very high notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2â€™s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1â€™s turn is manageable. Contact me after purchase if youâ€™d like a version that fits on two pages: EnjoyTheHarp@gmail.com

$4.99 ≈ 4.48€

The Volcano`s Lake

The Volcano`s Lake #Harpe #FACILE #Luis Anjos Teixeira #The Volcano`s Lake #Luis Anjos Teixeira #SheetMusicPlus

Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665....(+)

Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665. Published by Luis Anjos Teixeira (A0.889438). The piece is thou very simple and easy to perform. It is appropriate for the harp and it sounds great on any kind of harp. When using a little lap harp, one can easily transpose the bass voice an octave higher. It is a flexible piece, you can play it slower or a little faster and even the arpeggio in the end that becomes quite easy after some practice could be replaced by a simple glissando. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Your Soul. It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira â€žNow comes the Little Story The Volcano`s Lake was composed on a volcano called Pico that stands out about 2000 meters above see level right in the middle of the Atlantic ocean. From the bottom of the ocean to its pick it is higher than mount Everest. I like to know that there are an enormous amount of different species of whales that live in this area and many others that go there strictly for romance. I went there to perform with the harp but was at the same time deeply morning the death of my Dear Cat Mary Jane that tragically passed away the day before the flight. In this isle I was having at night strange dreams of epic battles and fights between flying Angels and Demons. In one of these dreams â€žTime and Matter were a byproduct of â€žMusic itself. The wind was blowing, the volcano was dancing and the water on the lake was whispering enchanting melodies. As soon as I woke up I wrote some notes before they vanished away, just a fragment of an idea of what I was listening in the dream. I named it â€žThe Volcano`s Lake, because the â€žLake was comforting me with its melodies, I realized that my tears were also becoming the lake itself and in this lake I was becoming one with Mary Jane and all the rest of the Universe. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.

$6.79 ≈ 6.10€

Old French Song

Old French Song #Harpe #FACILE #Classique #Pyotr Ilich Tchaikovsky #Luis Anjos Teixeira #Old French Song #Luis Anjos Teixeira #SheetMusicPlus

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Publi...(+)

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him?.

In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.

Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderst�ck?. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".

On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.

By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.

On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.

P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition.

The first version is in the original key of g minor, the second is transposed to ?a minor?, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.

A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts.

I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself.

May be the staccatos suites you best, and you should try it.

The score was written on Finale.

The sound file was produced with samplers from Garritan,

intended as an audio support for the presentation of the score.

A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.

Thank you very much for taking your time to read this text and to listen to the file.

I hope you enjoy the music.

$4.99 ≈ 4.48€

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