Partitions Numériques de Tchaikovsky pour Harpe

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Tchaikovsky
Non classifié 179

Piano & claviers
Piano seul 266
Piano Facile 173
1 Piano, 4 mains 8
Piano Trio: piano, violon, violoncelle 5
Accompagnement Piano 5

Piano, Voix et Guitare 5
Instruments en Do 5
Accordéon 4
Piano, Voix 4
Orgue 4
2 Pianos, 4 mains 2
Piano Quatuor: piano, 2 violons, violoncelle 1
1 Piano, 6 mains 1

+ 8 instrumentations

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Guitares
Guitare notes et tablatures 10
Guitare 7
2 Guitares (duo) 7
Ukulele 3
4 Guitares (Quatuor) 2

Banjo 2
Basse electrique 2
Ligne De Mélodie, (Paroles) et Accords 1
Ensemble de guitares 1
Mandoline 1

+ 5 instrumentations

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Voix
Chorale 2 parties 4
Chorale Unison 3
Chorale TTBB 2
Chorale SATB 2
Chorale SSAA 1

Vents
2 Saxophones (duo) 46
Clarinette 36
Flûte traversière 28
Quatuor de Saxophones: 4 saxophones 28
2 Flûtes traversières (duo) 25

Clarinette et Piano 24
Flûte, Hautbois, Clarinette, Basson 23
Flûte traversière et Piano 23
Saxophone Alto et Piano 21
Saxophone Tenor et Piano 18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 17
2 Flûte à bec (duo) 17
Quatuor de Clarinettes: 4 clarinettes 17
Hautbois, Piano (duo) 15
2 Clarinettes (duo) 15
Saxophone Alto 15
Saxophone Tenor 14
Quintette de Saxophone: 5 saxophones 11
3 Saxophones (trio) 11
Flûte, Clarinette (duo) 9
3 Clarinettes (trio) 9
2 Hautbois (duo) 8
Saxophone Soprano et Piano 8
Clarinette, Basson (duo) 7
Hautbois 7
Saxophone Baryton, Piano 6
Flûte à bec Soprano 6
Hautbois, Clarinette (duo) 6
Flûte à bec Alto 5
Trio de Flûtes: 3 flûtes 5
Flûte, Hautbois (duo) 5
Flûte à Bec 5
Hautbois, Basson (duo) 5
Flûte, Clarinette et Basson 4
Piccolo 4
Ensemble de Flûtes 4
Cor anglais, Piano 4
Saxophone (partie séparée) 4
Saxophone 3
Flûte, Hautbois, Basson 3
Clarinette, Violoncelle (duo) 3
Hautbois (partie séparée) 3
Quatuor de Flûtes : 4 flûtes 3
Flûte, Hautbois, Clarinette (trio) 2
Saxophone, Basson (duo) 2
Ensemble de Clarinettes 2
Flûte à bec Tenor 2
Saxophone Soprano 2
Saxophone Baryton 2
Clarinette, Trombone (duo) 2
Flûte, Violoncelle 2
Cor Anglais 2
Hautbois, Clarinette, Basson (trio d'anches) 2
Flûte, Basson et Piano 1
Harmonica, Piano 1
Clarinette, Basson, Piano (trio) 1
Flûte, Hautbois, Piano (trio) 1
Flûte à bec Soprano, Piano 1
2 Saxophones, Piano 1
Quintette de Flûte : 5 flûtes 1
Clarinette, Trompette (duo) 1
Flûte à Bec, Piano 1
Flûte, Clarinette, Piano (trio) 1
Quatuor de Flûtes à bec 1
Hautbois, Basson et Piano 1
2 Clarinettes, Piano 1
3 Hautbois 1

+ 62 instrumentations

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Cuivres
Trompette 27
Trompette, Piano 18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 17
Trombone 15
Trombone et Piano 13

2 Trompettes (duo) 12
Cor et Piano 12
Quatuor de Cuivres: 2 trompettes, Cor, trombone 11
2 Trombones (duo) 10
Tuba et Piano 9
Trompette, Trombone (duo) 9
Tuba 9
Cor 8
2 Cors (duo) 6
Quatuor de Cuivres : 2 trompettes, trombone, tuba 6
Quatuor de Cuivres 5
Trompette, Cor (duo) 4
Cor anglais, Piano 4
Quatuor de cuivres: 4 cors 3
Trombone basse 3
Trompette, Basson (duo) 3
Quatuor de cuivres: 4 trombones 3
Trombone basse et Piano 2
Quatuor de cuivres: 4 trompettes 2
3 Trombones (trio) 2
Trompette, Tuba (duo) 2
Cor Anglais 2
Trompette, Saxophone (duo) 2
3 Trompettes (trio) 2
Trombone, Violon (duo) 2
Euphonium, Piano (duo) 2
Trombone, Cor (duo) 1
Trombone, Tuba (duo) 1
Trompette, Violoncelle (duo) 1
Trompette, Euphonium (duo) 1
Trompette, Trombone, Piano 1
Cor, Tuba (duo) 1

+ 32 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 57
Violon 40
Violoncelle 40
Violon et Piano 38
4 Violoncelles 28

Alto seul 22
Violon, Violoncelle (duo) 19
Violoncelle, Piano 18
Alto, Piano 16
2 Violons (duo) 15
2 Altos (duo) 14
2 Violoncelles (duo) 14
Quintette à cordes: 2 violons, alto, violoncelle, basse 14
Violon, Alto (duo) 10
Alto, Violoncelle (duo) 8
Trio à cordes: 3 violins 7
Quatuor à cordes: 4 violons 5
Contre Basse 5
Contrebasse, Piano (duo) 4
Trio à Cordes: 2 violons, violoncelle 4
Trio à Cordes: violon, alto, violoncelle 3
Quatuor à cordes : 4 altos 3
Violon, Basson (duo) 3
Piano Trio: Violon, Alto, Piano 3
Trio à cordes: 3 altos 2
2 Violons, Piano 2
Alto et Basson 2
Harpe 2

Trio à Cordes: 3 violoncelles 2
4 Contrebasses 1
Trio à Cordes: 2 violons, alto 1
Violoncelle , Guitare (duo) 1
Violoncelle, Contrebasse (duo) 1
2 Contrebasses (duo) 1

+ 29 instrumentations

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Percussions & orchestre
Orchestre à Cordes 34
Orchestre d'harmonie 20
Orchestre 8
Percussion 5
Orchestre de chambre 4

2 Xylophones 4
Ensemble Jazz 4
Ensemble de Percussions 1
Ensemble de cuivres 1
Cloches 1

+ 5 instrumentations

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Tchaikovsky

facile

Harpe

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2 partitions trouvées

Old French Song

Old French Song #Harpe #FACILE #Classique #Pyotr Ilich Tchaikovsky #Luis Anjos Teixeira #Old French Song #Luis Anjos Teixeira #SheetMusicPlus

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Publi...(+)

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him?.

In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.

Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderst�ck?. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".

On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.

By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.

On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.

P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition.

The first version is in the original key of g minor, the second is transposed to ?a minor?, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.

A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts.

I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself.

May be the staccatos suites you best, and you should try it.

The score was written on Finale.

The sound file was produced with samplers from Garritan,

intended as an audio support for the presentation of the score.

A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.

Thank you very much for taking your time to read this text and to listen to the file.

I hope you enjoy the music.

$4.99 ≈ 4.47€

Swan Lake - Early-Intermediate for Big and Small Harps

Swan Lake - Early-Intermediate for Big and Small Harps #Harpe #FACILE #Classique #Peter Ilyich Tchaikovsky #Christy-Lyn Dosé #Swan Lake - Early-Intermediate #Learning the Harp #SheetMusicPlus

Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Christy-Lyn Dose. Classical. Score. 7 pages. Learning the Harp #772226. Published by Lea...(+)

Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Christy-Lyn Dose. Classical. Score. 7 pages. Learning the Harp #772226. Published by Learning the Harp

$5.00 ≈ 4.48€

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