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Vous avez sélectionné:
Hard Place
Violon
Partitions à imprimer
5 partitions trouvées
<
1
She
She
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Violon
#
INTERMÉDIAIRE
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Elvis Costello
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Charles Aznavour, one of the g
#
Leo Silva
#
She
#
MP Sheet Music
#
SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.590531 By Elvis Costello. By Charles Aznavour and Herbert Kretzmer. Arranged by Leo Silva. Film/TV,Pop. 1 pages. MP Shee...
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Violin Solo - Level 3 - SKU: A0.590531 By Elvis Costello. By Charles Aznavour and Herbert Kretzmer. Arranged by Leo Silva. Film/TV,Pop. 1 pages. MP Sheet Music #199805. Published by MP Sheet Music (A0.590531). The simplicity of a flower or a song can snatch your heart... I think it's hard to have someone who doesn't know She by Charles Aznavour and how much this song enchanted generations. Composed by Charles Aznavour, one of the greatest French singers of all time, of Armenian origin, also an actor. Aware of the potential of his newest song, Aznavour decided to record She (written by him and Herbert Kretzmer) not only in French, but also in English, German, Spanish and Italian. And he was right: released in 1974, the song was hugely successful everywhere, topping the UK charts. In 1999, 25 years later, She was covered by the British Elvis Costello for the soundtrack of the film Notting Hill (A Place Called Notting Hill), theme song by the couple William Thacker (Hugh Grant) and Anna Scott (Julia Roberts), quickly reaching worldwide success.
$4.99 ≈
4.49€
The Middle
The Middle
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Violon
#
INTERMÉDIAIRE
#
Jimmy Eat World
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Sarah Cellobat Chaffee
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The Middle
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Sarah Cellobat Chaffee
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.526268 By Jimmy Eat World. By James Adkins, Richard Burch, Thomas Linton, and Zachary Lind. Arranged by Sarah Cellobat C...
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Violin Solo - Level 3 - SKU: A0.526268 By Jimmy Eat World. By James Adkins, Richard Burch, Thomas Linton, and Zachary Lind. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock,Wedding. 3 pages. Sarah Cellobat Chaffee #6327135. Published by Sarah Cellobat Chaffee (A0.526268). One of the biggest and most ubiquitous hits of the early 2000's, The Middle was a breakout hit for Jimmy Eat World that placed them among the ranks of other big names of the day like Weezer, Blink-182 and Green Day. It was impossible not to know this song back then, and it has since become a classic throwback song for the millennial generation! This arrangement for solo violin maintains the fun upbeat tempo and dynamic contrasts of the original, and it's pretty much guaranteed to get everybody singing along! This chart was originally written for a wedding, but it will also be perfect for pop concerts, solo & ensemble contests, parties, corporate events, or any occasion when you need some throwback rock. No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. This chart stays entirely in first position and will be sightreadable for professionals and learnable for intermediate students -- the only slightly tricky part is the fun guitar solo in the middle! Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$7.99 ≈
7.19€
The Masters of the Violin
The Masters of the Violin
#
Violon
#
Classique
#
Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
SheetMusicPlus
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. ...
(+)
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. IV. Schott Music - Digital #Q45248. Published by Schott Music - Digital
The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$16.99 ≈
15.28€
The Masters of the Violin
The Masters of the Violin
#
Violon
#
Classique
#
Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
SheetMusicPlus
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. ...
(+)
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. I. Schott Music - Digital #Q42354. Published by Schott Music - Digital
French.
The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99 ≈
14.38€
The Masters of the Violin
The Masters of the Violin
#
Violon
#
Classique
#
Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
SheetMusicPlus
The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. II. Schott Music - Digital #Q42355. Publis...
(+)
The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. II. Schott Music - Digital #Q42355. Published by Schott Music - Digital
French.
The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
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