Partitions Numériques de Sing To the Mountains pour Saxophone Baryton, Piano

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Sing To the Mountains
Non classifié 35

Piano & claviers
Piano seul 27
Piano, Voix 8
Piano, Voix et Guitare 7
Piano Facile 2
Orgue 2

2 Pianos, 4 mains 1
Instruments en Do 1

+ 2 instrumentations

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Guitares
Guitare 3
Guitare notes et tablatures 2
Mandoline 1
Banjo 1
Ligne De Mélodie, (Paroles) et Accords 1

Voix
Chorale SATB 20
Chorale 3 parties 12
Chorale 2 parties 4
Chorale Unison 3
Chorale TTBB 2

Voix seule 2
Chorale SSAA 2
Voix Soprano, Piano 1

+ 3 instrumentations

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Vents
Flûte traversière et Piano 3
Saxophone (partie séparée) 2
Saxophone Alto et Piano 2
Clarinette 2
Flûte, Hautbois, Clarinette, Basson 2

Hautbois, Piano (duo) 1
2 Flûte à bec (duo) 1
Saxophone Baryton, Piano 1

Cor anglais, Piano 1
Saxophone Soprano et Piano 1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle 1
Flûte, Clarinette (duo) 1
Quatuor de Saxophones: 4 saxophones 1
Saxophone Alto 1
Flûte et Guitare 1
Flûte irlandaise 1
Ensemble de Flûtes 1
Hautbois (partie séparée) 1
Clarinette Basse, Piano 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Saxophone Tenor et Piano 1
Flûte à bec Soprano 1
2 Flûtes traversières (duo) 1

+ 18 instrumentations

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Cuivres
Euphonium, Piano (duo) 2
Cor anglais, Piano 1
Trombone 1
Trompette 1
Quatuor de cuivres: 4 trombones 1

Ensemble de Cors 1
Quatuor de cuivres: 4 cors 1
Trompette, Piano 1

+ 3 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 5
Violon 2
Alto, Piano 1
Alto seul 1
Violon et Piano 1

Harpe, Voix 1
Violoncelle, Piano 1

+ 2 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 6
Orchestre 6
Percussion 1
Jazz combo 1

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Sing To the Mountains

Saxophone Baryton, Piano

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1 partition trouvée

Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano

Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano #Saxophone Baryton, Piano #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic ...(+)

Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ 18.33€

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