Partitions Numériques de One Call Away pour Cor

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One Call Away
Non classifié 104

Piano & claviers
Piano seul 49
Piano, Voix 13
Piano Facile 12
Piano, Voix et Guitare 9
Orgue 9

Piano grosses notes 8
2 Pianos, 4 mains 2
Piano (partie séparée) 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Accompagnement Piano 1

+ 5 instrumentations

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Guitares
Guitare notes et tablatures 12
Ukulele 5
Guitare 3
Paroles et Accords 2
Ligne De Mélodie, (Paroles) et Accords 2

Guitare (partie séparée) 1

+ 1 instrumentations

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Voix
Chorale SATB 31
Chorale 3 parties 10
Chorale 8
Chorale 2 parties 3
Chorale Unison 2

Chorale TTBB 2
Chorale SSAA 1
Voix duo 1
Voix Soprano, Piano 1

+ 4 instrumentations

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Vents
Saxophone (partie séparée) 23
Quatuor de Saxophones: 4 saxophones 14
Saxophone Soprano et Piano 9
2 Saxophones (duo) 8
Flûte traversière et Piano 6

Saxophone Alto et Piano 6
Clarinette et Piano 5
Clarinette, Trompette (duo) 4
Ensemble de Flûtes 4
Ensemble de Clarinettes 4
Saxophone Tenor et Piano 4
Saxophone Baryton, Piano 4
Saxophone, Clarinette (duo) 3
Clarinette, Violon (duo) 3
Flûte, Clarinette (duo) 2
Flûte, Alto (duo) 2
Saxophone Alto 2
Cor anglais, Piano 2
Hautbois, Piano (duo) 2
2 Clarinettes (duo) 2
Clarinette et Alto 2
2 Flûtes traversières (duo) 2
Flûte, Hautbois, Clarinette, Basson 2
Quatuor de Clarinettes: 4 clarinettes 2
Quintette de Saxophone: 5 saxophones 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Clarinette 1
Flûte traversière 1
Hautbois, Flûte 1
Flûte, Hautbois, Piano (trio) 1
Clarinette Basse, Piano 1
Flûte, Saxophone (duo) 1
3 Saxophones (trio) 1

+ 28 instrumentations

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Cuivres
Trombone (partie séparée) 10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 9
Euphonium, Piano (duo) 5
Trombone et Piano 5
Trompette, Trombone (duo) 4

Trompette, Saxophone (duo) 4
Tuba ou Euphonium ou Saxhorn 3
Trompette 3
Cor et Piano 2
Cor anglais, Piano 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
Quatuor de Cuivres 1
Trombone 1
Cor 1

+ 9 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 10
Violon et Piano 6
Alto, Piano 5
Harpe 3
Violoncelle, Piano 3

Violon, Violoncelle (duo) 2
Violon, Alto (duo) 2
2 Violons (duo) 2
Trio à Cordes: violon, alto, violoncelle 2
Harpe, Voix 2
Violoncelle 1
Contrebasse (partie séparée) 1
Violoncelle (partie séparée) 1
Harpe, Flûte (duo) 1
2 Violoncelles (duo) 1
Alto (partie séparée) 1

+ 11 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 45
Orchestre 10
Ensemble de cuivres 5
Ensemble de Percussions 4
Ensemble Jazz 3

Marimba 1
Batterie (partie séparée) 1
Batterie 1
Jazz combo 1
Orchestre de chambre 1

+ 5 instrumentations

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One Call Away

Cor

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1 partition trouvée

Horn Sonata No. 1 (Complete)

Horn Sonata No. 1 (Complete) #Cor #AVANCÉ #Mike Lyons #Horn Sonata No. 1 #Lyons Music Services #SheetMusicPlus

French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...(+)

French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the PiÃ¹ mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.

$18.00 ≈ 16.78€

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