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1
Brighter Than the Flames
Brighter Than the Flames
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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David M
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Brighter Than the Flames
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David Sterrett Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1039829 Composed by David M. Sterrett. Classical,Patriotic. Score and parts. 56 pages. David Sterrett Music #644674. ...
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Full Orchestra - Level 4 - SKU: A0.1039829 Composed by David M. Sterrett. Classical,Patriotic. Score and parts. 56 pages. David Sterrett Music #644674. Published by David Sterrett Music (A0.1039829). I feel honored and thankful to have been asked by Greg Hustis and the Music In the Mountains festival in Durango, Colorado to compose a piece honoring local firefighters and first responders following a deadly outbreak of wildfires around that region during the summer of 2018. When I learned about the fires, my heart went out to all the people affected. As the fires closed in from all around, beautiful mountain landscapes were burnt black, homes were threatened, and residents were forced to evacuate; however, the city and peoples’ homes were ultimately kept safe and no one was injured, all because of the fearless efforts of those who laid their lives on the line. My inspiration for the music, as well as the title, came directly from these heroes whose courage and effort proved to shine brighter than the flames. Although this piece was originally commissioned in response to this disaster in 2018, at its heart the piece is a tribute to all the brave heroes out there who fight in countless ways in the midst of disasters every day to keep all of us and our communities safe.
$59.99 ≈
56.14€
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99 ≈
9.35€
Ikons
Ikons
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Orchestre
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Keith Dippre
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Keith Dippre
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Ikons
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Imagine Music - Digital
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SheetMusicPlus
Full orchestra - Grade 6 - SKU: IZ.OMW072 Composed by Keith Dippre. Score and Parts. 239 pages. Imagine Music - Digital #OMW072. Published by Imagine Mu...
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Full orchestra - Grade 6 - SKU: IZ.OMW072 Composed by Keith Dippre. Score and Parts. 239 pages. Imagine Music - Digital #OMW072. Published by Imagine Music - Digital (IZ.OMW072). 9 x 12 in inches.By Keith Dippre. Each of the three movements deals with symbols, specifically those that have autobiographical significance to the composer. The first movement, Klee on Loan, pays homage to the famous abstract expressionist painter. The gestures are traditional and all easily identifiable, from the sweeping Mahleresque beginning to the Bartok meets The Rolling Stones motifs found at mid movement. These are the composer's attempts to represent Klee's crosses and arrows through some familiar and abstract sound. Klee's genius, I believe, is found in his ability to make very generic symbols very abstract. The second movement, Roadside Memorial, is a musical journey that goes the route of a dangerous and ominous highway replete with roadside crosses and flowers. Present are the sounds of radio static and the motorist's attempts to find an interesting station in the midst of a punishing blizzard, all the while praying to make the trek safely home. Ikonoklastic is the third and least serious movement of the three, sporting a playful and somewhat schizophrenic waltz. There are childlike melodies set against more serious romantic style gestures. The blending of the serious with the less serious at times combines to create contrapuntal moments. The final movement is the most sublime of the four, and it is solely based upon a loping, adieu-like gesture. The line is continually recycling itself, and the piano takes the role of psychopomp as it escorts the movement to its out of body conclusion.
$90.00 ≈
84.22€
Symphony No. 5 ... Utopia Parkway (2003) full score
Symphony No. 5 ... Utopia Parkway (2003) full score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Park
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Obo...
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Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99 ≈
9.35€
The Light Shines [John 1:5] (Anthem) - Orchestration
The Light Shines [John 1:5] (Anthem) - Orchestration
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Christopher R
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Christopher R
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The Light Shines [John 1:5]
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Christopher Brown
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.747254 Composed by Christopher R. Brown. Arranged by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. ...
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Full Orchestra - Level 3 - SKU: A0.747254 Composed by Christopher R. Brown. Arranged by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 119 pages. Christopher Brown #4794241. Published by Christopher Brown (A0.747254). About the song: This anthem aims to focus on the great truth of John 1:5 - The Light shines in the darkness, and the darkness can never extinguish it. At the cross, where darkness seemed to have the upper hand, the Light shone as Christ declared His finished work. In the human heart, where darkness enslaves lost souls, the Light shines as Christ saves us from the power of sin and death. And in the midst of suffering and persecution, the Light will continue to shine as God's presence and everlasting love carries us and strengthens us to continue to live faithfully for Him.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the vocal score separately on Sheet Music Plus. Performance of this piece requires the purchase of one vocal score per singer.Included in your Purchase:Full ScoreVocal Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1
$49.99 ≈
46.78€
F. Poulenc - Napoli Suite, Orchestrated by A. Leytush - Score Only
F. Poulenc - Napoli Suite, Orchestrated by A. Leytush - Score Only
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Orchestre
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Contemporain
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Francis Poulenc
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A
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F. Poulenc - Napoli Suite, Orc
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1364910 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 108 pages. Arkady Leytush #949205. Published by Arka...
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Full Orchestra - SKU: A0.1364910 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 108 pages. Arkady Leytush #949205. Published by Arkady Leytush (A0.1364910). Napoli Suite for piano was written in 1922-25. The aesthetic attribute most praised by the French is that utterly indefinable quality known as â??charmâ??. Among its leading proponents among 20th-century composers is Francis Poulenc, whose picture-postcard piano suite Napoli whimsically evokes the seaside pleasures, the serene beauty and urban bustle of Italian life as seen through the lens of an urbane French tourist in Naples. All of the above-mentioned colorful virtues of this music moved me to orchestrate this suite for a symphony orchestra, combining it with chamber and solo episodes, where, along with a full symphony orchestra, complete freedom is given to the soloists of the orchestra and its groups. For example, the 1st part â?? Barcarolle - starts with Violin, Flute, Oboe, and Clarinet solo. The 2 part - Nocturne - is almost chamber ensemble consisting of Flute, Oboe, Clarinet, Bassoon, Harp, Tambourine, Cello and D. Bass. The Tutti orchestra wedges in contrast only in in the last 6 bars. The 3rd part - Caprice Italien â?? string septet is soloing in 2 episodes without a conductor amidst powerful and colorful full orchestra sound. I hope to arouse interest of conductors and soloists of the orchestra to perform this brilliant music.
$60.00 ≈
56.15€
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95 ≈
24.28€
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