Partitions Numériques de Four On Six pour Cor anglais, Piano

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Four On Six
Non classifié 161

Piano & claviers
Piano seul 47
Piano, Voix et Guitare 18
Piano Facile 15
Orgue 8
Instruments en Do 7

Accordéon 5
1 Piano, 4 mains 5
Piano, Voix 3
2 Pianos, 4 mains 1
Piano grosses notes 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1

+ 6 instrumentations

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Guitares
Guitare 14
Guitare notes et tablatures 8
Ligne De Mélodie, (Paroles) et Accords 7
Ukulele 3
2 Guitares (duo) 2

Banjo 2
Basse electrique 2
Mandoline 1
Piano, Guitare (duo) 1
Ukulele Baryton 1
Guitare (partie séparée) 1

+ 6 instrumentations

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Voix
Chorale SATB 19
Chorale TTBB 7
Chorale 2 parties 3
Voix Baryton, Piano 2
Chorale Unison 1

Voix Soprano, Piano 1

+ 1 instrumentations

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Vents
2 Saxophones (duo) 20
Saxophone (partie séparée) 17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 16
Flûte traversière et Piano 15
Quatuor de Saxophones: 4 saxophones 13

Clarinette et Piano 12
Quintette de Saxophone: 5 saxophones 11
Hautbois, Piano (duo) 9
2 Clarinettes (duo) 9
2 Flûtes traversières (duo) 9
2 Flûte à bec (duo) 8
Quatuor de Clarinettes: 4 clarinettes 8
3 Saxophones (trio) 8
Flûte traversière 7
Clarinette 7
Saxophone Alto 7
Saxophone Alto et Piano 7
Saxophone, Clarinette (duo) 6
Flûte, Hautbois, Clarinette, Basson 6
Saxophone Soprano et Piano 6
Clarinette, Harpe (duo) 5
Saxophone Tenor et Piano 5
2 Hautbois (duo) 5
Quintette de Flûte : 5 flûtes 4
Saxophone Baryton, Piano 4
Flûte, Clarinette (duo) 4
Clarinette, Violon (duo) 4
Cor anglais, Piano 3

Flûte, Violon 3
Hautbois, Clarinette (duo) 3
Ensemble de Clarinettes 3
Flûte, Hautbois, Clarinette (trio) 3
Saxophone Soprano 2
Clarinette et Alto 2
Clarinette, Trompette (duo) 2
Hautbois, Basson (duo) 2
Quatuor de Flûtes : 4 flûtes 2
Instruments en Mib 2
Clarinette Basse, Piano 2
Ensemble de Flûtes 2
Quatuor de Flûtes à bec 2
Flûte, Harpe et Violoncelle 2
Quintette de Clarinettes: 5 clarinettes 2
Flûte, Saxophone (duo) 2
Hautbois, Flûte 2
Piccolo, Piano 1
3 Clarinettes (trio) 1
Ensemble de Hautbois 1
Flûte à bec Soprano, Piano 1
Clarinette Basse 1
Flûte à bec Tenor 1
Saxophone Tenor 1
Flûte, Alto (duo) 1
Harmonica 1
Clarinette, Basson (duo) 1
Hautbois, Harpe 1
3 Flûtes à bec (trio) 1
Trio de Flûtes: 3 flûtes 1
Flûte, Trompette (duo) 1
Hautbois (partie séparée) 1

+ 55 instrumentations

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Cuivres
Trombone et Piano 18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 12
Trompette 11
2 Trombones (duo) 7
Quatuor de Cuivres : 2 trompettes, trombone, tuba 6

Bass Clef Instruments 6
Cor et Piano 6
Trombone 6
Trompette, Piano 5
Euphonium, Piano (duo) 5
2 Trompettes (duo) 5
Ensemble de Trombones 4
2 Cors (duo) 4
Trompette (partie séparée) 4
Trompette, Saxophone (duo) 4
Trombone (partie séparée) 4
Cor anglais, Piano 3

Trompette, Trombone (duo) 3
Tuba 3
2 Tubas (duo) 3
Tuba et Orgue 3
Euphonium 2
2 Euphoniums (duo) 2
Trombone basse 2
Cor 2
Ensemble de Trompettes 2
Quatuor de Cuivres 2
Trompette, Cor (duo) 2
Quatuor de cuivres: 4 cors 2
Tuba et Piano 2
Ensemble de Cors 1
3 Cors (trio) 1
Instruments en Sib 1
3 Trombones (trio) 1
3 Tubas (trio) 1
2 Euphoniums et 2 Tubas 1
Quatuor de cuivres: 4 trombones 1

+ 32 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 27
Violon et Piano 14
Harpe 11
Violoncelle (partie séparée) 11
Violon 8

Harpe, Flûte (duo) 7
Violoncelle, Piano 7
Alto (partie séparée) 6
Alto, Piano 6
Violoncelle 6
Violon, Alto (duo) 5
2 Violons (duo) 5
2 Altos (duo) 5
Alto seul 5
2 Violoncelles (duo) 5
Violon, Violoncelle (duo) 4
Trio à Cordes: violon, alto, violoncelle 4
Harpe, Violon (duo) 3
Ensemble d'Altos 2
Contrebasse, Piano (duo) 2
Contrebasse (partie séparée) 2
Ensemble de Violons 1
Violon, Guitare (duo) 1
Trio à cordes: 3 violins 1
Quatuor à cordes: 4 violons 1
Trio à cordes: 3 altos 1
Violon (partie séparée) 1
Quatuor à cordes : 4 altos 1
Violon, Tuba (duo) 1
Trio à Cordes: 3 violoncelles 1
Violoncelle, Contrebasse (duo) 1
Contre Basse 1

+ 27 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 18
Orchestre 15
Cloches 8
Orchestre à Cordes 7
Ensemble de Percussions 5

Ensemble de cuivres 5
Jazz combo 5
Ensemble Jazz 4
Batterie 2
Orchestre de chambre 2
Xylophone, Piano 1
Percussion (partie séparée) 1
Batterie (partie séparée) 1
Piano et Orchestre 1
Fanfare 1

+ 10 instrumentations

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Four On Six

Cor anglais, Piano

Partitions à imprimer

3 partitions trouvées

Morning Has Broken

Morning Has Broken #Cor anglais, Piano #DÉBUTANT #Rock #Cat Stevens #James M #Morning Has Broken #jmsgu3 #SheetMusicPlus

English Horn,Piano - Level 1 - SKU: A0.548740 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu...(+)

English Horn,Piano - Level 1 - SKU: A0.548740 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415205. Published by jmsgu3 (A0.548740). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia

$47.95 ≈ 44.76€

Bach: Wachet auf for English Horn & Piano

Bach: Wachet auf for English Horn & Piano #Cor anglais, Piano #FACILE #Classique #Johann Sebastian Bach #James M # #Bach: Wachet auf for English H #jmsgu3 #SheetMusicPlus

English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stan...(+)

English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555009. Published by jmsgu3 (A0.549848). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives â€“ in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hÃ¶rt die WÃ¤chter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six SchÃ¼bler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.

$24.95 ≈ 23.29€

Arioso by Bach for English Horn and Piano

Arioso by Bach for English Horn and Piano #Cor anglais, Piano #DÉBUTANT #Classique #Johann Sebastian Bach #Ander #Arioso by Bach for English Hor #Woods Only, Arrangements #SheetMusicPlus

English Horn,Piano - Level 1 - SKU: A0.1047119 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Score an...(+)

English Horn,Piano - Level 1 - SKU: A0.1047119 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #651648. Published by Woods Only, Arrangements (A0.1047119). This easy arrangement for english horn and piano was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.

$1.99 ≈ 1.86€

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