Partitions Numériques de The North Star pour Orchestre

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The North Star
Non classifié 96

Piano & claviers
Piano seul 90
Piano, Voix 42
Accordéon 34
Piano, Voix et Guitare 5
Piano Facile 3

1 Piano, 4 mains 2
Piano Trio: piano, violon, violoncelle 1
Orgue, Trompette (duo) 1
Orgue 1

+ 4 instrumentations

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Guitares
Guitare notes et tablatures 5
Guitare 4
Ligne De Mélodie, (Paroles) et Accords 1

Voix
Chorale SATB 25
Chorale 3 parties 6
Chorale Unison 3
Chorale 2 parties 2
Chorale TTBB 2

Chorale SSAA 1

+ 1 instrumentations

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Vents
2 Saxophones (duo) 9
2 Flûtes traversières (duo) 8
Flûte, Hautbois, Clarinette, Basson 5
3 Saxophones (trio) 4
Flûte traversière et Piano 4

Quintette de Saxophone: 5 saxophones 4
Flûte traversière 3
Clarinette 3
Saxophone, Clarinette (duo) 3
Quatuor de Saxophones: 4 saxophones 3
Hautbois, Piano (duo) 3
Clarinette et Piano 3
2 Clarinettes (duo) 3
Saxophone Alto et Piano 3
Saxophone Tenor et Piano 3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Saxophone Baryton, Piano 2
Saxophone (partie séparée) 2
Quatuor de Clarinettes: 4 clarinettes 2
Flûte, Saxophone (duo) 2
Clarinette, Violon (duo) 2
Clarinette, Trompette (duo) 2
Hautbois, Clarinette, Basson (trio d'anches) 2
Cor anglais, Piano 2
Trio de Flûtes: 3 flûtes 1
Clarinette, Basson (duo) 1
Ensemble de Flûtes 1
Hautbois, Flûte 1
Quintette de Clarinettes: 5 clarinettes 1
Quintette de Flûte : 5 flûtes 1
Flûte, Hautbois, Basson 1
Saxophone Alto 1
2 Hautbois (duo) 1
Hautbois, Clarinette (duo) 1
Flûte, Hautbois (duo) 1
Flûte, Violon 1
Quatuor de Flûtes : 4 flûtes 1
Flûte, Clarinette et Basson 1
Ensemble de saxophones 1
Quatuor de Flûtes à bec 1
Clarinette et Alto 1
3 Clarinettes (trio) 1
2 Flûte à bec (duo) 1
Clarinette Basse, Piano 1
Saxophone Soprano et Piano 1
3 Flûtes à bec (trio) 1
Flûte, Clarinette (duo) 1

+ 42 instrumentations

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Cuivres
Trompette, Trombone (duo) 6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 5
2 Trompettes (duo) 2
Euphonium, Piano (duo) 2
Trompette, Piano 2

Trompette, Saxophone (duo) 2
Trio de Cuivres 2
2 Trombones (duo) 2
Cor anglais, Piano 2
Trompette 2
Ensemble de Trompettes 1
Ensemble de Cors 1

+ 7 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 127
Violon, Violoncelle (duo) 118
Violon 102
Trio à Cordes: violon, alto, violoncelle 97
Quintette à cordes: 2 violons, alto, violoncelle, basse 19

Violon, Alto (duo) 7
Violon et Piano 4
2 Violoncelles (duo) 3
Alto, Piano 3
2 Altos (duo) 3
4 Violoncelles 2
Trio à Cordes: 3 violoncelles 2
Alto seul 2
Alto, Violoncelle (duo) 1
2 Violons (duo) 1
Trio à Cordes: 2 violons, alto 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Trio à Cordes: 2 violons, violoncelle 1
Quatuor à cordes : 4 altos 1
Trio à cordes: 3 violins 1
Violoncelle (partie séparée) 1
Trio à cordes: 3 altos 1

+ 17 instrumentations

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Percussions & orchestre
Orchestre à Cordes 75
Orchestre d'harmonie 5
Ensemble de cuivres 4
Orchestre 2

Jazz combo 2

Batterie 1
Marimba 1
Ensemble de Percussions 1
Orchestre de chambre 1
Cloches 1

+ 5 instrumentations

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Vous avez sélectionné:

The North Star

Orchestre

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2 partitions trouvées

One Sows for the Benefit of Another Age - Orchestra

One Sows for the Benefit of Another Age - Orchestra #Orchestre #AVANCÉ #Contemporain #Kyle Vanderburg #One Sows for the Benefit of An #NoteForge #SheetMusicPlus

Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...(+)

Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.

$49.99 ≈ 46.12€

The Glastry Pearl. Tone Poem Elegy For My Mum.

The Glastry Pearl. Tone Poem Elegy For My Mum. #Orchestre #AVANCÉ #Geraldine #The Glastry Pearl. Tone Poem E #Geraldine #SheetMusicPlus

Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...(+)

Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 â€“ 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani â€“ 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals â€“ Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadnâ€™t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That â€œsomething elseâ€ grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.

$200.00 ≈ 184.50€

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