Partitions Numériques de Choir Contemporary pour Saxophone Baryton, Piano

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Choir Contemporary
Non classifié 2 706

Piano & claviers
Piano, Voix 677
Piano, Voix et Guitare 200
Piano seul 108
Accompagnement Piano 90
Orgue 36

Piano Facile 25
Instruments en Do 20
Orgue, Trompette (duo) 6
Piano Trio: piano, violon, violoncelle 4
1 Piano, 4 mains 4
Piano grosses notes 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Clavecin 1
2 Pianos, 4 mains 1
Piano (partie séparée) 1
Piano Quatuor: piano, violon, alto, violoncelle 1

+ 11 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 15
Guitare 5
Guitare notes et tablatures 4
Piano, Guitare (duo) 2
Basse electrique 2

Guitare Pedal Steel 1
Mandoline, Piano (duo) 1
Ukulele 1

+ 3 instrumentations

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Voix
Chorale SATB 10 590
Chorale 2 parties 3 586
Chorale 3 parties 3 362
Chorale TTBB 2 769
Chorale Unison 1 367

Chorale SSAA 1 299
Chorale 58
Voix duo, Piano 32
Pack Instrumental pour Chorale 24
Voix duo 17
Voix Soprano, Piano 10
Voix seule 8
Voix haute 6
Chorale SSAATTBB 6
Chorale SSATBB 5
Chorale SSATB 5
Voix moyenne, Piano 4
Voix Alto, Piano 3
Chorale SSAB, Piano 3
Chorale SSATTB 3
Voix Baryton, Piano 2
Voix Soprano 2
Chorale SSAB a cappella 2
Chorale SSAATB 2
Chorale SATBB 1

+ 20 instrumentations

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Vents
Ensemble de Flûtes 204
Ensemble de Clarinettes 181
Flûte, Hautbois, Clarinette, Basson 40
Quatuor de Clarinettes: 4 clarinettes 32
Quatuor de Flûtes : 4 flûtes 28

Ensemble de saxophones 28
Quatuor de Saxophones: 4 saxophones 26
Quintette de Flûte : 5 flûtes 25
Clarinette et Piano 22
Hautbois, Piano (duo) 19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 18
Flûte traversière et Piano 16
Saxophone Alto et Piano 13
Flûte traversière 12
Quintette de Saxophone: 5 saxophones 11
Saxophone Tenor et Piano 11
Trio de Flûtes: 3 flûtes 10
3 Saxophones (trio) 10
Clarinette 8
2 Clarinettes (duo) 8
Saxophone (partie séparée) 7
3 Clarinettes (trio) 7
2 Flûtes traversières (duo) 7
Quintette de Clarinettes: 5 clarinettes 7
Saxophone Alto 5
Saxophone Soprano et Piano 5
Quatuor de Flûtes à bec 5
Flûte, Violon 4
2 Saxophones (duo) 4
Flute (partie séparée) 4
Hautbois (partie séparée) 4
Flûte et Guitare 4
Saxophone Tenor 3
Cor anglais, Piano 3
Saxophone Baryton, Piano 3

Flûte, Clarinette (duo) 2
Flûte, Clarinette et Basson 2
Saxophone et Orgue 2
Clarinette, Violon (duo) 2
Clarinette Basse, Piano 2
Ensemble De Flûte à bec 2
Flûte, Clarinette, Violon (trio) 1
Clarinette, Harpe (duo) 1
2 Clarinettes, Basson 1
Clarinette, Trompette (duo) 1
Clarinette, Violoncelle, Piano (trio) 1
Flûte, Harpe et Violoncelle 1
Flûte, Violon, Piano 1
Flûte, Violoncelle 1
Flûte, Hautbois, Clarinette (trio) 1
Ensemble de Hautbois 1
Flûte, Hautbois, Violon 1
Flûte, Violon et Violoncelle 1

+ 48 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 77
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 40
Ensemble de Trompettes 26
Ensemble de Trombones 24
Trompette, Piano 21

Trompette 14
Trombone et Piano 11
Ensemble de Cors 9
Quatuor de Cuivres 7
Cor et Piano 6
Quatuor de cuivres: 4 trombones 6
2 Trompettes (duo) 5
Cor 5
Trompette (partie séparée) 5
Tuba et Piano 4
Trompette, Trombone (duo) 4
Trombone 4
Cor anglais, Piano 3
Euphonium, Piano (duo) 3
Quatuor de cuivres: 4 cors 3
2 Trombones (duo) 3
2 Cors (duo) 3
2 Tubas (duo) 2
Euphonium, Tuba (duo) 2
3 Trombones (trio) 2
Trio de Cuivres 2
Quatuor de cuivres: 4 trompettes 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Cor, Tuba (duo) 1
Clarinette, Cor (duo) 1
Trompette, Tuba (duo) 1
Quatuor de cuivres: 2 trompettes, 2 trombones 1
3 Trompettes (trio) 1
Ensemble de Tubas 1

+ 29 instrumentations

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Cordes
Violon et Piano 31
Quatuor à cordes: 2 violons, alto, violoncelle 31
Violon 18
Violoncelle 13
Alto, Piano 9

Harpe 8
4 Violoncelles 8
2 Violons (duo) 7
Trio à Cordes: violon, alto, violoncelle 6
Violoncelle, Piano 5
2 Violoncelles (duo) 4
2 Altos (duo) 3
Violon, Alto (duo) 3
Quintette à cordes: 2 violons, alto, violoncelle, basse 3
Violon, Violoncelle (duo) 2
Ensemble de Violoncelles 2
Alto seul 2
Piano Trio: Violon, Alto, Piano 2
Alto (partie séparée) 2
Harpe, Violon, Violoncelle 1
Harpe et mandoline 1
Alto, Violoncelle (duo) 1
Contrebasse, Piano (duo) 1
Trio à Cordes: 2 violons, violoncelle 1
Violon, Clarinette, Piano (trio) 1
Harpe et Piano 1
Trio à Cordes: 2 violons, alto 1
Trio à Cordes: 3 violoncelles 1
Contre Basse 1
Quatuor à cordes: 4 violons 1

+ 25 instrumentations

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Orchestre & Percussions
Cloches 196
Orchestre 162
Orchestre d'harmonie 91
Ensemble de cuivres 75
Orchestre de chambre 68

Orchestre à Cordes 47
Ensemble Jazz 26
Jazz combo 9
Vibraphone 4
Marimba 4
Batterie 3
Quintette de Cuivres: autres combinaisons 1
Quintette à Vent 1
Ensemble de Percussions 1
Xylophone 1

+ 10 instrumentations

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Choir Contemporary

Saxophone Baryton, Piano

Partitions à imprimer

3 partitions trouvées

Fauré: Élégie Op. 24 for Baritone Sax & Piano

Fauré: Élégie Op. 24 for Baritone Sax & Piano #Saxophone Baryton, Piano #INTERMÉDIAIRE/AVANCÉ #Classique #Gabriel Faure #James M #Fauré: Élé #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic ...(+)

Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. FaurÃ© Background: In the first place, Gabriel FaurÃ© 1845 â€“1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs AprÃ¨s un rÃªve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faureâ€™s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: FaurÃ© was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that FaurÃ© studied music composition with the French musical mastermind Camille Saint-SaÃ«ns, who became his lifelong friend. FaurÃ© eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Ã‰glise de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: FaurÃ© was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, FaurÃ©'s music was slow to become accepted, except of course, in England. Legacy: Historians often describe FaurÃ©'s music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when FaurÃ© was born, Chopin was still composing. However, by the time of FaurÃ©'s death, jazz and atonal music, in particular, had come to fruition. FaurÃ©, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faureâ€™s final works.

$32.95 ≈ 30.47€

Pure Imagination

Pure Imagination #Saxophone Baryton, Piano #INTERMÉDIAIRE/AVANCÉ #Mormon Tabernacle Choir #Roger Wallace #Pure Imagination #Roger Wallace #SheetMusicPlus

Baritone Saxophone,Piano - Level 4 - SKU: A0.1366791 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Conte...(+)

Baritone Saxophone,Piano - Level 4 - SKU: A0.1366791 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Contemporary,Film/TV,Pop. Score and part. 15 pages. Roger Wallace #951121. Published by Roger Wallace (A0.1366791). Vocal or Instrumental Solo (in F to G) with Piano Accompaniment.Â The Leslie Bricusse & Anthony Newley classic from Willy Wonka and the Chocolate Factory and the new movie Wonka.Solo parts included in this set:Piano & Voice: TenorBass Clarinet/Tenor Sax/Trombone TC/Euphonium TCClarinet/Soprano Sax/TrumpetÂ Alto Clarinet/Horn in EbHorn in FBassoon/Trombone/Euphonium/Tuba/CelloBaritone Sax/Eb BassA full length audio version (representing the Tenor Sax) can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.

$4.99 ≈ 4.61€

Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano

Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano #Saxophone Baryton, Piano #INTERMÉDIAIRE #Classique #Edvard Grieg #James M # #Grieg: Ase's Death from Peer G #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 3 - SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,...(+)

Baritone Saxophone,Piano - Level 3 - SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505851. Published by jmsgu3 (A0.549534). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation.Grieg Background In the first place, Edvard Grieg (1843 â€“1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Griegâ€™s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.

$24.95 ≈ 23.07€

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