Partitions Numériques de (The Red Priest) pour Cor anglais, Piano

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(The Red Priest)
Non classifié 122

Piano & claviers
2 Pianos, 4 mains 21
Piano seul 15
Piano, Voix 9
Piano, Voix et Guitare 7
Orgue 7

Piano Facile 6
Piano Trio: piano, violon, violoncelle 6
Piano Quatuor: piano, violon, alto, violoncelle 2
Instruments en Do 1
Accompagnement Piano 1
Piano Quatuor: piano, 2 violons, violoncelle 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1

+ 7 instrumentations

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Guitares
Paroles et Accords 1

Voix
Chorale SATB 63
Chorale 3 parties 13
Chorale 2 parties 13
Voix duo 8
Chorale Unison 6

Chorale TTBB 2
Voix seule 2
Voix duo, Piano 2
Chorale 1
Voix Soprano, Piano 1

+ 5 instrumentations

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Vents
Flûte traversière et Piano 12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 8
Saxophone Alto et Piano 6
Ensemble de saxophones 5
Clarinette et Piano 5

Flûte et Guitare 4
Quintette de Saxophone: 5 saxophones 4
2 Saxophones (duo) 4
Quatuor de Clarinettes: 4 clarinettes 4
Hautbois, Piano (duo) 4
Flûte, Violoncelle, Piano (trio) 4
Saxophone Tenor et Piano 4
Saxophone, Clarinette (duo) 3
Ensemble de Clarinettes 3
Flûte, Violoncelle, Guitare 3
2 Flûtes traversières (duo) 3
Clarinette 3
2 Clarinettes (duo) 2
Quatuor de Saxophones: 4 saxophones 2
Quatuor de Flûtes à bec 2
Saxophone Baryton, Piano 2
Saxophone Soprano et Piano 2
Flûte, Hautbois, Clarinette, Basson 2
Clarinette, Trompette (duo) 2
Cor anglais, Piano 2

Clarinette, Violon (duo) 2
Hautbois, Basson (duo) 2
Clarinette et Alto 1
Saxophone (partie séparée) 1
3 Clarinettes (trio) 1
Ensemble de Flûtes 1
Hautbois, Flûte 1
Flûte, Saxophone (duo) 1
Flûte, Alto (duo) 1
Flûte traversière 1
Flûte, Violon 1
Quintette de Clarinettes: 5 clarinettes 1
Hautbois, Clarinette (duo) 1
Quatuor de Flûtes : 4 flûtes 1
Flûte, Clarinette (duo) 1
Clarinette Basse, Piano 1
2 Hautbois (duo) 1
Quintette de Flûte : 5 flûtes 1
Flûte, Trompette (duo) 1

+ 39 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 11
Quatuor de Cuivres : 2 trompettes, trombone, tuba 10
Trompette 6
Trombone et Piano 5
Cor et Piano 4

Trombone (partie séparée) 4
Trompette, Piano 4
Quatuor de Cuivres: 2 trompettes, Cor, trombone 3
2 Trombones (duo) 2
Trompette, Trombone (duo) 2
Trompette, Saxophone (duo) 2
2 Trompettes (duo) 2
Euphonium, Piano (duo) 2
Ensemble de Trombones 2
Cor anglais, Piano 2

2 Tubas (duo) 1
Quatuor de cuivres: 4 trompettes 1
Tuba et Piano 1
Trompette (partie séparée) 1

+ 14 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 11
Alto, Piano 10
Violoncelle, Piano 10
Violon et Piano 10
Violon (partie séparée) 4

Violon, Violoncelle (duo) 4
Harpe, Violon, Violoncelle 2
Trio à Cordes: violon, alto, violoncelle 2
Harpe 2
Trio à Cordes: 2 violons, violoncelle 1
Harpe, Flûte (duo) 1
2 Altos (duo) 1
Ensemble de Violons 1
2 Violoncelles, Piano 1
2 Violons (duo) 1
Violon 1
Trio à cordes: 3 altos 1
2 Violons, Piano 1
2 Violoncelles (duo) 1
Violoncelle (partie séparée) 1
Ensemble d'Altos 1
Alto (partie séparée) 1
Violon, Alto (duo) 1

+ 18 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 26
Ensemble de cuivres 19
Orchestre à Cordes 10
Orchestre de chambre 3
Marimba 2

Orchestre 1

+ 1 instrumentations

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(The Red Priest)

Cor anglais, Piano

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2 partitions trouvées

Luther: Out of the Depths for English Horn & Piano

Luther: Out of the Depths for English Horn & Piano #Cor anglais, Piano #DÉBUTANT #Martin Luther #James M #Luther: Out of the Depths for #jmsgu3 #SheetMusicPlus

English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and ...(+)

English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the DepthsÂ I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

$24.95 ≈ £19.57

Handel: Largo from Xerxes for English Horn & Piano

Handel: Largo from Xerxes for English Horn & Piano #Cor anglais, Piano #INTERMÉDIAIRE #Classique #George Frideric Handel #James M #Handel: Largo from Xerxes for #jmsgu3 #SheetMusicPlus

English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding....(+)

English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492331. Published by jmsgu3 (A0.549388). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handelâ€™s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George FridericÂ Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the MessiahÂ in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. Â To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Â Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â

$32.95 ≈ £25.85

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