Partitions Numériques de What a Wonderful World pour Ensemble de Violons

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What a Wonderful World
Non classifié 291

Piano & claviers
Piano seul 196
Piano Facile 75
Piano, Voix et Guitare 72
Piano, Voix 39
Accordéon 15

Piano grosses notes 8
1 Piano, 4 mains 7
Instruments en Do 7
Piano (partie séparée) 3
Orgue 3
2 Pianos, 4 mains 2
Ensemble de Pianos 1
Piano Trio: piano, violon, violoncelle 1

+ 8 instrumentations

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Guitares
Guitare notes et tablatures 56
Ukulele 31
Ligne De Mélodie, (Paroles) et Accords 21
Guitare 21
Paroles et Accords 8

Dulcimer 6
Guitare (partie séparée) 4
Basse electrique 2
Ukulele Baryton 1
Mandoline 1
Piano, Guitare (duo) 1
3 Guitares (trio) 1

+ 7 instrumentations

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Voix
Chorale SATB 49
Chorale 3 parties 38
Chorale 2 parties 20
Chorale TTBB 12
Chorale SSAA 10

Chorale 9
Chorale Unison 4
Voix seule 3
Chorale SSAATTBB 1
Chorale SSAATB 1
Voix Soprano, Piano 1
Voix duo, Piano 1

+ 7 instrumentations

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Vents
Saxophone (partie séparée) 42
Flûte traversière 28
Clarinette 23
Saxophone Alto 22
Clarinette et Piano 19

Flûte traversière et Piano 18
Hautbois (partie séparée) 15
Quatuor de Saxophones: 4 saxophones 13
Quintette de Saxophone: 5 saxophones 12
Hautbois, Piano (duo) 12
2 Saxophones (duo) 11
Saxophone Alto et Piano 11
Saxophone Tenor et Piano 9
Saxophone Tenor 8
Clarinette (partie séparée) 8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 8
2 Flûtes traversières (duo) 7
2 Clarinettes (duo) 6
Quatuor de Clarinettes: 4 clarinettes 6
Flûte, Clarinette (duo) 5
Flûte, Hautbois (duo) 5
Flûte, Violon 5
Flute (partie séparée) 5
Clarinette, Violon (duo) 5
Saxophone Soprano et Piano 5
Saxophone, Violon (duo) 4
Saxophone, Clarinette (duo) 4
Hautbois, Clarinette (duo) 4
Quatuor de Flûtes : 4 flûtes 4
Hautbois, violon (duo) 4
Ensemble de Clarinettes 4
2 Hautbois (duo) 3
Flûte, Hautbois, Clarinette, Basson 3
Flute, harpe et violon 2
Ocarina 2
3 Clarinettes (trio) 2
Quintette de Flûte : 5 flûtes 2
Flûte et Guitare 2
Hautbois 2
Quintette de Clarinettes: 5 clarinettes 2
Trio de Flûtes: 3 flûtes 2
Harmonica 2
Flûte à Bec 2
Saxophone Baryton, Piano 2
Saxophone Soprano 1
Clarinette Basse 1
Hautbois, Basson (duo) 1
3 Saxophones (trio) 1
Flûte, Hautbois, Violon 1
2 Flûte à bec (duo) 1
Cor anglais, Piano 1
Flûte à bec Soprano 1
Clarinette, Harpe (duo) 1
Instruments en Mib 1
Flûte, Violoncelle 1
Flûte irlandaise 1
Flûte, Hautbois, Clarinette (trio) 1
Hautbois, Violoncelle 1
Clarinette, Violoncelle (duo) 1
Flûte à bec Tenor 1
Clarinette, Basson (duo) 1
Flûte, Trombone (duo) 1
Flûte, Clarinette, Violon (trio) 1

+ 58 instrumentations

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Cuivres
Trompette 25
Trompette (partie séparée) 23
Trombone 18
Trompette, Piano 14
Trombone et Piano 11

Cor 11
Trombone (partie séparée) 11
Tuba 9
Cor et Piano 8
Quatuor de Cuivres : 2 trompettes, trombone, tuba 7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 6
Cor (partie séparée) 5
Tuba (partie séparée) 5
Tuba et Piano 5
Quatuor de Cuivres: 2 trompettes, Cor, trombone 5
Trompette, violon (duo) 4
2 Trombones (duo) 4
Trompette, Saxophone (duo) 4
2 Trompettes (duo) 3
Quatuor de cuivres: 4 trombones 3
Bass Clef Instruments 3
2 Cors (duo) 2
Trio de Cuivres 2
Ensemble de Trompettes 2
Ensemble de Trombones 2
Euphonium 2
Trompette, Trombone (duo) 1
Quatuor de cuivres: 4 cors 1
Cor anglais, Piano 1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib 1
3 Trombones (trio) 1
Instruments en Sib 1
Cor, Violoncelle (duo) 1

+ 28 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 64
Violon 45
Violon et Piano 26
Violoncelle 19
Harpe 18

Violoncelle, Piano 18
Violon, Violoncelle (duo) 18
Violoncelle (partie séparée) 17
Alto seul 16
Alto, Piano 16
2 Violons (duo) 13
Trio à Cordes: violon, alto, violoncelle 10
Contrebasse (partie séparée) 8
Alto (partie séparée) 7
Contre Basse 6
Contrebasse, Piano (duo) 5
Violon (partie séparée) 5
Alto, Violoncelle (duo) 4
Trio à cordes 3
2 Violoncelles (duo) 3
Harpe, Voix 3
2 Altos (duo) 3
Ensemble de Violons 2

Violon, Alto (duo) 2
Piano Trio: Violon, Alto, Piano 2
Trio à Cordes: 2 violons, violoncelle 2
Harpe, Violon (duo) 1
Violon, Basson (duo) 1
Trio à Cordes: 3 violoncelles 1
4 Violoncelles 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Alto et Basson 1
Trio à cordes: 3 violins 1
Harpe, Flûte (duo) 1

+ 29 instrumentations

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Percussions & orchestre
Ensemble Jazz 35
Orchestre d'harmonie 21
Percussion (partie séparée) 10
Orchestre à Cordes 9
Orchestre 6

Cloches 6
Batterie (partie séparée) 5
Ensemble de cuivres 5
Jazz combo 3
Timbales (partie séparée) 2
Percussion 2
Vibraphone 2
Batterie 1
Xylophone, Piano 1
Orchestre de chambre 1
Fanfare 1
Marimba 1

+ 12 instrumentations

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What a Wonderful World

Ensemble de Violons

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2 partitions trouvées

Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)

Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet) #Ensemble de Violons #INTERMÉDIAIRE #Classique #Musique Sacrée #Antonin Dvorak #Regis Bookshar #Largo #Regis Bookshar #SheetMusicPlus

String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...(+)

String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:â€ƒâ€ƒâ€ƒâ€ƒI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:â€ƒâ€ƒI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.

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