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Fanfare No. 4
Non classifié
26
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Vous avez sélectionné:
Fanfare No. 4
Ensemble de cuivres
Partitions à imprimer
6 partitions trouvées
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1
Fanfare No. 1 for Brass
Fanfare No. 1 for Brass
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Ensemble de cuivres
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Contemporain
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Sir Michael Tippett
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Fanfare No. 1 for Brass
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Schott Music - Digital
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SheetMusicPlus
4 horns in F, 3 trumpets in Bb and 3 trombones - Digital Download Composed by Sir Michael Tippett (1905-1998). This edition: score. Downloadable. Dur...
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4 horns in F, 3 trumpets in Bb and 3 trombones - Digital Download Composed by Sir Michael Tippett (1905-1998). This edition: score. Downloadable. Duration 3 minutes. Schott Music - Digital #Q3448. Published by Schott Music - Digital
$6.99 ≈
$9.57
Scherzo from Symphony No. 4 for 15-part Brass ensemble & Timpani
Scherzo from Symphony No. 4 for 15-part Brass ensemble & Timpani
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Ensemble de cuivres
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AVANCÉ
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Classique
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Anton Bruckner
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Brennan Johns
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Scherzo from Symphony No. 4 fo
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792534 Composed by Anton Bruckner. Arranged by Brennan Johns. 20th Century,Classical,Romantic Period. Score and parts...
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Brass Ensemble - Level 5 - SKU: A0.792534 Composed by Anton Bruckner. Arranged by Brennan Johns. 20th Century,Classical,Romantic Period. Score and parts. 69 pages. Gordon Cherry #5008375. Published by Gordon Cherry (A0.792534). Symphony No. 4, also known by the composer himself as the Romantic was written in 1874, but revised several times and premiered in 1881 in Vienna. The subtitle actually does not refer to romantic love, but a medieval romance such as some of Wagner's operas.The movement titled Scherzo is full of adventure and vitality with a relaxed middle section. Bruckner himself hinted that the Scherzo movement was a Jadthema or hunting theme and Volkfest or people's festival. The hunting horns are calling, the brass are blowing their fanfares and it is a good day to be hunting. The main feeling from this movement is a strong feeling of the great outdoors.Mr. Johns has arranged this work for 14-part brass ensemble including optional Timpani.The instrumentation is: 4 Trumpets (including piccolo, C, B-flat and Flugelhorn) 4 Horns 4 Trombones, Euphonium and Tuba Timpani (optional)This work is suitable for advanced performers and is about 5 minutes in length.
$47.50 ≈
$65.05
Canzon VI a 7 - No. 200
Canzon VI a 7 - No. 200
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giovanni Gabrieli
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Randy A
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Canzon VI a 7 - No. 200
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870400 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 43 pages. Randy A. St...
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Brass Ensemble - Level 4 - SKU: A0.870400 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 43 pages. Randy A. Steinberg #1989055. Published by Randy A. Steinberg (A0.870400). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is a Canzona published around 1615 for 7 brass. A variety of substitute parts are also included to handle the trombone parts with French horn and tuba. This work has many of the nice Gabrieli touches such as themes played in echoes and a grand fanfare theme used in many other of his works. A nice work from Gabrieli that pleases many audiences.
$5.99 ≈
$8.20
Trio No. 1 for Brass
Trio No. 1 for Brass
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Ensemble de cuivres
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David M
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Intermediate difficulty.
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Trio No. 1 for Brass
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David M Thompson
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SheetMusicPlus
Brass Ensemble - SKU: A0.901605 Composed by David M. Thompson. Contemporary,Standards. Score and parts. 14 pages. David M Thompson #4299149. Published b...
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Brass Ensemble - SKU: A0.901605 Composed by David M. Thompson. Contemporary,Standards. Score and parts. 14 pages. David M Thompson #4299149. Published by David M Thompson (A0.901605). Trio, for Horn, Trumpet, and Trombone. 4 movements: Fanfare, Andante, Scherzo, and Finale Fugato. About 5 minutes total length. Intermediate difficulty. A good number for the opening of a program, or general use.
$7.99 ≈
$10.94
St. Peter (In Christ There Is No East or West)
St. Peter (In Christ There Is No East or West)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Alexander R
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F
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St. Peter
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. S...
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Brass Ensemble - Level 3 - SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. Score and parts. 22 pages. Sweetwater Brass Press #4798569. Published by Sweetwater Brass Press (A0.808694). British composer Alexander Robert Reinagle wrote this melody about 1836 and named it after the church where he was organist, Oxford's St. Peter-in-the-East. First published as a musical setting for Psalm 118, it was adapted to John Newton’s How Sweet the Name of Jesus Sounds in 1861 and then to the hymn by John Oxenham (William A. Dunkerley), In Christ There Is No East or West, in the early 20th Century. While some sources specify that the St. Peter melody should be played without any festive fanfares, this brass quintet version does contain a few ceremonial flourishes. Most players will have little or no difficulty with this piece. The andante moderato tempo should be interpreted as somewhere in the vicinity of quarter note = 92. Most of the rhythm patterns involve quarter and eighth notes, with a few 16th-note passages scattered throughout. Trumpet 1’s highest note is its high A; tuba’s lowest is G below the staff. Otherwise, the music remains well within the normal playing range of all instruments. This arrangement was completed in 2019, and performance time runs about 4 minutes, 13 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.95 ≈
$17.73
Boudicca, Queen of the Iceni
Boudicca, Queen of the Iceni
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will El...
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Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00 ≈
$82.17
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