Partitions Numériques de I'm Not The One pour Cor anglais, Piano

Tout le site ▾

Mon compte
(connectez-vous)

€

EUR €USD $GBP £CAD $CNY ¥

English

Partitions Gratuites ▾
Partitions Numériques
Librairie Musicale ▾

Matériel de Musique ▾

STUDIO | SONO |

ACCESSOIRES |

I'm Not The One
Non classifié 721

Piano & claviers
Piano seul 197
Piano, Voix et Guitare 67
Piano Facile 52
Piano, Voix 45
Instruments en Do 10

Piano grosses notes 7
Orgue 5
Piano Quatuor: piano, violon, alto, violoncelle 4
1 Piano, 4 mains 2
Accompagnement Piano 1
2 Pianos, 8 mains 1
Piano Trio: piano, violon, violoncelle 1
Piano (partie séparée) 1

+ 8 instrumentations

Retracter

Guitares
Guitare notes et tablatures 70
Ligne De Mélodie, (Paroles) et Accords 19
Guitare 12
Basse electrique 10
Paroles et Accords 7

Ukulele 4
2 Guitares (duo) 3
Guitare, Violon, Violoncelle (trio) 1
Mandoline, Guitare (duo) 1
Piano, Guitare (duo) 1
Guitare (partie séparée) 1

+ 6 instrumentations

Retracter

Voix
Chorale SATB 83
Chorale 3 parties 18
Chorale TTBB 16
Chorale 2 parties 10
Chorale SSAA 8

Voix seule 6
Voix duo 3
Voix duo, Piano 3
Chorale 2
Chorale Unison 1
Voix moyenne, Piano 1

+ 6 instrumentations

Retracter

Vents
Quintette de Saxophone: 5 saxophones 90
Ensemble de saxophones 85
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 62
Saxophone (partie séparée) 29
Quatuor de Saxophones: 4 saxophones 25

Ensemble de Clarinettes 21
Clarinette 13
Flûte traversière 13
Saxophone Alto 13
Flûte traversière et Piano 12
Ensemble de Flûtes 9
Flûte, Hautbois, Clarinette, Basson 9
Clarinette et Piano 9
Quatuor de Clarinettes: 4 clarinettes 8
2 Flûtes traversières (duo) 8
Quintette de Flûte : 5 flûtes 8
Hautbois, Piano (duo) 8
Saxophone Soprano et Piano 8
2 Saxophones (duo) 7
Saxophone Alto et Piano 7
Saxophone Tenor et Piano 7
Hautbois (partie séparée) 6
Flûte, Alto (duo) 5
Flûte, Violoncelle 5
Hautbois, Basson (duo) 5
Clarinette et Alto 5
Saxophone Baryton, Piano 4
Saxophone Tenor 4
Hautbois 3
3 Saxophones (trio) 3
Cor anglais, Piano 3

Quatuor de Flûtes : 4 flûtes 3
Trio de Flûtes: 3 flûtes 2
3 Clarinettes (trio) 2
Clarinette Basse, Piano 2
Flûte, Hautbois (duo) 1
Flûte, Hautbois, Basson 1
Saxophone et Orgue 1
Saxophone et Guitare 1
Flûte à bec Soprano 1
Flûte, Clarinette et Basson 1
Instruments en Mib 1
Flûte, Violon, Piano 1
Clarinette, Violoncelle (duo) 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Clarinette, Orchestre 1

+ 41 instrumentations

Retracter

Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 78
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 45
Quatuor de Cuivres: 2 trompettes, Cor, trombone 29
Ensemble de Trombones 19
Trombone 15

Quatuor de Cuivres 15
Ensemble de Trompettes 13
Trompette 12
Tuba 8
Trombone et Piano 6
2 Trombones (duo) 6
Cor et Piano 6
Trompette, Trombone (duo) 5
Cor 5
Trompette (partie séparée) 4
Ensemble de Cors 4
Trompette, Piano 4
Euphonium, Piano (duo) 3
Trio de Cuivres 3
Cor anglais, Piano 3

Tuba et Piano 3
Euphonium 2
2 Trompettes (duo) 2
Quatuor de cuivres: 4 trombones 2
Bass Clef Instruments 1
2 Cors (duo) 1
Trombone (partie séparée) 1
Instruments en Sib 1

+ 23 instrumentations

Retracter

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 188
Violon, Violoncelle (duo) 143
Violon 132
Trio à Cordes: violon, alto, violoncelle 114
Quintette à cordes: 2 violons, alto, violoncelle, basse 33

Harpe 14
Violoncelle (partie séparée) 12
Ensemble de Violons 11
Ensemble d'Altos 11
Alto seul 10
Violon, Alto (duo) 10
Alto, Piano 9
Violon et Piano 8
Violoncelle, Piano 6
Trio à Cordes: 2 violons, violoncelle 6
Violoncelle 6
4 Violoncelles 5
Flûte, Contrebasse (duo) 5
Violoncelle, Contrebasse (duo) 5
Quintette à cordes: 2 violons, 2 altos, violoncelle 4
2 Violoncelles (duo) 3
Contrebasse, Piano (duo) 3
2 Violons (duo) 3
Alto (partie séparée) 2
Contre Basse 2
Trio à Cordes: 2 violons, alto 1
Quatuor à cordes : 4 altos 1
Trio à Cordes: 3 violoncelles 1
2 Altos (duo) 1
Alto et Harpe 1
Harpe, Flûte (duo) 1
Contrebasse (partie séparée) 1
Quatuor à cordes: 4 violons 1
Ensemble de Violoncelles 1
Piano Trio: Violon, Alto, Piano 1

+ 30 instrumentations

Retracter

Percussions & orchestre
Orchestre à Cordes 95
Orchestre de chambre 21
Marimba 19
Orchestre d'harmonie 18
Jazz combo 15

Orchestre 15
Ensemble Jazz 13
Ensemble de cuivres 9
Ensemble de Percussions 6
Batterie (partie séparée) 2
Batterie 1
Cloches 1

+ 7 instrumentations

Retracter

Autres

Imprimer aprés achat

Accueil

Européens

Américains

Chez Virtualsheetmusic

Artistes Internationaux

Artistes Francophones

Top artistes

POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman

PARTITIONS GRATUITES
185 000+ partitions

BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison

PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer

MATERIEL DE MUSIQUE
Accessoires & Instruments

Partitions Numériques, Accès après l'Achat

Expédition postale Téléchargement

Tri et filtres :

avec audio

avec vidéo

avec play-along

Vous avez sélectionné:

I'm Not The One

Cor anglais, Piano

Partitions à imprimer

3 partitions trouvées

Luther: Out of the Depths for English Horn & Piano

Luther: Out of the Depths for English Horn & Piano #Cor anglais, Piano #DÉBUTANT #Martin Luther #James M #Luther: Out of the Depths for #jmsgu3 #SheetMusicPlus

English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and ...(+)

English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the DepthsÂ I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

$24.95 ≈ 22.96€

I Write The Songs

I Write The Songs #Cor anglais, Piano #INTERMÉDIAIRE #Barry Manilow #James M #I Write The Songs #jmsgu3 #SheetMusicPlus

English Horn,Piano - Level 3 - SKU: A0.549342 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and par...(+)

English Horn,Piano - Level 3 - SKU: A0.549342 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486697. Published by jmsgu3 (A0.549342). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

$39.95 ≈ 36.77€

Bach: Bist du bei mir BWV 508 for English Horn & Piano

Bach: Bist du bei mir BWV 508 for English Horn & Piano #Cor anglais, Piano #FACILE #Classique #Johann Sebastian Bach #James M #Bach: Bist du bei mir BWV 508 #jmsgu3 #SheetMusicPlus

English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. ...(+)

English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468366. Published by jmsgu3 (A0.549228). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost StÃ¶lzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. Â He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2. Â Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time. Â Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair handsÂ Â Â Â Â Â Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and certainly the Christmas Oratorio. Â History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Â Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. RevivalÂ Â Â Â Â Â Â Â Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.

$32.95 ≈ 30.33€

Acheter des Partitions Numériques à Imprimer

Accueil
A propos
Contact, mentions légales
Espace membre
Service de license
Faire un don

PARTITIONS GRATUITES
LIBRAIRIE MUSICALE
PARTITIONS NUMÉRIQUES
MATERIEL DE MUSIQUE
CONCOURS DE COMPOSITION
ANNUAIRE WEB

Suivre free-scores.com