Partitions Numériques de Taps pour Orchestre

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Taps
Non classifié 28

Piano & claviers
Piano seul 19
Piano, Voix 6
Piano Facile 3
Piano Trio: piano, violon, violoncelle 2
Piano, Voix et Guitare 2

Instruments en Do 1

+ 1 instrumentations

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Guitares
Guitare 3
Guitare notes et tablatures 3
Ukulele 2
Ligne De Mélodie, (Paroles) et Accords 2

Voix
Chorale SATB 9
Chorale SSAA 3
Chorale Unison 2
Chorale TTBB 2
Chorale 2

Chorale 2 parties 1
Chorale 3 parties 1

+ 2 instrumentations

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Vents
Quatuor de Saxophones: 4 saxophones 12
Flûte, Hautbois, Clarinette, Basson 8
Flûte traversière 4
Clarinette (partie séparée) 3
Saxophone (partie séparée) 3

Flûte, Clarinette (duo) 2
2 Clarinettes (duo) 2
2 Flûtes traversières (duo) 2
Flûte traversière et Piano 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Clarinette et Piano 1
Hautbois (partie séparée) 1
Saxophone Tenor et Piano 1
Flute (partie séparée) 1
Trio de Flûtes: 3 flûtes 1
Flûte, Hautbois, Basson 1
Clarinette 1
Saxophone Alto et Piano 1

+ 13 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 15
Trompette 7
Quatuor de Cuivres 6
Trompette, Piano 4
Quatuor de Cuivres : 2 trompettes, trombone, tuba 3

Trombone et Piano 2
Trombone (partie séparée) 2
Trio de Cuivres 2
Ensemble de Trompettes 2
Tuba (partie séparée) 1
Cor (partie séparée) 1
Trombone 1
2 Trompettes (duo) 1
Trompette (partie séparée) 1
Quatuor de cuivres: 4 trompettes 1

+ 10 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 9
Trio à cordes 6
2 Violons (duo) 3
Harpe 3
2 Violoncelles (duo) 2

2 Altos (duo) 2
Violon, Alto (duo) 2
Violon, Violoncelle (duo) 2
Trio à Cordes: violon, alto, violoncelle 2
Alto, Piano 1
Violoncelle, Piano 1

+ 6 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 29
Batterie 3
Orchestre 3

Percussion (partie séparée) 2
Cloches 2

Timbales (partie séparée) 1
Ensemble de cuivres 1
Ensemble de Percussions 1
Fanfare 1

+ 4 instrumentations

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Taps

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3 partitions trouvées

TAPS A Rembrance

TAPS A Rembrance #Orchestre #INTERMÉDIAIRE #Traditional #Ken Litton #TAPS A Rembrance #Artist of Note, Inc. #SheetMusicPlus

Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 2...(+)

Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS Â A Remembrance Â Â Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir Â > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963).Â As author William Manchester later wrote, â€œThe 6th note of the 24 he played seemed like â€œa catch in your voice or a swiftly stifled sobâ€ that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all thatâ€™s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013 Â [01:15] Â https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR: Â Since the mid 1800s the bugle call known today as Taps hasÂ heralded rest for the weary, as well as comfort and encouragement inÂ times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned theÂ assassination of President John F. Kennedy, United States Army SergeantÂ Keith Clark raised his bugle at Arlington National Cemetery [â€ withÂ thoughts of I Corinthians 15:51 in mind, â€œThe trumpet shall soundâ€].Clearly broadcast throughout the country and around the world, the 6thÂ note of the 24 he played seemed like â€œa catch in your voice or a swiftlyÂ stifled sobâ€ as author William Manchester put it. But, as another observer**Â noted: â€œLike the crack in the Liberty Bell, it remains part of ourÂ national heritage.â€(Taps solo Trumpet with intentional error at m.14 continues)________â€ Â Optional text** Ed Hunter for www.TapsForever.com.

$29.99 ≈ 27.60€

Taps

Taps #Orchestre #INTERMÉDIAIRE/AVANCÉ #Daniel Butterfield #RONALD E #Taps #Ronald E. Stitt #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.1020678 Composed by Daniel Butterfield. Arranged by RONALD E. STITT. Contemporary,Folk,Patriotic. Score and parts. 35...(+)

Full Orchestra - Level 4 - SKU: A0.1020678 Composed by Daniel Butterfield. Arranged by RONALD E. STITT. Contemporary,Folk,Patriotic. Score and parts. 35 pages. Ronald E. Stitt #6455855. Published by Ronald E. Stitt (A0.1020678). This moving melody has been set for full orchestra here and is also available on request in a setting for concert band.

$25.00 ≈ 23.01€

Divinum Mysterium

Divinum Mysterium #Orchestre #INTERMÉDIAIRE/AVANCÉ #12th Century Plainchant #Robert Myers #Oboe 1,2 #Divinum Mysterium #WheatMyer Music #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...(+)

Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) â€“ Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. Iâ€™ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves donâ€™t arrive in steady rhythms, these musical waves are variable â€“ sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully â€“ a child is born, and (3) contemplative â€“ God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Donâ€™t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiahâ€™s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn â€“ one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the shipâ€™s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB

$75.00 ≈ 69.03€

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