Partitions Numériques de THIRD MELODY pour Trombone

Trombone Solo - SKU: A0.792269 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. 20th Century,Instructional. Individual part. 113 pages. Gordon Ch...(+)

Trombone Solo - SKU: A0.792269 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. 20th Century,Instructional. Individual part. 113 pages. Gordon Cherry #4803727. Published by Gordon Cherry (A0.792269). The Clarke Method for Trombone has some uncommon features not found in other method books. 1. First, is the use of the key of C for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp (first) and flat keys through to six sharps and six flats by the end of exercise 155. 2. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady diet of minor melody built in for him/her. 3. Thirdly, Clarke uses no metronome markings. He explains; each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome â€“ until the exercise can be played through correctly â€“ before going on to the next. His purpose is to avoid speeding through them. Clarkeâ€™s exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it. For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to relearn the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing (without forcing) and relaxation. His phrase, the breath is the life of the tone, is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, the tongue is used merely as an aid in articulating â€“ not as a necessity... the tone does not depend on the tongue... the tongue should not be made too important...

$22.50 ≈ 20.86€

Method for Trombone

Method for Trombone #Trombone #FACILE #Methodes #Clarke, Ernest #Cherry, Gordon #Method for Trombone #Gordon Cherry #SheetMusicPlus

Trombone Solo - Level 2 - SKU: A0.792163 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. Instructional. Individual part. 113 pages. Gordon Cherr...(+)

Trombone Solo - Level 2 - SKU: A0.792163 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. Instructional. Individual part. 113 pages. Gordon Cherry #3820405. Published by Gordon Cherry (A0.792163). The Clarke Method for Trombone has some uncommon features not found in other method books.1. First, is the use of the key of C for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp (first) and flat keys through to six sharps and six flats by the end of exercise 155.2. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady diet of minor melody built in for him/her.3. Thirdly, Clarke uses no metronome markings. He explains; each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome â€“ until the exercise can be played through correctly â€“ before going on to the next. His purpose is to avoid speeding through them.Clarkeâ€™s exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it.For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to relearn the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing (without forcing) and relaxation. His phrase, the breath is the life of the tone, is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, the tongue is used merely as an aid in articulating â€“ not as a necessity... the tone does not depend on the tongue... the tongue should not be made too important...

$20.00 ≈ 18.55€

One-Man Sideshow (Trombone & Hi-Hat)

One-Man Sideshow (Trombone & Hi-Hat) #Trombone #AVANCÉ #Don Bowyer #One-Man Sideshow #Dolphin Don's Music School #SheetMusicPlus

Tenor Trombone,Trombone Solo - Level 5 - SKU: A0.1322285 By Don Bowyer. By Don Bowyer. 20th Century,Classical. Individual part. 9 pages. Dolphin Don's M...(+)

Tenor Trombone,Trombone Solo - Level 5 - SKU: A0.1322285 By Don Bowyer. By Don Bowyer. 20th Century,Classical. Individual part. 9 pages. Dolphin Don's Music School #910625. Published by Dolphin Don's Music School (A0.1322285). This composition, in four short movements (5 minutes total), is for trombone and hi-hat - played by one player.At the request of a friend, this composition began in 2008 as a concept for solo bassoon. Sadly, the friend passed away before performing the piece.When I was asked recently for a solo piece for bass trombone, I finally had a reason to update the original. Besides adapting it for the instrument, I also added new material. The result is four short movements for bass trombone with hi-hat, both played by one player. The hi-hat is played mostly with the pedal, but occasionally with the fingers.The final step in the evolution of this piece was this edition for tenor trombone.The first movement combines chromatic patterns, diminished scales, and blues licks. The hi-hat adds kicks and color.The second movement is a blues progression that swings, with backbeats on the hi-hat.The third movement attempts to obscure tonality through the use of chromaticism. It should be played very freely (rubato), with the hi-hat again adding color.Only one minute in length, the final movement treats a four-measure melody as a theme and variations reminiscent of Arthur Pryor solos of the early 20th century.

$10.00 ≈ 9.27€

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