Partitions Numériques de After Cello pour Violon

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After Cello
Non classifié 51

Piano & claviers
Piano Quatuor: piano, violon, alto, violoncelle 2
Piano Trio: piano, violon, violoncelle 2
Piano Quatuor: piano, 2 violons, violoncelle 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1

Guitares
Guitare 2

Voix

Vents
Flûte, Violoncelle, Piano (trio) 1
3 Clarinettes (trio) 1
Ensemble de Clarinettes 1

Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Trombone et Piano 1

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 32
Violoncelle, Piano 10
Violoncelle (partie séparée) 5
Violon, Violoncelle (duo) 4
Violon 3

2 Violoncelles (duo) 3
Violoncelle 3
Trio à Cordes: violon, alto, violoncelle 3
Harpe 1
Contrebasse, Piano (duo) 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Alto, Violoncelle (duo) 1
Violon et Piano 1
Alto, Piano 1
Trio à Cordes: 2 violons, violoncelle 1

+ 10 instrumentations

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Percussions & orchestre
Orchestre à Cordes 5
Orchestre de chambre 4
Orchestre 4
Piano et Orchestre 1

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3 partitions trouvées

The Star Spangled Banner (unaccompanied violin)

The Star Spangled Banner (unaccompanied violin) #Violon #AVANCÉ #Americana #Patriotique #Mark O'Connor #The Star Spangled Banner #Mark O'Connor Musik International #SheetMusicPlus

Violin Solo - Level 5 - SKU: A0.861967 Arranged by Mark O'Connor. 20th Century,Contemporary,Folk. 8 pages. Mark O'Connor Musik International #6230257. P...(+)

Violin Solo - Level 5 - SKU: A0.861967 Arranged by Mark O'Connor. 20th Century,Contemporary,Folk. 8 pages. Mark O'Connor Musik International #6230257. Published by Mark O'Connor Musik International (A0.861967). The Star Spangled Banner (unaccompanied violin) MO173Unaccompanied ViolinMusic by Mark Oâ€™Connor4 pages - 2:00 minutes in length The Star Spangled Banner the national anthem of the United States of America since 1931 is set to a melody written by the British songwriter John Stafford Smith. The lyrics were written by Francis Scott Key after he witnessed the bombardment of U.S. Fort McHenry during the War of 1812. The unique arrangement by Mark Oâ€™Connor for unaccompanied violin appears on his Sony Classical release Midnight On The Water. The music is suitable for the advanced level.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1990 P.D. Arranged by Mark Oâ€™ConnorCan be heard on Midnight On The Water and The Essential Mark Oâ€™Connor Sony Classical RecordsMark Oâ€™Connor - Violin Catalogue Number MO173Copyright Â© 1990 by Mark Oâ€™Connor Music International For more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$6.00 ≈ 5.52€

Choros No 1

Choros No 1 #Violon #AVANCÉ #Contemporain #Heitor Villa Lobos #Inacio Saldanha #Choros No 1 #Inacio Saldanha #SheetMusicPlus

Violin Solo - Level 5 - SKU: A0.798120 Composed by Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. 3 pages. Inacio Saldanha #6318935. Pub...(+)

Violin Solo - Level 5 - SKU: A0.798120 Composed by Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. 3 pages. Inacio Saldanha #6318935. Published by Inacio Saldanha (A0.798120). Villa-Lobos composed ChÃ´ros No. 1 in Rio de Janeiro in 1920, originally publishing it under the title ChÃ´ro tÃpico, then ChÃ´ro tÃpico brasileiro. The title is taken from an improvisational genre of Brazilian instrumental popular music that originated in Rio de Janeiro in the nineteenth century. The Portuguese word choro, means cry or lament, though most music of this type is far from being sorrowful. Four years after composing this work, at the time of his first visit to Paris, he decided to make it part of an extended cycle of works collectively titled ChÃ´ros, which eventually included fourteen numbered compositions, plus an Introduction aux chÃ´ros (IntroduÃ§Ã£o aos chÃ´ros): Ouverture, for guitar and orchestra, designed to be played before a complete performance of the cycle, and ChÃ´ros bis, a two-movement duo for violin and cello, considered as a sort of encore piece. A Quintet (em forma de chÃ´ros), for five woodwind instruments (1928) is sometimes considered as related.In the context of the larger cycle, ChÃ´ros No. 1 is like the essence, the embryo, the psychological model that will be developed technically in the conception of all the ChÃ´ros (Villa-Lobos 1972, 210).The score of ChÃ´ros No. 1 is dedicated to Ernesto Nazareth, and a recording of it made by the composer lasts just under four minutes. Unlike the successor works, there is no attempt here to synthesize different aspects of Brazilian music into a stylistic montage. Instead, it employs the patterns, figurations, and simple structure characteristic of the improvised music of such celebrated chorÃµes of the late-nineteenth and early twentieth centuries as Zequinha de Abreu, Quincas Laranjeiras [pt], Chiquinha Gonzaga, and Catulo da PaixÃ£o Cearense [pt] (Wright 1992, 62) This simplicity and the beauty of its composition have made it a favourite with professional guitarists (Appleby 2002, 80).Originally for Guitar, adapted for Solo Violin by Inacio Saldanha. Key of E minor. Advanced.

$7.99 ≈ 7.35€

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