Partitions Numériques de Variation pour Tuba

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Variation
Non classifié 216

Piano & claviers
Piano seul 184
Orgue 82
Piano Facile 7
Piano Trio: piano, violon, violoncelle 6
Piano, Voix 6

Piano, Voix et Guitare 6
1 Piano, 4 mains 5
Accompagnement Piano 3
Orgue, Trompette (duo) 2
Piano Quatuor: piano, violon, alto, violoncelle 2
2 Pianos, 4 mains 1
Instruments en Do 1

+ 7 instrumentations

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Guitares
Piano, Guitare (duo) 17
Guitare 14
2 Guitares (duo) 8
Guitare notes et tablatures 8
Ukulele 4

4 Guitares (Quatuor) 3
3 Guitares (trio) 2
Banjo 1
Basse electrique 1

+ 4 instrumentations

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Voix
Chorale SATB 16
Chorale 2 parties 12
Chorale TTBB 6
Chorale 3 parties 6
Voix moyenne, Piano 1

Chorale 1
Chorale SSAA 1
Chorale Unison 1

+ 3 instrumentations

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Vents
Flûte traversière et Piano 41
Saxophone Tenor et Piano 35
Hautbois, Piano (duo) 32
Clarinette et Piano 29
Saxophone Alto et Piano 24

Saxophone Soprano et Piano 18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 16
Quatuor de Saxophones: 4 saxophones 14
Quatuor de Clarinettes: 4 clarinettes 11
Flûte, Hautbois, Clarinette, Basson 10
3 Saxophones (trio) 9
Saxophone Baryton, Piano 8
2 Clarinettes, Piano 8
2 Flûtes traversières, Piano 7
Flûte, Violon et Violoncelle 7
Flûte, Clarinette, Piano (trio) 7
Flûte, trombone et piano 6
Clarinette, Violon (duo) 6
3 Clarinettes (trio) 6
Quintette de Clarinettes: 5 clarinettes 5
Ensemble de Clarinettes 5
Clarinette, Violoncelle, Piano (trio) 5
Flûte, Clarinette et Basson 4
Flûte, Alto et Piano 4
Flûte, Violon, Piano 4
Clarinette Basse, Piano 4
Cor anglais, Piano 4
Flûte traversière 4
Ensemble de Flûtes 4
Flûte, Hautbois, Clarinette (trio) 3
2 Flûtes traversières (duo) 3
Flûte et Guitare 3
Quatuor de Flûtes : 4 flûtes 3
Clarinette 3
Flûte, Hautbois, Piano (trio) 2
Piccolo, Piano 2
Flûte, Hautbois, Basson 2
Trio de Flûtes: 3 flûtes 2
2 Clarinettes (duo) 2
Quintette de Saxophone: 5 saxophones 2
Flûte, Violoncelle, Piano (trio) 2
2 Saxophones (duo) 2
Clarinette, trompette et piano 2
Flûte, Violon, Violoncelle et Piano 2
Flûte, Clarinette (duo) 1
Hautbois, Basson (duo) 1
Flûte, Trompette (duo) 1
Cor anglais, Guitare (duo) 1
Flûte à bec Alto 1
Cor Anglais 1
Saxophone (partie séparée) 1
Flûte, Violoncelle, Guitare 1
Flûte à bec Alto, Piano 1
2 Hautbois (duo) 1
Hautbois (partie séparée) 1
Quintette de Flûte : 5 flûtes 1
2 Flûte à bec (duo) 1
Flûte à bec Soprano 1
Clarinette, Guitare (duo) 1
Hautbois, Violin, Alto et Violoncelle (Quatuor) 1
Flûte, Violon 1
Flûte, Basson et Piano 1
Flûte, Violoncelle 1
Ensemble de saxophones 1
Saxophone Alto 1

+ 60 instrumentations

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Cuivres
Trombone et Piano 26
Trompette, Piano 16
Quatuor de Cuivres : 2 trompettes, trombone, tuba 14
Cor et Piano 12
Trompette 10

Euphonium, Piano (duo) 10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 8
Quatuor de Cuivres: 2 trompettes, Cor, trombone 8
Quatuor de cuivres: 4 trombones 6
Trompette, Trombone (duo) 6
Quatuor de Cuivres 5
Quatuor de cuivres: 4 cors 4
Cor anglais, Piano 4
Quatuor de cuivres: 2 trompettes, 2 trombones 3
Quatuor de cuivres: 4 trompettes 3
Ensemble de Trompettes 3
Ensemble de Cors 3
Tuba 2

Trio de Cuivres 2
Tuba et Piano 2
2 Trompettes (duo) 2
Ensemble de Trombones 1
Cor anglais, Guitare (duo) 1
2 Euphoniums et 2 Tubas 1
Cor Anglais 1
2 Cors (duo) 1
Trombone 1
Cor 1
Trompette, Violoncelle et Piano 1

+ 24 instrumentations

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Cordes
Violon et Piano 35
Quatuor à cordes: 2 violons, alto, violoncelle 33
Alto, Piano 31
Violoncelle, Piano 22
Harpe 15

Trio à Cordes: violon, alto, violoncelle 9
Violon 8
Trio à Cordes: 2 violons, violoncelle 5
2 Violoncelles (duo) 5
4 Violoncelles 5
Trio à cordes: 3 violins 4
Violoncelle 3
Trio à Cordes: 3 violoncelles 3
Quatuor à cordes: 4 violons 3
Violon, Violoncelle (duo) 2
2 Violons (duo) 2
Violon, Guitare (duo) 1
Ensemble de Violons 1
Violon, Orgue 1
Piano Trio: Violon, Alto, Piano 1
Alto seul 1

+ 16 instrumentations

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Percussions & orchestre
Cloches 29
Orchestre d'harmonie 14
Orchestre à Cordes 9
Orchestre 8
Ensemble Jazz 6

Orchestre de chambre 5
Ensemble de cuivres 3
Ensemble de Percussions 2
Percussion 1
Batterie 1
Xylophone 1

+ 6 instrumentations

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Variation

intermédiaire

Tuba

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2 partitions trouvées

Tuba solo - "And Can It Be?" Theme and Variations

Tuba solo - "And Can It Be?" Theme and Variations #Tuba #INTERMÉDIAIRE #Musique Sacrée #Lyrics: Charles Wesley, Music: #Dan Cutchen #Tuba solo - "And Can It B #Dan Cutchen Music #SheetMusicPlus

Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...(+)

Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,â€™ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Brayâ€™s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Brayâ€™s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesleyâ€™s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

$6.00

Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)

Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas) #Tuba #INTERMÉDIAIRE #Methodes #Joshua Hauser # #Donut Etudes vol. 3: Don&rsquo #Slide Ride #SheetMusicPlus

Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (...(+)

Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

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