Partitions Numériques de Violin Studies pour Orchestre

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Violin Studies
Non classifié 133

Piano & claviers
Piano seul 9
Piano Trio: piano, violon, violoncelle 3
1 Piano, 4 mains 1
Instruments en Do 1
2 Pianos, 4 mains 1

Piano Facile 1

+ 1 instrumentations

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Guitares
Piano, Guitare (duo) 45
Mandoline 3
Guitare 1

Voix

Vents
Hautbois, Piano (duo) 64
Flûte traversière et Piano 60
Saxophone Tenor et Piano 58
Saxophone Alto et Piano 52
Clarinette 31

Clarinette et Piano 21
2 Saxophones (duo) 2
Ensemble à vent 1
Hautbois (partie séparée) 1
2 Flûte à bec (duo) 1
Flûte traversière 1
Flûte, Violon 1

+ 7 instrumentations

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Cuivres
Trombone et Piano 45
Trompette, Piano 24
Trompette 18
Trombone 2
2 Trompettes (duo) 1

Cor et Piano 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1

+ 2 instrumentations

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Cordes
Violon 460
Violon et Piano 159
Alto seul 131
Violoncelle, Piano 56
Alto, Piano 55

Quatuor à cordes: 2 violons, alto, violoncelle 26
2 Violons (duo) 9
Violon, Violoncelle (duo) 6
Violon, Alto (duo) 4
Violon, Guitare (duo) 3
Violon (partie séparée) 3
Violoncelle (partie séparée) 1
Trio à Cordes: 2 violons, violoncelle 1
Trio à Cordes: violon, alto, violoncelle 1
Violoncelle 1

+ 10 instrumentations

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Percussions & orchestre
Orchestre de chambre 12
Orchestre à Cordes 6
Jazz combo 5
Ensemble Jazz 2
Orchestre 1

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Violin Studies

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The Glastry Pearl. Tone Poem Elegy For My Mum.

The Glastry Pearl. Tone Poem Elegy For My Mum. #Orchestre #AVANCÉ #Geraldine #The Glastry Pearl. Tone Poem E #Geraldine #SheetMusicPlus

Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...(+)

Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 â€“ 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani â€“ 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals â€“ Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadnâ€™t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That â€œsomething elseâ€ grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.

$200.00 ≈ 184.47€

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