Partitions Numériques de A Rain Song pour 2 Pianos, 4 mains

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A Rain Song
Non classifié 692

Piano & claviers
Piano seul 417
Piano, Voix 367
Piano, Voix et Guitare 191
Piano Facile 182
Piano grosses notes 44

Instruments en Do 38
Orgue 37
1 Piano, 4 mains 8
Piano Trio: piano, violon, violoncelle 7
Accompagnement Piano 6
Piano Quatuor: piano, violon, alto, violoncelle 4
2 Pianos, 4 mains 3

Piano Quatuor: piano, 2 violons, violoncelle 2
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Accordéon 1

+ 10 instrumentations

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Guitares
Guitare notes et tablatures 56
Guitare 28
Basse electrique 12
Ligne De Mélodie, (Paroles) et Accords 11
Ukulele 7

2 Guitares (duo) 6
Dulcimer 5
Paroles et Accords 2
Mandoline 1
Banjo 1
Guitare, Violon, Violoncelle (trio) 1

+ 6 instrumentations

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Voix
Chorale SATB 224
Chorale 3 parties 106
Chorale 2 parties 73
Chorale Unison 47
Chorale SSAA 36

Chorale TTBB 36
Voix duo 15
Voix duo, Piano 15
Voix Alto, Piano 10
Voix seule 9
Voix moyenne, Piano 8
Voix Baryton, Piano 3
Voix Soprano, Piano 3
Voix Tenor, Piano 3
Voix haute 2
Voix basse, Piano 2
Chorale SSATB 1

+ 12 instrumentations

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Vents
Flûte traversière 49
Saxophone 48
Flûte traversière et Piano 46
Quatuor de Saxophones: 4 saxophones 38
Clarinette et Piano 36

Clarinette 34
Saxophone (partie séparée) 34
Ensemble de saxophones 32
Saxophone Alto et Piano 26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 25
2 Saxophones (duo) 25
Flûte, Hautbois, Clarinette, Basson 25
Hautbois, Piano (duo) 23
Saxophone Tenor et Piano 22
Saxophone Alto 20
Quatuor de Clarinettes: 4 clarinettes 20
2 Clarinettes (duo) 16
2 Flûtes traversières (duo) 16
Quintette de Saxophone: 5 saxophones 16
3 Clarinettes (trio) 15
Quatuor de Flûtes : 4 flûtes 12
Hautbois (partie séparée) 10
Ensemble de Clarinettes 10
Saxophone Soprano et Piano 8
Clarinette, Harpe (duo) 7
Saxophone, Clarinette (duo) 7
Saxophone Baryton, Piano 6
Clarinette (partie séparée) 6
Trio de Flûtes: 3 flûtes 6
Quintette de Clarinettes: 5 clarinettes 6
Hautbois, Clarinette, Basson (trio d'anches) 5
Ensemble de Flûtes 5
Clarinette, Violon (duo) 4
Clarinette, Trompette (duo) 4
Flûte, Clarinette (duo) 3
Flûte et Guitare 3
3 Saxophones (trio) 3
Harmonica 3
Hautbois, Flûte 3
Cor anglais, Piano 3
Hautbois, Clarinette (duo) 3
2 Hautbois (duo) 3
Flûte, Saxophone (duo) 2
Quintette de Flûte : 5 flûtes 2
Hautbois, Basson (duo) 2
Clarinette et Alto 2
Flûte, Violon 2
Flûte, Trompette (duo) 2
Flûte à bec Soprano 1
Hautbois 1
Saxophone et Harpe 1
Saxophone Tenor 1
2 Flûte à bec (duo) 1
Cor anglais, Guitare (duo) 1
Clarinette Basse, Piano 1
Clarinette, Guitare (duo) 1
Flute (partie séparée) 1
Flûte, Clarinette et Basson 1
Hautbois, Harpe 1
Flûte à bec Alto 1
Flûte, Alto (duo) 1
Saxophone Soprano 1
Saxophone Baryton 1

+ 58 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 51
Quatuor de Cuivres : 2 trompettes, trombone, tuba 46
Trompette 43
Trombone 36
Quatuor de Cuivres 23

Quatuor de Cuivres: 2 trompettes, Cor, trombone 22
Trompette, Piano 21
Cor et Piano 19
Trombone et Piano 19
2 Trompettes (duo) 9
2 Trombones (duo) 8
Tuba et Piano 8
Trompette (partie séparée) 7
Cor 5
Trombone (partie séparée) 5
Euphonium, Piano (duo) 4
Trompette, Saxophone (duo) 4
Ensemble de Trombones 4
Trio de Cuivres 4
Tuba 3
Trompette, Trombone (duo) 3
Cor anglais, Piano 3
Tuba (partie séparée) 2
3 Trombones (trio) 2
Quatuor de cuivres: 4 trombones 2
Ensemble de Trompettes 2
Cor anglais, Guitare (duo) 1
Cor et Harpe 1
Trompette, Trombone, Piano 1
2 Cors (duo) 1
Trompette, Harpe 1
Cor (partie séparée) 1

+ 27 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 85
Violon et Piano 59
Violon 48
Violoncelle, Piano 38
Alto, Piano 29

Harpe 26
Violoncelle (partie séparée) 19
Trio à Cordes: violon, alto, violoncelle 18
2 Violons (duo) 16
Alto seul 13
Violoncelle 12
Violon, Violoncelle (duo) 10
2 Violoncelles (duo) 9
Contrebasse, Piano (duo) 8
Quintette à cordes: 2 violons, alto, violoncelle, basse 8
Contrebasse (partie séparée) 6
Harpe, Flûte (duo) 4
Trio à Cordes: 2 violons, violoncelle 4
Contre Basse 4
2 Altos (duo) 4
Alto (partie séparée) 4
Violon, Alto (duo) 3
Violon (partie séparée) 3
Harpe, Violon (duo) 3
Ensemble de Violons 2
Violon, Guitare (duo) 2
Alto, Violoncelle (duo) 2
Piano Trio: Violon, Alto, Piano 2
Harpe, Voix 2
Ensemble d'Altos 2
4 Violoncelles 2
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
2 Harpes (duo) 1
Harpe, Violoncelle (duo) 1
Violon, Clarinette, Piano (trio) 1
Alto et Harpe 1
2 Violons, Piano 1
Violoncelle , Guitare (duo) 1
Trio à Cordes: 3 violoncelles 1

+ 34 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 262
Orchestre 36
Orchestre à Cordes 35
Ensemble de cuivres 25
Batterie 20

Ensemble Jazz 15
Cloches 10
Orchestre de chambre 9
Jazz combo 4
Vibraphone 3
Fanfare 3
Percussion (partie séparée) 2
Marimba 1
Percussion 1

+ 9 instrumentations

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Vous avez sélectionné:

A Rain Song

2 Pianos, 4 mains

Partitions à imprimer

3 partitions trouvées

"A Youthful Vow" from An Icelandic Suite

"A Youthful Vow" from An Icelandic Suite #2 Pianos, 4 mains #INTERMÉDIAIRE/AVANCÉ #Ingunn BjarnadÃ³ttir #Richard Simm #"A Youthful Vow" fro #Richard Simm #SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn BjarnadÃ³ttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Fol...(+)

2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn BjarnadÃ³ttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn BjarnadÃ³ttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Ã†skuheit.

$4.95 ≈ 4.56€

Swanee

Swanee #2 Pianos, 4 mains #AVANCÉ #Paul Posnak & Anita Castiglion #Paul Posnak #Swanee #Paul Posnak #SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Cl...(+)

2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.

$12.00 ≈ 11.04€

Sonata Hymnica No. 6

Sonata Hymnica No. 6 #2 Pianos, 4 mains #INTERMÉDIAIRE/AVANCÉ #James Siddons #Sonata Hymnica No. 6 #James Siddons Music and Writings #SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...(+)

2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. OneÂ performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the trebleÂ staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianosÂ doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern thatÂ begins in measure 37. A standing conductor (not playing piano) may be desired. Â Although repetitive, the music in this sonata rarely repeats itselfÂ exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oralÂ tradition. ProgramÂ Note (for use in concert programs) by James Siddons Â The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns andÂ vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar wordsÂ sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for pianoÂ ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixthÂ sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shapedÂ by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours andÂ cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from theÂ Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speakÂ ofÂ standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strainsÂ of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-centuryÂ African Americans. He refers to their singing as the Frenzy or â€˜Shouting,â€™ when the Spirit of the Lord passed by, and seizing theÂ devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms,Â the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as wellÂ as percussive polyrhythms.

$10.00 ≈ 9.20€

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